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Vintage Guitar and Bass

Why vintage guitars?

There is something special about musical instruments of a certain age. Guitars built from the mid 1950s until the late 1970s are generally held in high esteem; techniques and materials, particularly pre-1970 were vastly superior to today's 'mass-produced' standards. But is a vintage guitar really much different to a modern day equivalent? People often say wood is wood, but this is simply not the case. Centuries old trees that were regularly harvested for guitar manufacture in the 1950s are now protected, and it is these old trees with close grains and unbeatable tonal qualities that make the very best guitars. With rainforests rapidly diminishing their protection can only be a good thing. But it does mean that good quality older guitars, perhaps with a few modern upgrades can make some of the very best instruments available. What's more, much of the painstaking attention to detail lavished upon fine old jazz guitars by special order/custom departments and aimed at serious guitarists has been replaced by the continual churning out of 'limited editions', aimed at serious collectors. Whether these rare, but ultimately not-so-special guitars will be quite so desirable in 30 years time remains to be seen.

Vintage guitar and bass is a website dedicated to the cool old guitars and basses of yesteryear. Not just fine guitars by legendary American makers such as Gibson, Epiphone, Fender and Guild; but also guitars that captured the essence of the golden years of rock and roll: Hofner, Vox, Hagstrom and many more. Have a look at the vintage guitar and bass sitemap.

What is a vintage guitar?

Different people have different opinions on what makes a vintage guitar. For the purposes of this site, a vintage electric guitar or vintage bass is one that was produced in the golden age of rock and roll. From the very early 1950s when Fender first produced the Esquire and Broadcaster, and Gibson the Les Paul; to the early 1980s, when both of these companies sold to their current owners.

Why play an old guitar?

The musical revolutions occurring during the period in question created the first well-known guitar heroes, and gave their guitars iconic status. It is no surprise that the right guitar can immediately conjure a specific period in time, both with looks and sound. And modern day guitarists who want to capture an essence of that period will naturally tend towards these guitars. Nothing says 1950s quite like a Gretsch. Nothing says 1960s quite like a Vox teardrop or Phantom.

1969 Fender Mustang bass, 1964 Gibson Melody Maker, 1966 Epiphone Granada

Numerous classic guitars made by the likes of Gibson, Epiphone, Fender, and Guild are worth thousands, sometimes tens of thousands; a little expensive for the average player, and often these are the preserve of investors and collectors. Early versions of certain vintage guitars, like the Gibson Les Paul, SG and Flying V guitars, or the Fender Stratocaster or Telecaster. But there are still very many affordable, great sounding, and exciting to play vintage guitars that offer something simply not available in a new guitar. A well-built vintage instrument, although expensive can actually be superb value for money in comparison to some of the new guitars available at that price.

Vintage guitars for sale

This site is for information only - we don't sell vintage guitars - but do check out our Vintage guitar collectors pick list: a regularly updated selection of rare guitars, vintage catalogs, or unusual items currently that we've found for sale on the web. We especially like to feature Vintage guitars with a story! If you're selling something interesting yourself, get in contact and we can help promote your item.

Latest vintage guitar and bass updates

1970 Rosetti Epiphone guitar catalogScan of 1970 Epiphone guitar catalogue produced by Rosetti for the UK market. Undated but most likely from mid-late 1970, this was the first UK catalogue to show the new range of Japanese (Matsumoku) Epiphone guitars. Interestingly, these pages show the Epiphone solid bodies with a single-sided Fender-style headstock layout - a feature quickly replaced with a typical two-sided Epiphone headstock almost immediately. Epiphone electric guitars: 9520, 9525; bass guitars: 9521, 9526; acoustic guitars: 6730, 6830, 6834
1971 A World of Guitars by Rosetti catalogueScan of 1971 Rosetti catalogue (UK) featuring guitars from from numerous manufacturers worldwide: guitars by Epiphone, Hagstrom, Levin, Hoyer, Egmond, Eros, Moridaira, Kiso-Suzuki, Schaller, and Tatra.
1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.
1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini
1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.
1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.
1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.
1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.
1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!
1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.
1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass
1970s Shaftesbury 3263 bass Rose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.
1961 Hohner Zambesi This very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.
1963 Vox Super Ace The Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of £47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area
1966 Vox New Escort The Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.
1969 Fender catalog, Fender Lovin Care Catalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.
1973 Eko Ranger Folk The Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.
1966 Vox Symphonic bass guitar The Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.
1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko
1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425
1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk
1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!
1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.
1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale
1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music
1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.
1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.
1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.
Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!
1966 Hagstrom guitar catalog Hagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

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1969 Gibson Melody Maker, 1964 Harmony H22 bass, 1968 Vox Ultrasonic

Is older always better?

