The mid 1960s Vox guitar range was extensive; and always changing. However, many guitars and basses were similar; pickup and hardware differences defining many models. Given names were fluid to some extent, and it is not hard to find otherwise identical Vox guitars with different model designations. The Vox Shadow is a good example - see more about the different versions on the Vox Shadow main page
This Vox Shadow is from late 1963/early 1964 - at the time the biggest Vox endorsees were the Shadows (The Beatles were just on the rise). Lead guitarist Hank Marvin was famous for his red Fender Stratocaster, and this inspired both the look and the name of this guitar.
From the 1963 Vox catalogue
A new moderately priced guitar with a fine specification of two slim-line pickups and a roller bearing smooth action tremolo unit. Single side machine heads, polished slim hardwood reinforced neck. Separate tone and volume controls. Rosewood fingerboard.
Controls are very simple for this guitar: two volume knobs, one for each pickup and one master tone control. Knobs are typical JMI white plastic type.
This Vox Shadow, like many early UK-made Vox guitars, has a co-axial input situated on the bottom edge of the body. These inputs are awkward in use, and require a non-standard cable. Later (see a 1964 Vox Shadow) these were scratchplate mounted. The body itself is very thin - just under one inch (15/16") and made of a wood laminate. Again, later UK models improved on this with thicker, solid wood bodies. The bolt-on neck is sycamore, and although it has a truss rod, this is not adjustable.
The body laminations can be seen in the neck pocket below. Later Shadows had solid wood bodies - see a 1964 Vox Shadow with a mahogany body. Note also the date stamp - 7 November 1963 - body stamps are not unusual, although dates on necks are more common, although by no means universal; this guitar has no neck date. Neck dates are usually on the heel, and therefore concealed when the neck is attached.
This video shows the 1963 Vox Shadow played through a 1965 Vox AC4. It's got a great biting bridge pickup and a wonderfully mellow neck, with the tone rolled down. Recorded with an Electrovoice RE-20 (left channel) and Shure SM57 (right), through a Focusrite Scarlett 2i2 interface - all highly recommended gear!
Check out the longer, high definition demo of this guitar/amp here