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LANEY | VINTAGE ADVERTISEMENTS

Laney advertisement (1971)

The Most Stimulating Simulator in the Business

Laney Amplifiers

Any standard 100 watt stack or PA can be increased in power in steps of 100 watts by simple addition of LS100BL or LS100PA power simulators together with the appropriate speakers.
Tony Iomi of Black Sabbath required two power simulators to assist is 100 watt Laney amplifier to give the extra power to penetrate audiences of up to 20000 people on Black Sabbaths recent tour of America. Geezer Butler uses one power simulator and Ozzie Osbourne, Black Sabbaths Dynamic vocalist uses nine

Laney advertisement (1971) The Most Stimulating Simulator in the Business

Other related vintage advertisements

Laney Amplifiers - Clem Clempson has moved... ... to Laney
Laney Amplifiers - Clem Clempson has moved... ... to Laney
UK advert for Laney amplifiers (distributed in the UK by Boosey and Hawkes) featuring Clem Clempson; guitarist from the British band Colosseum.

When he joined the great sound of Colosseum, ...

Laney

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Vintage 80s LANEY Pro Tube AOR 50 head

Vintage 80s LANEY Pro Tube AOR 50 head

Covington, Louisiana, 704**, UNITED STATES OF AMERICA

$875

Late 80s Laney AOR 50 8 knob. Immaculate condition for its age. Fires right up. Please note the amp has never been opened has all original tubes and caps I believe. Only selling because I have 2. Will ship cont US. Location is gulf coast if preferred local pickup. Would also consider trades. $875 shipped cont US
... more
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Laney GS412P 4x12 Guitar Cabinet with Premier Vintage 60 Speakers (Stereo or Mon

Laney GS412P 4x12 Guitar Cabinet with Premier Vintage 60 Speakers (Stereo or Mon

Pompano Beach, Florida, 330**, UNITED STATES OF AMERICA

$600

Laney GS412P 4x12 Guitar Cabinet with Premier Vintage 60 Speakers (Stereo or Mono switch feature)
Product SpecsBrand: Laney
Model: GS412P 4x12 Guitar Cabinet Premier Vintage 60 Speakers
Categories: Guitar Cabinets
Made In: United Kingdom
Condition: Good (Used)Good condition items function properly but may exhibit some wear and tear.... more
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Laney L60PA Vintage Tube Guitar Amplifier Head W /  Partridge Transformers!

Laney L60PA Vintage Tube Guitar Amplifier Head W / Partridge Transformers!

Grand Rapids, Michigan, 495**, UNITED STATES OF AMERICA

$2300

Just in at Tone Chasers Music is this Laney L60PA with Partridge iron in very good condition. As pictured.

Follow us here
https: / / www facebook com / tonechasersmusic

I ONLY ACCEPT PAYMENTS FACILITATED THROUGH EBAY. I DO NOT DO IN PERSON DEALS WITH FIRST TIME CLIENTS. I SHIP USPS FLATRATE TO THE 48 STATES ONLY. I ONLY SHIP INTERNATIONALLY USING THE EBAY GLOBAL SHIPPING PROGRAM. I ONLY SHIP TO THE ADDRESS PROVIDED TO PAYPAL AND EBAY. PLEASE ASK ANY QUESTIONS PRIOR ... more
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Rare Vintage LANEY-AOR 30R Series II  ~  30 Watt Combo Amplifier  ~  Made In England

Rare Vintage LANEY-AOR 30R Series II ~ 30 Watt Combo Amplifier ~ Made In England

Santa Ana, California, 927**, UNITED STATES OF AMERICA

$500

Rare Vintage LANEY-AOR 30R Series II ~ 30 Watt Combo Amplifier ~ Made In England

Pleasetake advantage of the zoom feature on the photos to judge cosmetics foryourself. What you see in the photos is what exactly you receive. Ifit's not pictured it's not included
For orders with the Free Shipping, we reserve the right to use themost cost-effective means of shipping. In-store pickup only available by prior arrangementONLY
Shipping: Weship all items within 1 business days of ... more
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2x vintage 1970s Belling Lee Miniature amplifier fuse holder s- Hiwatt  Laney

2x vintage 1970's Belling Lee Miniature amplifier fuse holder s- Hiwatt Laney

London, E7***, UNITED KINGDOM

£24

pair of mid seventies Belling Lee Fuse holders
these came out of a FAL amplifier and these take the miniature glass fuses, not the more common 1 / 4"
the sale includes the fuses currently in situ(13a @ 250v)
fully functional, perfect if your vintage amp is missing its fuse holders, these were used by loads of manufactures, Laney, Hiwatt Carlsbro in the mid to late 1970's etc etc
if you have any questions just fire them over!!... more
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Vintage 1960s Laney Sound Supergroup Series MK1 Session 50w Valve Amplifier Head