But older guitars are not always better than new guitars; they can have unreliable parts, or be difficult to maintain. A lot of these are upgraded to make great players grade instruments. Keeping the essence of the original vintage guitar, but adding a little of today's reliability. A great example is the 1960s Gibson Melody Maker; an all-mahogany set neck guitar with Brazilian rosewood fingerboard and beautiful nitrocellulose finish. Well-built by Gibson, in their Kalamazoo factory, but with very basic pickups, tuning keys and electronics. Upgraded examples are everywhere, and are exceptional value as players grade instruments. Then again some guitars, especially early Japanese and European models aimed at the student guitarists of the early 1960s are completely unplayable. Even the cheapest modern day guitars put these to shame. Before buying any vintage guitar it is a good idea to know exactly what you are buying!

This site aims to be a reference point for guitar players and guitar collectors. There's information, history, photographs and sound clips of many famous, and not so famous guitars and basses by makes such as Danelectro, Epiphone, Fender, Gibson, Guild, Gretsch, Hagstrom, Harmony, Hofner, Rickenbacker and Vox. There is a section on effects pedals too!

Check out the classic guitar advertisements, guitar catalogs, or listen to vintage guitars being played. If you get stuck, try the sitemap or post a message in the forum

Guitars bought! Do you have a vintage instrument for sale. I am looking for good condition guitars and basses circa 1950-1980 by Gibson, Guild, Hagstrom, Hofner, Vox and others. Let me know what you have available

Latest vintage guitar and bass videos

More vintage guitar videos here Subscribe to the vintageguitarandbass youtube channel for more vintage guitar and bass demos. Also, check out the longer demos of these guitars/amps, with more sounds and more settings in the supporting members pages.

1961 Hofner Colorama I / 1963 WEM ER 15 (3m 07s)

Find out more about these instruments here: 1961 Hofner Colorama, 1963 WEM ER-15

This is a wonderful playing guitar - and it sounds pretty cool through the WEM ER15. The Hofner Colorama was sold by Selmer in the UK 1958-1965: yet the several different guitars were included under the moniker at different times. In 1961 it was a nice set-neck solid body, with a Hofner 510 diamond logo pickup, and a long 6-in-a-row headstock. The controls of these single pickup models are easier to understand than the dual pickup examples, but are still not totally intuitive. These are 1) natural pickup sound 2) treble cut 3) bass cut 4) treble and bass cut. Because the electronics on these controls only act on a single pickup, there is not quite the range of sounds on a dual pickup example, and frankly, they seem pretty subtle. Compare this to the dual pickup 1960 Colorama - the treble/bass switches also turn pickups on/off making the effect far more noticeable - and because of this, using the treble and bass cut together is not possible.

Recorded here with a Heil PR-40 (left channel) and a Shure SM57 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

1960 Hofner Colorama II / 1963 WEM ER 15 (4m 41s)

Find out more about these instruments here: 1960 Hofner Colorama, 1963 WEM ER-15

This is a great little guitar - and it sounds pretty cool through the WEM ER15. The Hofner Colorama was sold by Selmer in the UK 1958-1965: yet the several different guitars were included under the moniker at different times. In 1960 it was a nice set-neck semi-solid - and one of the lightest guitars i've ever played! The controls are not totally intuitive, but the five basic settings have real character. These are 1) both pickups 2) neck pickup 3) neck pickup with treble cut 4) bridge pickup 5) bridge pickup with bass cut.

