Matsumoku guitar tuners / bass tuners >> Vintage Guitar and Bass

Part descriptions for 1960s/70s Matsumoku guitars

Guitar Tuners

Matsumoku closed gear strip tuners (mid 1960s - mid 1970s)

These tuners were fitted to a very wide range of electric guitars produced at the Matsumoku guitar factory, Matsumoto Japan; from the mid/late 1960s to the mid 1970s. This facility produced guitars for export around the world, and these tuners appeared on guitars branded: Angelica (5002), Aria (5002T, 5102T), Aria Diamond (1202T, 1302T), Commodore (N177 / N25), Conquerer, Conrad, Domino (Dawson 40E2), Electra (2221), Epiphone (5102T / EA-250), Lyle (5102T), Raven, Stewart, Univox (HR-2 / Coily), Ventura (V1001, V1002, V1400, V1500) - and most likely many, many more. more

Matsumoku closed gear individual tuners (late 1960s - mid 1970s)

As fitted to a variety of electric guitars produced at the Matsumoku guitar factory, Matsumoto Japan from the mid/late 1960s to the mid 1970s. Available with gold or chrome plating. The gold-plated version typically appeared on Les Paul Custom style solid body guitars such as the Jedson Jet 4444, Shaftesbury 3400 and Univox The Mother U1982, whilst chrome-plated tuners were fitted to the Dorado 5988 and many others. more

Matsumoku open gear individual tuners (late 1960s - mid 1970s)

These tuners were fitted to a varity of electric guitars produced at the Matsumoku guitar factory, Matsumoto Japan from the mid/late 1960s to the mid 1970s. Typically solid body guitars 1802T style guitars: Aria Diamond (1802T), Epiphone (1802T / ET-270), Eros (9525), Fandel (H-F702T) - and most likely others. more

Matsumoku open gear individual tuners with plastic buttons (mid-late 1970s)

These tuners were fitted to several (generally Gibson-styled) electric guitars produced by Matsumoku during the mid-late 1970s such as the Kimbara Les Paul copies, but also guitars by Arbiter, Eros, and many likely others. more

Bass Tuners

Matsumoku closed gear tuners (Late 1960s - mid 1970s)

As fitted to Matsumoku-built basses branded: Aria (1820), Epiphone (1802T / ET-280), Shaftesbury ...and most likely others. more

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Aria Pro II The Cat Electric Guitar Neck 22 Frets RW Fretboard Loaded Tuners

Douglas, Arizona, 856**, UNITED STATES OF AMERICA

$270

THE NECK SHOPPE IS BACK!
Taken from a used guitar. It's in fair condition. There are a few marks and touchups and wear as shown and it could use more cleaning as shown, but nothing too major.
Because we are based in Arizona, most guitars we take in are kept in a very dry climate and will need time to acclimate. Fretboards will need to be oiled, wood will show some signs of shrinking, etc
Your purchase helps support Guitars for Kids of Arizona, a non-profit organization ... more

Fujigen Aria Pro II Rickenbacker Type Bass Tuners w / Grommets - 1979

Coeur d'Alene, Idaho, 838**, UNITED STATES OF AMERICA

$200

Northwest Vintage Guitars brings you a set of Fujigen Aria Pro II Rickenbacker style bass tuners in perfect working order These are not the earlier Matsumoto tuners that degrade over time, these are high quality tuners that operate flawlessly and smoothly
We offer a 7 day money-back return on all used items Buy with confidence
All items are guaranteed to arrive in the condition as described, and a full refund will be issued if not Additionally, all our products are fully ... more

Vintage matsumoku octagon guitar tuners Made in JAPAN gold Les paul

Portland, Maine, 041**, UNITED STATES OF AMERICA

$119

Vintage matsumoku octagon guitar tuners Made in JAPAN gold as shown 5 with one missing button as used on Les paul , etc 1970s80s all tuners work smoothly no issues... more

Rare Vtg Ventura Ibanez Vantage Guitar Tuner Tuning Peg Made in Japan

Sacramento, California, 958**, UNITED STATES OF AMERICA

$100

You are Bidding on:
Electric Guitar Original Part
AS PICTURED
ALL contacts between bidders / buyers and seller must be made via EBAY MESSAGES ONLY
... more

