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Gibson advertisement (1979)

Employment Assurance

Gibson Lab Series L11 amplifier, Gibson Lab Series L2 amplifier, Gibson Lab Series L4 amplifier, Gibson Lab Series L5 amplifier

"Whether you're a star, a sideman, a session player, or a serious student, the Lab Series works"

This advertisement from early 1979 illustrates the above claim with examples of each. The Star is Ronnie Montrose, who had previously appeared in a Lab Series advert for the L5 (here) in 1978, but is shown here on stage with the Lab Series L11.

The sideman was Joe Turner - bass player with BB King, who would himself go on to appear in a Lab Series advert in 1981. Turner uses the 200w 2x15 Lab Series L4.

The session player, although not named here, is Muscle Shoals legend Dave Hood; playing his long scale Alembic series 1 through the 100w 1x15" Lab Series L2 bass amp.

The serious student role is filled by a bunch of Guitar Institute of Technology players gathered around a single Lab Series L5. There are an awful lot of Gibsons on display!

Gibson advertisement (1979) Employment Assurance

Other related vintage advertisements

Gibson Lab Series L5 - A new instrumental album featuring a man, his guitar, and our amplifier
Gibson Lab Series L5 - A new instrumental album featuring a man, his guitar, and our amplifier
One of the earliest publicity pieces for the Lab Series amplifiers placed in mid 1978. Unlike the majority of adverts for these amplifiers to follow, this one is short on text, letting the images d...
Gibson Lab Series L5 - LAB Series
Gibson Lab Series L5 - LAB Series
June 1978 advertisement for the Lab Series amplifier range, picturing the 2x12" Lab Series L5 combo.
Gibson Lab Series L5 - It
Gibson Lab Series L5 - It's got to be about the best tranny amp I've ever heard – damn it, it's got to be one of the best apps I've heard, tranny or not!
This 1980 advert for the Lab Series amplifier range was published in Guitar Player in 1980, and is made up of quotes by Gary Cooper (who proffered the title), Alan Holdsworth, and Whitesnake's Bern...
Gibson Lab Series L5 - Try my sound.. See if you like it!
Gibson Lab Series L5 - Try my sound.. See if you like it!
This interesting advert from June 1980 features Jimmy Messina and the Lab Series L5. Like many of the other Lab Series ads, it includes quotes from the artist describing the amp, but also gives one...
Gibson Lab Series L2 - Lab Series. They
Gibson Lab Series L2 - Lab Series. They've never sounded so good
December 1980 United Kingdom advert for the Lab Series amplifiers - available at a big discount due to the favourable exchange rate. Models listed are the: L2 (100w 1x15" bass head/cabinet), L3 (60...
Gibson Lab Series L5 - "My Lab Series amp takes all the bumps, and still gives a smooth performance."
Gibson Lab Series L5 - "My Lab Series amp takes all the bumps, and still gives a smooth performance."
This Lab Series advert featuring bluesman B.B. King and his L5 appeared in Guitar Player magazine in May and August 1981 - just one of many 'artist' adverts for the amp line. King's bassplayer, Joe...

Gibson Lab Series L11, Gibson Lab Series L2, Gibson Lab Series L4, Gibson Lab Series L5 is funded by its visitors. When you buy through links on our site we may earn an affiliate commission. For more info see terms and conditions.
Gibson Original Moderne Pick Guard -1981 From Moderne A-008

Gibson Original Moderne Pick Guard -1981 From Moderne A-008

Elmsford, New York, 105**, UNITED STATES OF AMERICA


Original 1981 Gibson Moderne pickguard. This came from my first Gibson Moderna serial number 8008 that I purchased in 1981 at Sammies music in Manhattan I took the Picard off because I had the guitar painted with a dragon at the time I later gave the guitar to an engineer, who worked with me for a few years
... more
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Gibson Vintage L-6S Electric Guitar 1973, serial #128716 with Hardshell Case

Gibson Vintage L-6S Electric Guitar 1973, serial #128716 with Hardshell Case

Greenville, Rhode Island, 028**, UNITED STATES OF AMERICA


This is a vintage Gibson L-6S electric guitar from 1973, complete with its original hardshell case and serial number #128716. The body is made of solid yellow maple with a maple neck, and has 24 frets and a 6 string configuration. This professional-level guitar is right-handed and has a body size of 4 / 4

The Gibson L-6S is part of the American Vintage series, and was made in the United States. The guitar is in good condition and has been well-preserved, making it a great addition to... more
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Parker, Colorado, 801**, UNITED STATES OF AMERICA



PLEASE NOTE: Not interested intrades, offers, or face to face transactions. All items sold thru this platformand are shipped. No exceptions

If NOTHING but the best of thebest will do and you want to take your collection to heights that only ahandful collectors will ever achieve this Epiphone Texan might be for you