Vintage 1960s Laney Sound Supergroup Series MK1 Session 50w Valve Amplifier Head

Derby, DE7***, UNITED KINGDOM

£1095

Vintage 1960s Laney Sound Supergroup Series MK1 Session 50w Valve Amplifier Head
A very special piece of history right here. I got this beauty from Europe where it had been for a few decades. It's been well used since being made in 1969, and shows Laney's use of wonderful Partridge transformers. This is only the third 50w I've had come through the store, and this has blown all the other Supergroup's out the water! This particular one has had the mains transformer changed in the past, as you ... more
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valve head  /  combo  /  cabinet Strap handle 1970??s Chrome - Park - Laney - Wem

valve head / combo / cabinet Strap handle 1970??s Chrome - Park - Laney - Wem

London, E7***, UNITED KINGDOM

£36

Vintage early seventies strap handle
Made in west Germany, slightly different design to the normal strap handle that all the usual suspect used
The usual wear it is however fully functional
I have seen these used on WEM copicats, Park heads and also on some CMI(Marshall) stuff
What you see in the photos is what you get - if you need any dimensions just ask!... more
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Vintage 1969 1970 Laney Sound Supergroup 1x12 LC16 Tremolo Amplifier Combo *Rare

Vintage 1969 1970 Laney Sound Supergroup 1x12 LC16 Tremolo Amplifier Combo *Rare

Derby, DE7***, UNITED KINGDOM

£495

Vintage 1969 1970 Laney Sound Supergroup 1x12 LC16 Tremolo Amplifier Combo *Rare
A very special piece of history right here. This one is rarely seen, and dates to 1969 / 1970. It is one of Laney's first ever combo amplifiers, named the LC16. This one came out of a house clearance auction in the West Midlands, where Laney began. It is a real nice example and sounds awesome! This one came with a replacement (1970s / 1980s) McKenzie 12" speaker that holds well in this amplifier. There are a few ... more
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vintage 1976 goodmans audiom12p-d 12" guitar speaker  /  driver Laney spec

vintage 1976 goodmans audiom12p-d 12" guitar speaker / driver Laney spec

London, E7***, UNITED KINGDOM

£105

goodmans audiom12P-D guitar speaker - Laney spec.
Lovely Goodmans driver from 1976
great condition
16 ohms / 60 watts
fully functional - the cone moves freely and does not rub!
This original had a whizzer cone, this has been removed and the original dust cap retained.
Perfect if you would like a vintage driver for your valve amp!
If your location isn??t showing as a postage destination, message me for a postal quote
as always you are more than welcome to collect ... more
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x4 Vintage  4x12  /  2x12 castor  /  castors /  cab - cabinet wheels 1970??s Laney

x4 Vintage 4x12 / 2x12 castor / castors / cab - cabinet wheels 1970??s Laney

London, E7***, UNITED KINGDOM

£44

Set of 4 early seventies castors
Decent enough condition, these do work and wont look out of place on a vintage cab
These came off of a 1970 Laney supergroup cab I own, that's an A cab, so it doesnt need castors when its on top of its B cab
the sale includes the bolts but no washers!
Period correct for pretty much any Vintage british 4x12, 2x12 or combo ie Hiwatt, Laney, Soundcity, Carlsbro etc... more
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set of 4 Super Caddie 4x12  /  2x12 castor  /  castors Laney - Soundcity etc 1970??s

set of 4 Super Caddie 4x12 / 2x12 castor / castors Laney - Soundcity etc 1970??s

London, E7***, UNITED KINGDOM

£40

Set of 4 early seventies super caddie castors
Nice condition, very well made with 3?? wheels
These were on a Laney Klipp cab I got recovered , I don??t have a cab to put them on right now so my loss is very much your gain!
the sale includes the bolts but no washers!
Period correct for pretty much any Vintage 4x12 / 2x12 ie Hiwatt, Laney, Soundcity etc... more
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LANEY  BROCHURE SOUND AMPLIFICATION  EQUIPMENT 1967 / 69  PRICE LIST

LANEY BROCHURE SOUND AMPLIFICATION EQUIPMENT 1967 / 69 PRICE LIST

Tyne & Wear, NE38***, UNITED KINGDOM

£40

VINTAGE VERY FIRST LANEY SOUND AMPLIFICATION & EQUIPMENT CATALOGUE 1967-1969
I have owned this catalogue for many years
It was the first catalogue produced by Laney to showcase their equipment
I have included an original price list dated 1969. which is amazing and very rare!
It is in fantastic condition
... more
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Find more Laney at vintageguitarsforsale.co

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1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bass Rose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner Zambesi This very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super Ace The Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of £47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

1966 Vox New Escort The Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin Care Catalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger Folk The Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitar The Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

1959 Hofner Committee

1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

1965 Gretsch Chet Atkins Tennessean

1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalog Hagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner President The President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.

1971 Gibson Les Paul Recording guitar owners manual

1971 Gibson Les Paul Recording guitar owners manual The newly designed Les Paul Recording guitar was released in 1971, in many ways as an updated version of the Les Paul Professional that had debuted two years earlier in 1969. The new guitar came with a new owners manual explaining the (somewhat complicated) controls, their operation, and giving other specifications, including recommended strings, action and control settings. Compare with the broadly similar owners manual for the Les Paul Personal / Professional