Vtg 70's Ventura V-200S Lawsuit Guitar Original "V" Logo Tuner Tuning Peg Japan

Sacramento, California, 958**, UNITED STATES OF AMERICA

$100

You are Bidding on:
Electric Guitar Original Part
AS PICTURED
ALL contacts between bidders / buyers and seller must be made via EBAY MESSAGES ONLY
... more

Vintage 70's Guild Greco Univox Guitar Tuners Set for Project Upgrade

Brooklyn, New York, 112**, UNITED STATES OF AMERICA

$85

Vintage 70's Guild Greco Univox Guitar Tuners Set for Project Upgrade. Nickel, all metal. Great condition!!! As pictured. Don't forget to check my other listings!!!... more

80??s Aria Pro II Japan Vintage Deluxe Guitar Tuners Tuning 3x3 Nickel

State College, Pennsylvania, 168**, UNITED STATES OF AMERICA

$75

Up for sale is an set of 80??s Aria Pro II japan vintage deluxe 3x3 guitar tuners. Nickel finish. They have some cosmetic wear. Most of my items ship the next day if purchased before 8pm EST. Thanks for looking and please ask any questions
... more

Gold Vintage Univox Japan Tulip Guitar Tuners, 3x3, Ventura, Matsumoku lawsuit

Orange, California, 928**, UNITED STATES OF AMERICA

$69

Comes as seenincludes ferrulesno set screwscame of Matsumoku made Univox and other brand Lawsuit Les Paul style guitarsvery good shapeno issues... more

Teisco Del Rey Guitar Tuner Set Kawai Univox Kay Guitar Japan MIJ

Plano, Texas, 750**, UNITED STATES OF AMERICA

$65

Steel strip, nickel finish, brass gears, rectangular buttons, normal light vintage wear, all gears work properly, no cracks on buttons , buttons are almond color, final two photos are for visual reference. Only listing is for one set of tuners. Thanks for looking
... more

Vtg Epiphone Newport Lefty Bass Guitar Original Tuner Tuning Peg Made in Japan

Sacramento, California, 958**, UNITED STATES OF AMERICA

$60

You are Bidding on:
Bass Guitar Original Part
AS PICTURED
ALL contacts between bidders / buyers and seller must be made via EBAY MESSAGES ONLY
... more

1966 Epiphone Newport Bass Guitar Original Tuner Tuning Peg Made in Japan

Sacramento, California, 958**, UNITED STATES OF AMERICA

$60

You are Bidding on:
Bass Guitar Original Part
AS PICTURED
ALL contacts between bidders / buyers and seller must be made via EBAY MESSAGES ONLY
... more

Vtg Lyle Matsumoku Electric Guitar Tuners Tuning Pegs Made in Japan

Sacramento, California, 958**, UNITED STATES OF AMERICA

$60

You are Bidding on:
Electric Guitar Original Part
Please note: in GOOD & WORKING CONDITION
AS PICTURED
ALL contacts between bidders / buyers and seller must be made via EBAY MESSAGES ONLY
... more

Matsumoku Closed Back Cross Mount 6 In Line Tuners MIJ Japanese off Cortez Strat

Jonesville, Virginia, 242**, UNITED STATES OF AMERICA

$55

For sale a vintage 1970s set of 6 closed back 6 in line tuning heads off a Matsumoku Japanese made Cortez Strat. Great for restoring vintage 1970s builds that need the perfect cross alignment modern tuners can't do with the high quality of Japanese craftsmanship
... more

Single Chrome Vantage / Ventura / Ibanez Guitar Tuner, Bass Side, Japan

Fredericksburg, Virginia, 224**, UNITED STATES OF AMERICA

$50

Up for sale is a single Vantage / Ventura / Ibanez guitar tuner for the bass side of the headstock. This is in good condition as shown
~ All of the proceeds from these sales go to support the band Sing for Sol in our musical endeavors ~
Check out our store Veins To Wires for more musical instrument parts.... more

