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1964 Gibson Melody Maker - a classic vintage guitar

A closer look at a Gibson Melody maker from 1964. The Melody Maker is one of Gibson's best ever selling guitars - despite it's comparatively low price it didn't skimp on Gibson tradition: well-built instruments, constructed from the finest materials. The body and set neck are both of South American mahogany whilst the fingerboard is South American rosewood. With a sunburst nitrocellulose finish the Melody Maker certainly looked the part. In fact the Melody Maker had more in common with many higher end Gibson instruments than guitars of a similar price bracket made by other manufacturers. The circuitry was simple; just a volume and tone control for one single coil pickup. See also Gibson Melody Maker shipping figures

1966 Kalamazoo KG2a electric guitar

Details and information on the Kalamazoo KG2a electric guitar. The beat boom of the mid 1960s heralded a huge demand for electric guitars; youngsters up and down America were looking for affordable, well-built solid-bodies, with modern looks and a great sound. Gibson, better known for it's high-end jazz guitars, responded by producing the KG guitar and KB bass lines, under the Kalamazoo brand. They were initially modelled on the Fender Mustang, though soon took the shape of the Gibson SG, which was rapidly rising in popularity. The resulting instruments used modern composite wood technology, Fender style construction and actual Gibson hardware. They looked good, played well, and sold in large quantities. See also Kalamazoo KG shipping figures, a 1966 Kalamazoo KG1 (single pickup) and listen to the Kalamazoo KG soundclips.

Gibson / Monzino (Italy) guitar catalogue, 1971

Gibson / Monzino guitar catalogue, 1971. America saw numerous promotional publications from Gibson in the first years of the 1970s, but new models were coming and going at such a rate, that some never made it into print. Just one US catalogue was printed in 1971: the Low Impedance for High Performance mini-catalogue, which contained just the Gibson Les Paul Recording guitar, and the Gibson Les Paul Triumph bass. However other countries were producing their own literature, capturing a snapshot of the Gibson range not seen in print in the US. This brochure was printed by the new Italian distributors, Monzino, and shows several instruments yet to be seen in US catalogues (the SG range in particular) and one that would never make it: the Gibson SB400 bass.

Gibson Victory MV series

The Gibson Victory MV (multi-voice) guitars were launched towards the end of 1981, with a production period lasting just over two years. There were two models, the Gibson Victory MV2 and the Gibson Victory MVX. Both were very fine passive guitars with maple bodies and set maple necks. They had coil-tapped pickups for either humbucking or single coil sounds, but neither managed to give Gibson the Victory they required in terms of sales.

1969 Gibson SG Special

The Gibson SG came in several varieties; and the Special is a typical 60s Gibson in many ways. Naturally, it has a mahogany body with a set mahogany neck, in true Gibson style. The pickups are typical Gibson single coil P90s, and the control layout, too, is classic Gibson. Have a closer look, or check out the SG Special soundclips of this guitar, through various vintage amps.

1979 Gibson ES-175D

A closer look at a 1979 Gibson ES-175D. By the late 1970s, the ES-175D had followed the path of most Gibson guitars and changed it's mahogany neck, in favour of a maple neck with volute. It didn't last long, and the neck was again mahogany by 1983. Details of the changes in the ES-175D over time are detailed in the ES-175 timeline.

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1975 Gibson bass catalogue

Catalogue Index

The 1975 Gibson bass catalogue featured Peter Cetera of Chicago playing the L9-S Ripper. It also contained the following basses. Click on the images for full size versions, or click on the model names below for more about each instrument

Guitars:
Ripper L9-S
Grabber
EB3, Les Paul Triumph
Les Paul Signature

In the early seventies Gibson had received critisism for the quality of its instruments, especially with regard post-production checks.

Gibson is constantly aware of its reputation as the world's finest fretted instrument manufacturer. And we're constantly striving to keep our reputation ... and to improve it. That's why we put a guitar through over 50 checks and tests before we put the Gibson name on it. Then Gibson inspects the work approved by line inspectors. If it can't live up to these standards, it can't live up to the Gibson name.

1975 Gibson bass catalogue	1975 Gibson Electric Acoustics catalogue
1975 Gibson Les Paul catalogue	1975 Gibson electric solid bodies catalogue
1975 Gibson thinline catalogue

The 1975 Gibson catalogue consisted of several brochures, each concentrating on a specific area.