Trying to find the value of your guitar?
Expand the categories below, or go back home
Amplifiers
Effects
Guitars
Dan Armstrong
Epiphone
Fender
G&L
Gibson
bass
catalogues
Gibson soundclips
guitars - electric acoustic
guitars - solid-body
335S
EDS1275
Explorer
Firebird
Flying V
Futura
Invader
L5S
L6S
Les Paul
Marauder
Melody Maker
Moderne
RD
S1
SG
Sonex
Victory
Victory MV2
Victory MVX
guitars - thinline
parts
vintage Gibson adverts
Gretsch
Guild
Hagstrom
Harmony
Hayman
Hofner
Kalamazoo
Musicman
Ovation
Rickenbacker
Supro
Vox
Home
Search
vintage guitar advertisements
vintage guitar catalogues
vintage guitar classifieds
Vintage guitar forum
Vintage guitar soundclips
Vintage guitar values

Latest vintage guitar updates
1964 Gibson Melody Maker - a classic vintage guitar
1964 Gibson Melody Maker electric guitar A closer look at a Gibson Melody maker from 1964. The Melody Maker is one of Gibson's best ever selling guitars - despite it's comparatively low price it didn't skimp on Gibson tradition: well-built instruments, constructed from the finest materials. The body and set neck are both of South American mahogany whilst the fingerboard is South American rosewood. With a sunburst nitrocellulose finish the Melody Maker certainly looked the part. In fact the Melody Maker had more in common with many higher end Gibson instruments than guitars of a similar price bracket made by other manufacturers. The circuitry was simple; just a volume and tone control for one single coil pickup. See also Gibson Melody Maker shipping figures
1966 Kalamazoo KG2a electric guitar
1966 Kalamazoo KG2a electric guitar Details and information on the Kalamazoo KG2a electric guitar. The beat boom of the mid 1960s heralded a huge demand for electric guitars; youngsters up and down America were looking for affordable, well-built solid-bodies, with modern looks and a great sound. Gibson, better known for it's high-end jazz guitars, responded by producing the KG guitar and KB bass lines, under the Kalamazoo brand. They were initially modelled on the Fender Mustang, though soon took the shape of the Gibson SG, which was rapidly rising in popularity. The resulting instruments used modern composite wood technology, Fender style construction and actual Gibson hardware. They looked good, played well, and sold in large quantities. See also Kalamazoo KG shipping figures, a 1966 Kalamazoo KG1 (single pickup) and listen to the Kalamazoo KG soundclips.
Gibson / Monzino (Italy) guitar catalogue, 1971
Gibson / Monzino guitar catalogue, 1971Gibson / Monzino guitar catalogue, 1971. America saw numerous promotional publications from Gibson in the first years of the 1970s, but new models were coming and going at such a rate, that some never made it into print. Just one US catalogue was printed in 1971: the Low Impedance for High Performance mini-catalogue, which contained just the Gibson Les Paul Recording guitar, and the Gibson Les Paul Triumph bass. However other countries were producing their own literature, capturing a snapshot of the Gibson range not seen in print in the US. This brochure was printed by the new Italian distributors, Monzino, and shows several instruments yet to be seen in US catalogues (the SG range in particular) and one that would never make it: the Gibson SB400 bass.
Gibson Victory MV series
Gibson Victory MV guitarsThe Gibson Victory MV (multi-voice) guitars were launched towards the end of 1981, with a production period lasting just over two years. There were two models, the Gibson Victory MV2 and the Gibson Victory MVX. Both were very fine passive guitars with maple bodies and set maple necks. They had coil-tapped pickups for either humbucking or single coil sounds, but neither managed to give Gibson the Victory they required in terms of sales.
1969 Gibson SG Special
1979 Gibson ES-175DThe Gibson SG came in several varieties; and the Special is a typical 60s Gibson in many ways. Naturally, it has a mahogany body with a set mahogany neck, in true Gibson style. The pickups are typical Gibson single coil P90s, and the control layout, too, is classic Gibson. Have a closer look, or check out the SG Special soundclips of this guitar, through various vintage amps.
1979 Gibson ES-175D
1979 Gibson ES-175D A closer look at a 1979 Gibson ES-175D. By the late 1970s, the ES-175D had followed the path of most Gibson guitars and changed it's mahogany neck, in favour of a maple neck with volute. It didn't last long, and the neck was again mahogany by 1983. Details of the changes in the ES-175D over time are detailed in the ES-175 timeline.

