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WEM Dominator MKIII

15w five tube guitar amplifier

1966 Vox New Escort / 1976 WEM Dominator mkIII (short version, 2m 15s)

Find out more about these instruments here: 1966 Vox New Escort, 1976 WEM Dominator mkIII

This is a fabulous guitar - Vox's take on the Fender Telecaster (which was in pretty short supply in mid-1960s Britain), and actually a pretty awesome player. It has some gorgeous snarl through this WEM Dominator, but check it out through the 1963 WEM ER15 and 1965 Vox AC4 in our other videos.

Recorded here with a Heil PR-40 (left channel) and a Shure SM57 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

1966 Vox New Escort / 1976 WEM Dominator mkIII (long version, 9m 50s)

Find out more about these instruments here: 1966 Vox New Escort, 1976 WEM Dominator mkIII

This is a fabulous guitar - Vox's take on the Fender Telecaster (which was in pretty short supply in mid-1960s Britain), and actually a pretty awesome player. It has some gorgeous snarl through this WEM Dominator, but check it out through the 1963 WEM ER15 and 1965 Vox AC4 in our other videos

Recorded here with a Heil PR-40 (left channel) and a Shure SM57 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

1981 Gibson Marauder / 1976 WEM Dominator mkIII - vintage guitar demo (4m 37s)

Find out more about these instruments here: 1981 Gibson Marauder, 1976 WEM Dominator mkIII

This is a tasty combination. Actually these two give a pretty bassy basic tone, and the whole amp rattles and vibrates with any significant volume, especially on the lower strings - so quite a few of the settings I used had the amp bass rolled down to some extent. But not all - turn it up loud enough and you can't hear the amp anyway! This amp has some truly wonderful grittier tones, and a world apart from the clean tones of many other amps. Compare the sounds attained here with those from a Fender amp, or Gibson/Norlin solid state LAB series amp. Strung with Gibson bright wires (10-46)

Recorded here with a Shure SM57 (left channel) and a Heil PR-40 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

1981 Gibson Marauder / 1976 WEM Dominator mkIII - vintage guitar demo, long version (long version, 11m 21s)

Find out more about these instruments here: 1981 Gibson Marauder, 1976 WEM Dominator mkIII

Long version of this video with extra guitar and amp settings. This is a great guitar/amp combination, with a lot of awesome clean and distorted sounds.

Recorded here with a Shure SM57 (left channel) and a Heil PR-40 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

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Selmer treble and bass 50w vintage valve amplifier and WEM speaker cabinet.

Selmer treble and bass 50w vintage valve amplifier and WEM speaker cabinet.



Selmer treble and bass 50w vintage valve amplifier and WEM speaker cabinet, to be sold together. Both in 'used' condition, amp was serviced about three years ago and not used since
Used throughout Northern England clubs in the 1970's and 80's and still sounds wonderful as only a tube amp can Comes with perfectly matched WEM base cabinet as shown in picture
Shipping is possible but I'm not sure what the cost would be as these are heavy items. Happy to find out cost of shipping or buyer ... more
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Vintage Watkins WEM AX40  Amplifier

Vintage Watkins WEM AX40 Amplifier

Penarth, CF64***, UNITED KINGDOM


Just serviced by top vintage specialist, and in stunning condition.
This vintage amplifier from WEM is the perfect addition to any musician's gear collection. With its classic AX40 model, this head amplifier is sure to bring a unique sound to your performances. Made by the renowned brand WEM, this amplifier has stood the test of time and continues to deliver excellent sound quality.

Whether you're a professional musician or just starting out, this vintage amplifier is a... more
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WEM DOMINATOR MK11 1971 MODELSTOCK CELESTION G12M GREENBACK SPEAKER DATES, FROM 3RD NOV 1971THESE SPEAKERS WERE ONLY FITTED TO THE FIRST RUN Pretty good cosmetic condition for its age, just one side of the cab with a slight bit proper wear and tear
No badge (they always fell off !)New replacement footswitch for tremolo Sounds amazing, all 4 inputs work and they sound great Serviced last year Owned this since the early 90's and selling due to lack of space sadlyCollection only.... more
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WEM Westminister 20 Rare Vintage / Retro Amp

WEM Westminister 20 Rare Vintage / Retro Amp

Nottingham, NG10***, UNITED KINGDOM


This is my WEM (Westminister 20) retro / vintage guitar amp. The amp has a low and high input and one speaker and is a popular choice among guitar players due to its unique rich sound and vintage design. This amp can be used for practice or small gigs and is a great addition to any collection. It's served me well during my semi acoustic, acoustic, and electric guitar period and is in great condition for its age and still sounds as good today as it did when i first purchased it some 35+ years ago... more
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70s WEM BAND MIXER 100 AMP - OLDIE - made in UK