1969 EpiphoneTexan FT-79. Made in the USA in the old Gibson guitar factory in KalamazooMichigan. A fancier version of ... more
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Gibson / Epiphone Newport Bass Guitar 65-66 Vintage USA

Gibson / Epiphone Newport Bass Guitar 65-66 Vintage USA

Beach City, Ohio, 446**, UNITED STATES OF AMERICA


Used beautiful in very good condition I have owned this bass for over 40 years in the late 70??s this bass was refinished and refurbished by Virgil Lay founder of Lays guitar repair in Akron Ohio everything that is on this bass was done in 1978 it has many awesome upgrades a Bartolini split coil muddbucker pick up with two 2 position toggle switches a Badass bridge and Grover tuners. Bass is strung with Thomastik flat wound strings plays smooth and flawless very nice action. It??s not perfect ... more
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1924 Gibson TB-JR Tenor Banjo

1924 Gibson TB-JR Tenor Banjo

Rockland, Massachusetts, 023**, UNITED STATES OF AMERICA


This tenor banjo has been professionally restored.
When I originally acquired it the neck and split laterally across the heel because, so I learned later, the neck was not original to the instrument. With some luthier magic, the split was repaired, and the neck altered slightly at the joint to fit the pot properly. Add in a replacement tailpiece (no cover despite the pics) and it is ready to go. Plays nice and sounds like you'd expect
Maple Pot and neck. SN: 11187A-13
Has an ... more
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Gibson Les Paul Deluxe 1980 w /  1968 P90s - Ebony

Gibson Les Paul Deluxe 1980 w / 1968 P90s - Ebony

Peekskill, New York, 105**, UNITED STATES OF AMERICA


This is a vintage 1980 Gibson LP Deluxe with an Ebony finish. It has a one piece body, three-piece neck, and a neck volute to add some extra mass (and tone!) as well as add protection against drops or bumps. It is loaded with a set of vintage 1968 Gibson clear-bobbin P90s, which sound amazing. Their covers were long ago painted, but are originally black beneath. At some point, it had a trapeze tailpiece, leaving behind a couple small screw-holes near its bottom strap button. It has standard, ... more
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1952 Gibson es5

1952 Gibson es5

Sacramento, California, 958**, UNITED STATES OF AMERICA


Up for sale is a beautiful 1952 es5 in natural finish. This guitar has a beautiful flame neck and body, original pickups and pots. It has the early peg head taper and wonderful low action and a very straight neck. It sounds amazing. At some point it was refinished in lacquer possible only the top lacquer coat. It also has had a heal repair where a hairline crack was near the middle of the heal. . The repair does not effect the integrity of the guitar nor playability. The guitar was ... more
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1961 Gibson ES-330 TC

1961 Gibson ES-330 TC

Loveland, Ohio, 451**, UNITED STATES OF AMERICA


1961Gibson ES-330 TC, Cherry Red, P-90 pickup, Great sounding acoustically andplugged in, Nicely set up, One of the few guitars we have seen with a ??Q?? precedingthe FON number, Sweet looking and a great performing instrument, Excellent condition, Nice original hard case... more
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Oklahoma City, Oklahoma, 731**, UNITED STATES OF AMERICA


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1950 Gibson ES-125 Sunburst

1950 Gibson ES-125 Sunburst

Syracuse, New York, 132**, UNITED STATES OF AMERICA


1950 Gibson ES-125 Sunburst
Weight: 4 9lbs
Case Details: B-Stock Gator GW-Jumbo Hardshell Case - the case has some 
Cosmetic Condition: Very good condition   Plenty of areas of scratching and finish checking   Various scratches through the finish on the sides of the guitar as well as the headstock. Few indentations on the neck that can be felt slightly when playing  
Tech Notes: Guitar, Electronics and Hardware were cleaned / tested and ... more
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Vintage 1976 CMI SG System SG-212 tube amp Gibson USA

Vintage 1976 CMI SG System SG-212 tube amp Gibson USA

Springville, New York, 141**, UNITED STATES OF AMERICA


Check out our other listings for related items
Pick up only
Vintage 1976 CMI / Gibson SG System SG-212 amp. Built like a tank. Uses two 8417 power tubes. Wattage is somewhere around 80-100 watts. Phasor does not work. Everything else does. Two Eminence 12" speakers. Sounds great. Sorry, no shipping on this one. Pick up only. Please email questions.... more
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1965 Gibson GA-19 RVT Falcon Guitar Amplifier

1965 Gibson GA-19 RVT Falcon Guitar Amplifier

Franklin, Ohio, 450**, UNITED STATES OF AMERICA


1965 Gibson Falcon
One of the most sought after Gibson amps
Death cord removed for your safety and replaced with a three prong cord
12 inch speaker. 15 watts
Very portable and easy to move
Shipping $159 00
Dayton Vintage Guitars
... more
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1960 Gibson ES-355 TD Cherry Mono w /  Factory Bigsby, Period-Correct HSC