Single Chrome Vantage / Ventura / Ibanez Guitar Tuner, Treble Side, Japan

Fredericksburg, Virginia, 224**, UNITED STATES OF AMERICA

$50

Up for sale is a single Vantage / Ventura / Ibanez guitar tuner for the treble side of the headstock. This is in good condition as shown
~ All of the proceeds from these sales go to support the band Sing for Sol in our musical endeavors ~
Check out our store Veins To Wires for more musical instrument parts.... more

1970's Japanese Tune-o-matic Guitar Bridge for Archtop Guitar Lyle Conrad

Houston, Texas, 770**, UNITED STATES OF AMERICA

$45

1970's Japanese Tune-o-matic Guitar Bridge for Archtop Guitar Univox Lyle. Condition is Used. Shipped with USPS Ground Advantage.... more

1970's Japanese Tune-o-matic Guitar Bridge for Archtop Guitar Univox Lyle

Houston, Texas, 770**, UNITED STATES OF AMERICA

$45

1970's Japanese Tune-o-matic Guitar Bridge for Archtop Guitar Univox Lyle. Condition is Used. Shipped with USPS Ground Advantage.... more

Vtg Epiphone FT-350 El Dorado Acoustic Guitar Bass Side Tuner Tuning Peg Japan

Sacramento, California, 958**, UNITED STATES OF AMERICA

$40

You are Bidding on:
Acoustic Guitar Original Part
Please note: ONE TUNER in WORKING CONDITION, NO FERRULES!!!
AS PICTURED
ALL contacts between bidders / buyers and seller must be made via EBAY MESSAGES ONLY
... more

Vintage 1980's Aria Pro II Gold Tuners With Screws Japan

Gardena, California, 902**, UNITED STATES OF AMERICA

$40

Up for sale is a Vintage 1980's Aria Pro II Gold Tuners With Screws Japan
Tuners comes exactly as shown some discoloring so please make sure to check out all photos for condition.
Tested and in good working order
Shipping is only quoted for the lower 48 only .Alaska Hawaii Puerto Rico APO / PO Boxes shipping will cost more... more

Vtg Epiphone FT-135 Cortez Acoustic Guitar Bass Side Tuner Tuning Peg Japan

Sacramento, California, 958**, UNITED STATES OF AMERICA

$40

Find more Matsumoku tuners for sale at vintageguitarsforsale.co

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1973 Hagstrom Swede Bass

The Hagstrom Swede bass, or model HB 903, was only built in small numbers: just 1479 basses shipped between 1971 and 1976. Unlike the current range of Hagstrom guitars, the 1950s-1980s Hagstroms were built in Sweden. This example comes from 1973 and is pretty typical: translucent cherry finish, mahogany body, mahogany neck with an ebony fretboard. It's a really nice bass, beautifully appointed with a very wide tonal range, and a great playing feel. It is relatively heavy though for a mahogany instrument, mostly due to its thick solid body. Very cool bass, and certainly one of the very best basses produced by Hagstrom.

1973 Shaftesbury 3400

This example of the Shaftesbury 3400 was produced by Japanese manufacturer Matsumoku who made some great quality guitars in the 1970s and 1980s. This is a slightly later example, and has some features not seen on earlier 3400s. Although nice guitars, these are not in the same league as the Gibson Les Paul it was emulating (no set neck, no carved maple top); but they are far better than many of the entry-level Les Paul copies available in the mid-1970s - for example the Shaftesbury 3400 has gold plated hardware, a solid body bound front and back, Maxon brand humbuckers and nice inlaid neck and headstock.

1971 Epiphone 1802T

The Epiphone 1802T was the early name given to the Epiphone ET-270 and derived from an existing Aria guitar, also the 1802T. This was the first of the 1970s Epiphone solid bodies made in Japan by Matsumoku.The model evolved somewhat over its short production run: the very earliest examples were very similar to the Aria, sharing the same body shape, hardware, and clear-coated neck with Fender-style headstock with decal logo. By the time it was designated the Epiphone ET-270 it had been upgraded with the classic Epiphone-style headstock, with nice inlaid logo, and Epiphone 'E' motifs on the truss rod cover and scratchplate. This example from 1971 is somewhere in between with the Epiphone-style headstock, but with silk-screened logo, and no 'E's.

