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Kalamazoo KB Bass Guitar

Short scale solid-body bass, made by Gibson in Kalamazoo, USA

The Kalamazoo bass guitar, or Kalamazoo KB (sometimes referred to as KB1), arrived in 1966, as a companion model to two Kalamazoo KG guitars that had been launched a year earlier. Like Gibson, and as the name suggests, they were produced in Kalamazoo, Michigan; however in a separate plant to the main 'Gibson' facility. You can read more about Gibson's relationship with Kalamazoo here.

from the 1966 Kalamazoo catalog
Modern styling in solid-body 4-string bass that offers full, true bass tones in a sleek, rugged economically priced instrument. With one pickup of extremely powerful design and full volume and tone control, the Kalamazoo Bass creates the full driving bass sound that sells a combo.

The vintage Kalamazoo-brand bass guitars are perhaps not that well known outside the United States, due to their short production time (just a few years in the mid 1960s) and the lack of endorsement by well known musicians; however being made by Gibson, in the USA, out of genuine Gibson parts meant that they were better instruments than many in the same price range. Good condition examples can change hands for reasonable sums amongst vintage guitar enthusiasts, and players alike.

The original bass had the same styling as the guitars; that is, they were really a copy of the Fender Mustang. Though to be fair, they were fitted entirely with Gibson hardware. The audacity was compounded by offering the line in the same three bold finishes as the Mustang: red, white and blue. So Gibson hardware and $80 cheaper than a Fender...

Kalamazoo bass body styles:
Fender Mustang & Gibson SG

As mentioned above, the first KB basses have a remarkable similarity to the Fender Mustang bass (see a 1966 KB bass). Fender's Mustang guitar launched in 1964, and the bass model only followed in mid 1966. Although the Kalamazoo bass is modelled on the guitars, it may have even preceded the Fender bass! At least they were both contemporaneous, both hitting stores in 1966.

For reasons unknown (although it would not be surprising if it was a threat from Fender), the KB bass and KG guitars were redesigned in 1966 with a new SG body style (have a closer look at a 1967 KB bass). There is no evidence (that we know of) of communication between Fender and Gibson on this matter, but if Fender objected to the Gibson Thunderbird as being too much like a Fender, they would certainly felt the same about the KB.

As the KG guitars were available a year before the basses, the Mustang-style instruments were made in far greater numbers than the SG style ones. For the basses, the reverse is true: the body style changed happened very quickly after the KB bass' launch, so Mustang-style examples are far less common than the SG style.

KB bass construction and hardware

Kalamazoo KB neck

Kalamazoo KB Bass headstocksTwo Kalamazoo bass headstocks: above, the more angular Thunderbird-style, below the smoother Fender-style

The Kalamazoo series had a bolt-on maple neck; (something that Gibson, up until this point typically didn't do), a rosewood fingerboard, and were short scale. There were two subtly different headstock shapes, the first has a characteristic 'beak' shape, and is almost identical to that of the non-reverse Thunderbird (see images below). The second style, appearing on the SG-shaped bases is more like that of a Fender, though a little more rounded. The Kalamazoo logo is engraved on the headstock. The necks were actually pretty well made, and are highly playable.

Hardware and electrical

This bass used some standard Gibson components; a typical EB series humbucker right up at the neck, as used in the EB0, EB2, EB3, Melody Maker bass and Epiphone Newport. This pickup in this position, has more affect on the sound than anything else. This bass does sound quite a lot like an EB0 (check out the Kalamazoo KB soundclips here). Tuning keys are the Japanese-made closed keys that were also used on the Melody Maker bass and a few EB basses. The bar bridge had been in use on all EB bass models, but around 1966/67 this was replaced by the two-point intonatable bridge. From this point, the KB bass was the only one using these bridges - likewise the only one using the old-style (and position) chrome handrest.