1960 Gibson ES-355 TD Cherry Mono w / Factory Bigsby, Period-Correct HSC

Woodbury, New York, 117**, UNITED STATES OF AMERICA


1960 Gibson ES-355 TD Cherry Mono w / Factory Bigsby, Period-Correct HSC
Vintage Gibson Collectors! We have a truly rare and unique guitar to share with you today! For sale is this 1960 Gibson ES-355 TD model. The 355 is right up there with the Les Paul and Stratocaster, in terms of its impact on modern music. Chuck Berry, B B. King, Keith Richards??The names go on and on. Nearly every popular rock musician, can trace some influence to a player that used a 355, in some form
Featuring a ... more
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1970s Vintage Burny Flying V Guitar And Epiphone By Gibson Hardshell Case RARE

1970s Vintage Burny Flying V Guitar And Epiphone By Gibson Hardshell Case RARE

Melbourne, Florida, 329**, UNITED STATES OF AMERICA


1970s Burny Flying V guitar
MADE IN JAPAN and 100% original
The highest quality craftsmanship
They made these exactly like a 1970s Gibson with a thin body, raised neck joint, guitar is a super lightweight at just a hair over 6lbs.
The color has aged to an incredible vintage yellow, that  magic color that everyone loves. Includes brand new Epiphone by Gibson Hardshell case.
Through an old tube Marshall half stack this guitar has grind, tone, and sustain that won't quit ... more
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Vintage Gibson Country Western Natural 1964

Vintage Gibson Country Western Natural 1964

Brookfield, Wisconsin, 530**, UNITED STATES OF AMERICA


Vintage Gibson Country Western Natural 1964
An excellent player's grade Country Western due to a replacement rosewood bridge & non-adjustable saddle. This outstanding dreadnought offers a rich, deep, robust voice that projects exceptionally well & sounds absolutely amazing! Professionally set up & ready to play straight out of the case
Cosmetic Condition: Really nice shape for being nearly 60 years old... more
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1978 Gibson ES 175 with Original Hardshell Case

1978 Gibson ES 175 with Original Hardshell Case

Columbia, South Carolina, 292**, UNITED STATES OF AMERICA


1978 Gibson ES 175 with Original Hardshell Case.... more
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1986 1st Gen. Gibson Mastertone Earl Scruggs Banjo (Signed! Serial # 0389)

1986 1st Gen. Gibson Mastertone Earl Scruggs Banjo (Signed! Serial # 0389)

Franklin, Tennessee, 370**, UNITED STATES OF AMERICA


Extremely Rare 1986 1st Gen. Gibson Mastertone Earl Scruggs Banjo (Signed! Serial # 0389). There were only 500 made in the original first run. Recently set up by Charlie Cushman in Nashville, who put on a new head and bridge (original bridge included). So are 2 great straps and a Scruggs banjo book!... more
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1940 Gibson L-5 - Originally Owned by Al Valenti

1940 Gibson L-5 - Originally Owned by Al Valenti

Piedmont, South Carolina, 296**, UNITED STATES OF AMERICA


This 1940 L-5 was owned by Al Valenti. Valenti was a professional guitarist for nearly his entire life, gigging for around 80 years! In the 1930s he was reknown as a virtuoso and was the first endorser of D'Angelico guitars. Following his death in the 2010s his family sold off some of his guitars. I purchased this guitar at that time in 2017 to add to my personal collection. The guitar comes with a certificate of authenticity signed by Valenti's nephew
This guitar was one of several ... more
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Gibson Corvus III 1983 Guitar

Gibson Corvus III 1983 Guitar

Marion, North Carolina, 287**, UNITED STATES OF AMERICA


I have had this guitar put up in my vault for years
It is surprisingly comfortable guitar that plays good and sounds good
USA sales only
No international shipping
Payment expected within 3 days of the end of auction... more
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Gibson Tail Piece 40s Tail Piece

Gibson Tail Piece 40's Tail Piece

New Paltz, New York, 125**, UNITED STATES OF AMERICA


40's Gibson Tail Piece
Looks like Silver Plating and welded
Hinge is slightly shorter but the mounting holes are standard
$1250 00
... more
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1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bass Rose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner Zambesi This very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super Ace The Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of £47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

1966 Vox New Escort The Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin Care Catalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger Folk The Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitar The Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

1959 Hofner Committee

1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

1965 Gretsch Chet Atkins Tennessean

1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalog Hagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner President The President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.

1971 Gibson Les Paul Recording guitar owners manual

1971 Gibson Les Paul Recording guitar owners manual The newly designed Les Paul Recording guitar was released in 1971, in many ways as an updated version of the Les Paul Professional that had debuted two years earlier in 1969. The new guitar came with a new owners manual explaining the (somewhat complicated) controls, their operation, and giving other specifications, including recommended strings, action and control settings. Compare with the broadly similar owners manual for the Les Paul Personal / Professional