1971 Shaftesbury 3400

Shaftesbury was a brand distributed by Rose-Morris in the UK - generally imported guitars from Italy or Japan. This guitar, model 3400 was produced by Matsumoku in Japan, and was one of the earliest Les Paul copy guitars, debuting in the UK in 1969, although the same guitar was also sold as the Univox U1982 'Rhythm and Blues' by Merson in the USA as early as 1968. It was also available in different territories under different marques, most obviously the Aria 5522 (Japan), Jedson Jet 4444 (UK, Dallas Arbiter), with no doubt many more examples worldwide.

1981 Gibson Victory MVX

The Gibson Victory MV-X, or Victory 'Multi-Voice' 10, was so-named because of the 10 distinct switch settings: although on first glance this guitar is very much a 'super-strat', with its three-pickup 5-way switch wiring configuration, the original advertising, sounds like... all of 'em underlines that this isn't just a Stratocaster copy, having the sounds of both Gibson humbuckers and Fender single coils available with a flick of a switch. The model was short-lived, with the first instruments shipping from Kalamazoo in Summer of 1981, and the last (excluding any stragglers) leaving Nashville by early 1982. This one was stamped on August 3rd 1981 in Kalamazoo.

1970 Rosetti Epiphone guitar catalogue

Scan of 1970 Epiphone guitar catalogue produced by Rosetti for the UK market. Undated but most likely from mid-late 1970, this was the first UK catalogue to show the new range of Japanese (Matsumoku) Epiphone guitars. Interestingly, these pages show the Epiphone solid bodies with a single-sided Fender-style headstock layout - a feature quickly replaced with a typical two-sided Epiphone headstock almost immediately. Epiphone electric guitars: 9520, 9525; bass guitars: 9521, 9526; acoustic guitars: 6730, 6830, 6834

A World of Guitars by Rosetti - 1971

Scan of 1971 Rosetti catalogue (UK) featuring guitars from from numerous manufacturers worldwide: guitars by Epiphone, Hagstrom, Levin, Hoyer, Egmond, Eros, Moridaira, Kiso-Suzuki, Schaller, and Tatra.

1971 Selmer guitar catalogue

Scan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

1968 Selmer guitar catalogue

Scan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

Hofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

The Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

Production of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

When Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

Rose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

This very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

The Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of �47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

The Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

Catalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

The Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

The Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

The 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

The sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

A detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

The Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price �18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

A nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

Not to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

Matsumoku tuning keyes

Part descriptions for 1960s/70s Matsumoku guitars

Guitar Tuners

Matsumoku closed gear strip tuners (mid 1960s - mid 1970s)

Matsumoku closed gear individual tuners (late 1960s - mid 1970s)

Matsumoku open gear individual tuners (late 1960s - mid 1970s)

Matsumoku open gear individual tuners with plastic buttons (mid-late 1970s)

Bass Tuners

Matsumoku closed gear tuners (Late 1960s - mid 1970s)

Guitars and Parts for Sale

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Matsumoku tuners for sale

Douglas, Arizona, 856**, UNITED STATES OF AMERICA

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Plano, Texas, 750**, UNITED STATES OF AMERICA

Sacramento, California, 958**, UNITED STATES OF AMERICA

Sacramento, California, 958**, UNITED STATES OF AMERICA

Sacramento, California, 958**, UNITED STATES OF AMERICA

Jonesville, Virginia, 242**, UNITED STATES OF AMERICA

Fredericksburg, Virginia, 224**, UNITED STATES OF AMERICA

Fredericksburg, Virginia, 224**, UNITED STATES OF AMERICA

Houston, Texas, 770**, UNITED STATES OF AMERICA

Houston, Texas, 770**, UNITED STATES OF AMERICA

Sacramento, California, 958**, UNITED STATES OF AMERICA

Gardena, California, 902**, UNITED STATES OF AMERICA

Sacramento, California, 958**, UNITED STATES OF AMERICA

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