The scratchplate was almost identical (except some minor screw hole differences) to the Melody Maker bass, but the fingerrest was not rosewood as on all Gibsons, but actually plastic. The body material is not specified in Kalamazoo literature, but is supposedly a wood-laminate of one or more unspecified species, produced by a composite-wood manufacturer in Wisconsin. There were three colours: Flame Red, Glacier White, and Las Vegas Blue - the same three colours of the Fender Mustang of this period. These were not the expensive nitrocellulose finishes applied to Gibsons, but again catalogue descriptions are not specific, presumably polyurethane.

Kalamazoo KB bass controls
Components like knobs and scratchplates were far less fancy than on Gibson and Epiphone branded basses
Kalamazoo KB bass neckplate
The neck plate is unmarked, though has an unused hole for the strap button. On most basses this was actually situated on the rear of the upper horn
Kalamazoo KB bass pickup and thumbrest
The Gibson EB humbucker and thumbrest were mounted onto the scratchplate
Kalamazoo KB bass tuning keys
The machine heads used were closed-cover Japanese-made tuners, as used on a lot of 1960s basses by numerous manufacturers. Other Gibson and Epiphone basses to use these include the EB0 and EBS Newport

Gibson, Epiphone and Kalamazoo

Dianne Bowens of the Soul-Choppers.jpg Dianne Bowens, of Tony Bowens and the Soul-Choppers with a Kalamazoo KB bass. Have a listen to Dianne getting down with her KB bass on the track Boilin' Water from the album The World's Rarest Funk 45s on Jazzman records. The deep mellow bass tone is perfect for this kind of early seventies funk - doesn't it sound great?

Gibson had produced cheaper instruments with Kalamazoo brand on the headstock during the depression of the 1930s and post war 1940s, but it had not previously been used on a solid-body guitar. Sales were initially good, and during 1966-67 this was by far the best selling bass made in Kalamazoo. See the compiled Kalamazoo bass shipping figures here. Unlike the Epiphone instruments, the Kalamazoo basses were not produced side-by-side with Gibsons; they were produced at Gibsons second Kalamazoo factory (plant II, 416E Ransom street) which had been opened in 1962 to produce pickups and electronics.

The Kalamazoo brand was an attempt to emulate Fender's approach to guitar building: good quality components, assembled on a production line. It was a useful way to use up obsolete Gibson parts, and provide an affordable, American-made instrument, with many characteristic Gibson features. However, with the sale of Gibson from CMI to Norlin in late 1969 the business was once again restructured. The Kalamazoo brand was discontinued, and the new Japanese-made Epiphone range became Gibson's entry-level brand.

A common misconception about Epiphone is that its 1960s guitars and basses were cheaper versions of the Gibson lines. From the late 1950s until 1969 Gibson and Epiphone instruments were made side by side to Gibsons, using the same woods, techniques and (often) components. The purpose of the Epiphone range was to expand the Kalamazoo plants reach, specifically in terms of high-end instruments; those that had been Gibson's competition; but also to circumvent certain supply agreements (Gibsons protective territorial policy). There was a waiting list to become a Gibson dealer, but distributing Epiphone, Gibson was able to offer its (closely related) Epiphone models to a wide range of dealers without upsetting existing ones.

Two Kalamazoo KB Bass Guitars, a 1966 Mustang-style and a 1967 SG-style

The two Kalamazoo bass body styles are shown here, with the Mustang shape top and the SG shape below.

Kalamazoo bass shipping totals

As Gibson bass production figures go, the Kalamazoo KB bass sold well, but still only a quarter as many as the Kalamazoo KG guitars (see the KG guitar shipping totals). Unusually for the 1960s, the available shipping figures for the Kalamazoo bass are split by color. The shipping totals are also listed for 3 Gibson/Epiphone comparable models: EB0, Newport (EBS) and Melody Maker bass. As can be seen, the Kalamazoo bass greatly outsold the other models in 1966 and '67, though it slips behind in 1968, and production almost stops in '69 - the EB0s peak year. The Melody Maker bass is another cheaper model, rarer than the others, even though the shipping figures for this bass are most likely incomplete.