Older updates here

home | guitar classifieds | vintage guitar forum | sitemap | search

  

Trying to find a guitar valuation?
Do you want to buy/sell a guitar?

more guitars here more basses here more effects here more amplifiers here resources

Gibson Victory guitars
MV-II and MV-X


Gibson Guitar Parts
bridges, machineheads
pickups, scratchplates
www.guitarandbassparts.com
All Gibson Products
guitar, bass, strings and accesories
www.musiciansfriend.com

Gibson Victory MV2 electric guitar
The Gibson Victory MV2 in Candy Apple Red finish
Gibson Victory MVX electric guitar
The Gibson Victory MVX
The Gibson Victory MV range of guitars comprised just two models: the Gibson Victory MV2 (or MVII), "designed primarily for the discerning country player", and the Gibson Victory MV10 (or MVX) that "produces a myriad of separate and distinct electric guitar tonalities; those voices that fill all the needs and requirements of the dedicated guitarist"

MV stood for multi-voice. They were created by the Gibson research and development team in Kalamazoo, MI, with the body work by Chuck Burge, and the multi-voice electronics by Tim Shaw. The period of production was short: mid 1981 - 1983/4. Early models were Kalamaoo-built, but by the end of 1981 they were being produced at the Gibson Nashville plant. There were also three Gibson Victory bass models (See Chuck Burge's interview with FlyGuitars on the development of the Gibson Victory bass), and these went on to outlast the guitar versions by several years. The Gibson Victory MV2 and MVX were last listed in Gibson prices list of January 1984, whilst the Gibson Victory Standard and Artist basses remained until 1986.

According to the 1981 pre-owners manuals, they were attempts to add "in-demand" tones, to Gibson's classic sounds. Direct competition for the Fender Telecaster (MV2) and Fender Stratocaster (MV10). As well as the Fender-esque shape, these guitars were fitted with pickups and circuitry that could give single coil tones. This was not the first time Gibson had created guitars to directly take on Fenders sound; the Gibson Marauder and Gibson S-1 had done much the same thing 6 years earlier, but with more traditional Gibson body styling.

But to say the Victory series were just Fender copies would be very wrong indeed. Although they could produce single-coil sounds, these guitars were actually fitted with humbuckers for the fatter tones associated with Gibson, and along with a hard rock maple body and a set (glued-in) maple neck, they owed a lot more to Gibson tradition than might seem obvious at a first look. In many ways they are descendents of the all-maple Gibson RD series guitars; the design teams previous effort.

Gibson 1983 catalogue
The Gibson Victory Standard bass and Gibson Victory MX guitar were the only Victory models to appear in the 1983 Gibson catalogue
The Victory guitar series were available at dealers from late summer 1981, however bass models may have been available slightly earlier in 1981; only Victory basses were listed in the April 1981 price lists, with the guitars added in the next list.

By this time Gibson were having serious financial problems, and unprofitable models were being discontinued. The Victory MV guitars were good quality instruments, with wide tonal palettes. So why were they a commercial failure? It was a time of falling guitar sales in general, and perhaps Gibson buyers wanted Gibson classic styling? Price may also have been a factor: in 1982 the MV2 cost the same as the SG Standard, with the MVX a shade below the Les Paul Standard. Another factor may have been insufficient advertising. The MV2 never appeared in a Gibson catalogue, whilst the MVX just made it into the 1983 catalogue. Marketing the MV2 as a country guitar was perhaps a bad idea - although useful in alikening the instrument to the Telecaster, the Victory body shape was probably too 'rock' for country players, whilst the country tag must have put off may rock players.

Back to the GIBSON INDEX | comment

If you are looking for specific vintage guitars for sale, you may have to keep an eye on numerous vintage guitar stores, classifieds websites and ebay listings. Below are just the auctions - Vintage guitar stores tend to advertise theirs in their ebay online vintage guitar stores - have a look because there are some different listings.



Comment on this article

All comments are moderated. Name and email details are required.

Name
Email address
Your comments

Anti-spam question - just to prove you are human

How many legs does a tripod have?



© 2004-2012 vintageguitarandbass.com | Contact Us | Terms and Conditions | Links


Gibson bass guitars | Guitar reviews | Vintage guitar values | Vintage guitar parts