70's WEM BAND MIXER 100 AMP - OLDIE - made in UK



70's WEM Band Mixer 100 :
+ additional fan in back & plus a knob are installed
+ 220 volts version
+ 2nd slider knob from left is also missing
+ untested
CHECK OUR SHOP OUT -------------->>>>>
... more
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1979 WEM - Dominator 45 - ID 1744

1979 WEM - Dominator 45 - ID 1744

Emmering, 82***, GERMANY


Rare British Combo
Zustand: Gut
SerNr: CW81773
Gewicht: 25 kg Versandklasse: Heavy
Differenzbesteuert nach §25 UStG
Dieser seltene Brite kann sowohl als Gitarren, als auch als Bassverstärker genutzt werden.
Er bleibt lange clean und ist sehr stabil im Bass Fundament, geht dann bei Volllast in eine leichte Sättigung über. Auf Pedale reagiert er äusserst freundlich
2 Kanäle
45 Watt
4 x EL84
15" Fane Speaker
Guter Zustand, frisch gecheckt in der Guitar ... more
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1977 WEM ?? Westminster - Abi von Reininghaus -

1977 WEM ?? Westminster - Abi von Reininghaus -

Emmering, 82***, GERMANY


Abi von Reininghaus, erfolgreicher deutscher Gitarrist,
Komponist, Buch- und Kolumnenautor,
Dozent und Gitarrenversteher
trennt sich von einem Teil seines Equipments
Besondere Instrumente und Verstärker
?? treue Weggefährten aus fast 40 Jahren
extremer Kreativität und leidenschaftlicher Suche
nach dem perfekten Sound ??
suchen neue Liebhaber!
Kultiger kleiner, leichter Röhren-Amp für Studio oder Live
Zustand: Gut
SerNr: CW 77538
Gewicht: 18 kg ... more
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valve head  /  combo  /  cabinet Strap handle 1970??s Chrome - Park - Laney - Wem

valve head / combo / cabinet Strap handle 1970??s Chrome - Park - Laney - Wem



Vintage early seventies strap handle
Made in west Germany, slightly different design to the normal strap handle that all the usual suspect used
The usual wear it is however fully functional
I have seen these used on WEM copicats, Park heads and also on some CMI(Marshall) stuff
What you see in the photos is what you get - if you need any dimensions just ask!... more
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Pink Floyd 1970s rare WEM and AVIS  stickers and WEM Catalogue  all mint

Pink Floyd 1970s rare WEM and AVIS stickers and WEM Catalogue all mint

Northwich, CW9***, UNITED KINGDOM


WEM catalogue mint and four WEM / Pink Floyd related late 60s / 1970s stickers all mint unused and rare -Wham its WEM sticker, Pink Floyd use WEM sticker, and Pink Floyd use AVIS Van Hire sticker, and AVIS van and truck rental sticker slight yellowing to paper on back of sticker but fronts are fine
can ship well packed anywhere in the world... more
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Set of 7x Vintage 1970s  1 / 4?? control knobs - Carlsbro - WEM - Watkins

Set of 7x Vintage 1970's 1 / 4?? control knobs - Carlsbro - WEM - Watkins



Set of x7 vintage 1970's Taiwanese amplifier control knobs
these will fit a 1 / 4" shaft and afix with grub screws
these are just over an inch wide and are nice and heavy not cheap like the later knobs in this style
Perfect if you have a vintage seventies amplifier / FX unit and want some period correct knobs
Buy them before I decide to buy an amp to put them on!!
the listing is for 7
anything else just ask
... more
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Vintage Amp Amplifier Combo Cover Used Circa 1970s WEM ?

Vintage Amp Amplifier Combo Cover Used Circa 1970s WEM ?



Vintage Unbranded Amp cover. Vinyl with Red trim , circa 1970s, possibly WEM (we say this because of the red trim and have previously sold a similar cover that had a WEM logo). This cover has no logo
Used condition, has marks and signs of use , age and wear
63 x 40 x 24 cms approx external dimensions
Free Uk postage. Will be folded / rolled for delivery
... more
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Watkins Westminster 1960s - Black Diamond

Watkins Westminster 1960s - Black Diamond

Doncaster, DN6***, UNITED KINGDOM


FINESTSELECTIONSHIPPINGSPECIALISTS24 HourSupportLondon Vintage Guitars are please to offer:Watkins Westminster 1960s - Black DiamondTHE MOJO WESTMINSTER
We are happy to offer the following original 1959 Watkins Westminster that has pure Mojo in look, vibe and tone, details as follows:
Watkins Westminster 
10 Watts 
Black / White Diamond 
Normal / Tremolo Channel 
Condition 5 / 10 Mojoed 
The above amplifier was ... more
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Vintage Watkins WEM ER40  Amplifier