  1966 1967 1968 1969 Total
Flame Red 739 1312 523 193 2767
Glacier White 1347 501 290   2138
Las Vegas Blue 897 342 143   1382
Total Kalamazoo KB bass 2983 2155 956 193 6287
Gibson EB0 1660 1676 1350 3018 7704
Gibson Melody Maker bass 27       27
Epiphone Newport 664 136 65 72 937

Kalamazoo KB bass pricing

The Kalamazoo bass was cheap; approximately half the price of the EB0 and still a good deal cheaper than Gibson's cheapest bass, the Melody Maker, whilst having the same pickup (and therefore a good deal of the sound) of both models. And beyond that it was still $80 cheaper than the Fender Mustang bass. No wonder it sold well initially.

  1966 1967 1968 1969
Kalamazoo KB bass $119.50 $119.50 $119.50  
Fender Mustang bass $189.50 $189.50 $199.50 $229.50
Gibson EB0 $240 $240 $259.50 $275
Gibson Melody Maker bass   $209.50 $227.50 $240
Epiphone Newport $240 $250 $270  
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Vintage Kalamazoo Bass 30 Tube Bass Amp Gibson USA 60??s 210

Vintage Kalamazoo Bass 30 Tube Bass Amp Gibson USA 60??s 210

Chicago, Illinois, 606**, UNITED STATES OF AMERICA


1965-68 Kalamazoo (Gibson) Bass 30 30 watt tub bass amp 210 combo. Everything seems to work dandy, though I personally have not had this serviced and have only used it for short time periods. Regardless vintage American tube bass amp for CHEAP! Plus it??s got a pretty cool old school vibe, and as with my National model 70 and fender bassman amps, guitars sound just dandy through this too. First come first served come get it.
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Scotty Stroud Comment left 7th January 2022 23:11:37 reply
I bought new a Kalamazoo KB-1 and a Gibson Thor amp from Mundt Music in Tyler, Tx in 1968. My KB-1 was white with a black pickguard which I think may be rather rare.
Frank Vozak Comment left 23rd June 2021 04:04:54 reply
The Kalamazoo KB bass was a tremendous bass which delivered great value. I compared my 67 Mustang Bass and EB-O and for half the price the KB delivered great quality. As my bass teacher told me the KB was mahogany pressboard from wood scraps from the Gibson guitar/bass lines. I have also read that Kohler made KB bodies on their toilet seat assembly line on contract for Gibson. Kalamazoo delivered tremendous value, my original amp was a Kalamazoo Bass 50 with 50 watts and 2 ten inch speakers with a control panel that closed into the amp body for travel. If I could have my wish, I'd have a 67 Bass 50, 67 Mustang Bass and 67 KB Bass. This is a combination that delivers grade bass tone, an amplifier with lots of great bass tone in a small package.
Sue Walden Comment left 19th January 2018 08:08:38 reply
My husband has a Gibson Kalamazoo Bass guitar, 1966 (I think) and he is needing the ring piece, tuner Bushings I think its called. Don't need the tuner keys, only those small bushing rings. Where might I find these? Thank you.
Richard brooks Comment left 18th December 2014 17:05:11 reply
Very nice guitars I really enjoyed reading about these guitars history Gibson and epiphone side by side I own a epiphone dot studio (worn cherry) pleased with construction and feel of this guitar and it holds up to alvin Lee licks (going home) 1969 I also own a sunrise bass guitar not sure about it haven't seen any pics on here to bring the bass identification to article fender shape bass percussion I believe walnut/oak materials very good condition label still shows the name (sunrise) I could send photos if you'd like just write me back hope to hear from you soon have a god day and thanks for the articles of Gibson and epiphone the history.
anonymous Comment left 14th August 2012 19:07:28 reply
Did they get to a 2 pickup Kalamazoo KB2 (or would it be KB3 - like EB3?)


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1971 Selmer guitar catalogue

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1971 'Pick Epiphone' Catalog

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1967 Vox Stroller

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1959 Hofner Committee

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1965 Gretsch Chet Atkins Tennessean

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1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

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Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalogHagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner PresidentThe President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.