Recorded here with a Heil PR-40 (left channel) and a Shure SM57 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

1981 Gibson Marauder / 1973 Fender Vibrolux Reverb - vintage guitar demo (4m 34s)

Find out more about these instruments here: 1981 Gibson Marauder, 1973 Fender Vibrolux Reverb

Fender amps are all about clean. You can push them for a bit of snarl, but it's the nice rounded warmth and the sparkling glassiness that really make this amp come alive. Dial in some vibrato and reverb for some really classy sounds. You can go overboard for some craziness (check out some of my other videos of this amp) but just a little shimmer goes a long way! There are some lovely tones here from this combination. What i've recorded here is pretty polite, but that's what this amp inspires. Strung with Gibson bright wires (10-46)

Recorded here with a Shure SM57 (left channel) and a Heil PR-40 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

1981 Gibson Marauder / 1976 WEM Dominator mkIII - vintage guitar demo (4m 37s)

Find out more about these instruments here: 1981 Gibson Marauder, 1976 WEM Dominator mkIII

This is a tasty combination. Actually these two give a pretty bassy basic tone, and the whole amp rattles and vibrates with any significant volume, especially on the lower strings - so quite a few of the settings I used had the amp bass rolled down to some extent. But not all - turn it up loud enough and you can't hear the amp anyway! This amp has some truly wonderful grittier tones, and a world apart from the clean tones of many other amps. Compare the sounds attained here with those from a Fender amp, or Gibson/Norlin solid state LAB series amp. Strung with Gibson bright wires (10-46)

Recorded here with a Shure SM57 (left channel) and a Heil PR-40 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!


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6  GIBSON Electric Acoustic GUITAR Mona-Steel STRINGS E OR 6TH WOUND 1950s BX

6 GIBSON Electric Acoustic GUITAR Mona-Steel STRINGS E OR 6TH WOUND 1950s BX

Van Buren, Arkansas, 729**, UNITED STATES OF AMERICA

$50

1 / 2 DOZEN VINTAGE GIBSON ELECTRIC Mona-Steel Wound GUITAR STRINGS E OR 6TH WOUND 1950s + box
VINTAGE GIBSON ELECTRIC Mona-Steel Wound GUITAR STRINGS E OR 6TH WOUND 1950s + box
These came from Pawn / Guitar Shop Estate Sale that close in Early 80's
Case candy or used them
New Old Stock never used
I open them to check condition
May & Will have Some Tarnished, spots Patina, Rust
I clean with fine sand paper
See Pictures
Some wear and scratches and tear

... more
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Vintage 1971 Gibson ES-340 TDW Walnut w Original Hardshell Case

Vintage 1971 Gibson ES-340 TDW Walnut w Original Hardshell Case

New York, 100**, UNITED STATES OF AMERICA

$4999

Absolutely stunning vintage original circa 1971 Gibson ES-340 TDW in original Walnut finish
This is perhaps the best looking Walnut finish we have ever seen.
Beautiful three piece maple neck has the perfect wear to it on the back. Frets are in excellent condition
Original Gibson humbuckers are warm and this with classic vintage ES tone a la Larry Carlton, Chris Stapleton, and others
Wiring is the similar to 335 but this 340 features a master tone as well as a pickup blender ... more
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1995 Fender American Stratocaster Burgundy Mist Matching Headstock Strat Guitar

1995 Fender American Stratocaster Burgundy Mist Matching Headstock Strat Guitar

Allen, Texas, 750**, UNITED STATES OF AMERICA

$1299

1995 Fender American Standard Stratocaster - Limited Edition Matching Headstock
Color: Burgundy MistOne-piece maple construction neckModern "C" Shape Profile9 5" Radius (241 mm)22 Medium Jumbo Frets 25 5" (648 mm) Scale Length 1 6875" (43 mm) Width at NutMicro-tilt HeelFender USA flat pole piece pickupsReverse wound, reverse polarity middle pickup for hum cancelling in positions 2 & 4. CTS 250K Pots5-way pickup switchHard case, key, owner's manuals, and tremolo arm are includedWeight is 8... more
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Tokai Talbo w /  Gigbag - N

Tokai Talbo w / Gigbag - N

Mesquite, Texas, 751**, UNITED STATES OF AMERICA

$2600


Item: Tokai Talbo w / Gigbag!
Description: You are purchasing a Tokai Talbo w / Gigbag! Awesome Japanese made guitar with an aluminum body. Guitar sounds and plays great without any issues. Please inquire with any questions you may have prior to purchase
Shipping: $70 00 shipping to the Lower 48 States! We ship overseas. Overseas shipping prices will vary. Overseas buyers pay their own import taxes Payment: We accept Paypal for your convenience. Payment arrangements must... more
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1960s Teisco Audition Guitar Husk  w / tuners, bridge & saddle Parts / Repair  Japan