Vintage Watkins WEM ER40 Amplifier

Burton-on-Trent, DE13***, UNITED KINGDOM


Vintage Watkins WEM ER40 Amplifier still with original tag of sale!!
Lovely old WEM amplifier that has been fully serviced and bought up to date with the replacement of the old power socket. The original is still available if you wanted to reinstate it to make it completely authentic at the cost of not meeting current regs
All the pots and switches have been serviced so no pops and crackles.
It's difficult to say for sure but I would guess this has had very little use from new. It's ... more
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1960s Watkins Dominator Tremolo V front Tube Amp Combo in Blue

1960's Watkins Dominator Tremolo V front Tube Amp Combo in Blue



1960's Watkins Dominator Tremolo V front in Blue
Here is a really nice example of a British classic amplifier The overall condition is very good with only one area of discolouration on the front The tolex and grill cloth are in very good shape for its age. The original handle is still intact The amp comes with a later Wem Tremolo foot switch and is in full working order It has two 10 inch original Elac speakers both in... more
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Vintage Valve Amp WEM Dominator (5 valve 15w)

Vintage Valve Amp WEM Dominator (5 valve 15w)



This vintage valve amp, the WEM Dominator, is an incredible find for any musician. With five vacuum tubes and 15 watts of power, this combo amplifier is suitable for both bass and electric guitars. It was made in the United Kingdom and has a classic design that will make any musician's heart skip a beat.

The WEM Dominator has two channels and one speaker, making it perfect for any small to medium sized venue. The brand is known for their high quality amps and this one is no ... more
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Watkins WEM Dominator MK1 Vintage British Tube Valve Bass Amplifier 1970s

Watkins WEM Dominator MK1 Vintage British Tube Valve Bass Amplifier 1970s

Barnsley, S75***, UNITED KINGDOM


Amazing amplifier and very versatile, there is slight ware and tear as pictured but other than that in great working order.
I do have a soft case for this and will
Supply pictures if requested however the case isn??t it great condition (a few rips in it)
... more
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Wem Westminster 15 Valve Amplifier Vintage 1970??s Celestion Great Condition

Wem Westminster 15 Valve Amplifier Vintage 1970??s Celestion Great Condition

Whitley Bay, NE25***, UNITED KINGDOM


Wem Westminster 15 Valve Amplifier Vintage 1970??s Celestion Great Condition.

This amplifier dates from the 1970??s I believe and is in great used condition as can be seen in photos. This I have owned this for about 30 years and it has very rarely been used

The original cover is also included

All appears to be working as it should

The amplifier is currently at my parents address in Northumberland which is about 45 mins from my address but can be ... more
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1970s Watkins WEM Westminster MKIV 5 Guitar Amplifier Early Oasis / Noel Gallagher

1970s Watkins WEM Westminster MKIV 5 Guitar Amplifier Early Oasis / Noel Gallagher

Manchester, M43***, UNITED KINGDOM


1970s Watkins WEM Westminster MKIX Guitar Amplifier Early Oasis / Noel Gallagher.

Incredible amp in fully working condition.

Fully serviced and sounding great with its original G12 celestial speaker

Same model as Noel Gallagher used in Early Oasis

Collection preferred but can post insured and tracked
... more
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Vintage wem amplifiers

Vintage wem amplifiers

Stourport-on-Severn, DY13***, UNITED KINGDOM


Great amps!
I used to pair these up at gigs
Loved the look, loved the sound. Wasted on me now as I haven??t played in years
Really want to keep them together and hope somebody else gets the same kick out of them that I got
... more
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70er Jahre WATKINS COPICAT ECHO - Made in Großbritannien  /  WEM

70er Jahre WATKINS COPICAT ECHO - Made in Großbritannien / WEM



70's WATKINS COPICAT ECHO - made in U K. :
* 220 volts model
* 1 head is missing
* the other heads are worn
* missing hinges, latches, screws, knobs
* may have other problems=UNTESTED
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1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bass Rose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner Zambesi This very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super Ace The Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of £47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

1966 Vox New Escort The Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin Care Catalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger Folk The Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitar The Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

1959 Hofner Committee

1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

1965 Gretsch Chet Atkins Tennessean

1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalog Hagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner President The President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.

1971 Gibson Les Paul Recording guitar owners manual

1971 Gibson Les Paul Recording guitar owners manual The newly designed Les Paul Recording guitar was released in 1971, in many ways as an updated version of the Les Paul Professional that had debuted two years earlier in 1969. The new guitar came with a new owners manual explaining the (somewhat complicated) controls, their operation, and giving other specifications, including recommended strings, action and control settings. Compare with the broadly similar owners manual for the Les Paul Personal / Professional