1960s Teisco Audition Guitar Husk w / tuners, bridge & saddle Parts / Repair Japan

Forest Grove, Oregon, 971**, UNITED STATES OF AMERICA

$158

1960s Teisco Audition Guitar Body Neck Husk w / tuners, bridge & saddle Japan... more
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Gibson Standard 58 Les Paul Goldtop 1958 Reissue 1971 1 of 25 rarest Les Paul

Gibson Standard 58 Les Paul Goldtop 1958 Reissue 1971 1 of 25 rarest Les Paul

Hopewell, New Jersey, 085**, UNITED STATES OF AMERICA

$10695

Gibson Standard 58 Les Paul Goldtop 1958 Reissue 1971 With original hang tag and blank guarantee card returnable to Kalamazoo
Being offered from the private collection of Sound Investments USA LLC

CONDITION AND PRICING PLEASE READ:
All electronics work and are original . very clean guitar. The Frets are ok but here is what my luthier said. The neck is slightly bowed on low E side and straight on high E side which he states can be fixed by replacing frets and compensating for ... more
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VINTAGE 1966 GUILD STARFIRE III electric guitar EXCELLENT MUST SEE

VINTAGE 1966 GUILD STARFIRE III electric guitar EXCELLENT MUST SEE

Hopewell, New Jersey, 085**, UNITED STATES OF AMERICA

$3495

GUILD 1966 STARFIRE III BORN IN HOBOKEN NJ

THIN LINE MAHAGANY BODY AND IN COLLECTABLE CONDITION
EK 715 sn
I SEE A EASY TI FIX ITEM TO DISCUSS. I TOOK A GOOD PIC OF IT. THE GUILD LAYOVER PIECE ON THE HEADSTOCK NEEDS TO BE CLAMPED AND GLUED AS IT IS SLIGHTLY RAISED AS SHOWN??NOT A BIG DEAL ON A GUITAR THAT IS NEAR MINT CONDITION. ALSO, SHE HAS LOW ACTION AND NEW STRINGS BUT AT THE 16TH FRET THE ACTION COMES UP A BIT AND THIS ONE NEEDS A SET UP. FRETS AND GUITAR SHOW NO WEAR. SHE... more
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1968 Fender Telecaster Thinline

1968 Fender Telecaster Thinline

Loveland, Ohio, 451**, UNITED STATES OF AMERICA

$11900

1968 Fender Telecaster Thinline, Rare Maple cap neck, Sweetplaying, Pearloid guard, Light weight, Logo was slightly muddled, Nicely setup, Awesome instrument, Bridge cover, One owner guitar, Clean condition with periodcorrect Fender case
Need a shipping quote or more info please ask.
... more
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1970??s Fender Bass Tuner keys Set #130

1970??s Fender Bass Tuner keys Set #130

West Point, Mississippi, 397**, UNITED STATES OF AMERICA

$175

1970??s Fender Bass Tuner keys Set. #130 This genuine set of 4 1970??s Fender Branded Bass Tuner keys are part of my large parts collection that I have had since 2002.

PLEASE NOTE: No other parts come with this set of Fender Bass Tuning Keys. Parts to complete this set of tuners you will need 16 screws to mount the tuning keys. Also needed are 4 Ferrel bushings to make these 4 tuning keys work for you

USPS mail delivery
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6-strings LP style Headless Handcrafted Customized factory Electric Guitars

6-strings LP style Headless Handcrafted Customized factory Electric Guitars

Burlington, New Jersey, 080**, UNITED STATES OF AMERICA

$149

Your guitar purchased in the United States will be shipped by UPS or FEDEX, and the delivery time is about 3 to 7 days
About:
My friends, although our store is new, the factory has many years of production experience
We have guitars in stock for all US addresses and we can deliver them right away
Every guitar in our store is an absolutely excellent ensemble guitar, made from some custom branded electronics and hardware that delivers the best look and sound at an ... more
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