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Gibson advertisement (1978)

LAB Series

Gibson Lab Series L5 amplifier

June 1978 advertisement for the Lab Series amplifier range, picturing the 2x12" Lab Series L5 combo.

In only one year Lab Series Guitar Amplifiers have become the most talked about amplification on the market.
From pros, like Ronnie Montrose and you weekend warriors, we've been hearing:

"Most versatile amp I ever played."

"Super mid-range controls."

"Powerful, when it has to be."

"Finally! Compression on an amp."

"The multifilter is unique; it's great!"

But don't take their word for it, or our word either. Let your own ears be the final judge. Visit one of the Lab Series Authorised Dealers listed on the following pages. They will be more than happy to let you test drive a Lab Series amp.

But as mentioned in the text, this was not a single page ad.. following this page were three more full pages packed with names and addresses of close to 500 Lab Series dealers - 419 from across the USA, and a further 67 in Canada.

Gibson advertisement (1978) LAB Series

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Gibson Lab Series L5 - A new instrumental album featuring a man, his guitar, and our amplifier
Gibson Lab Series L5 - A new instrumental album featuring a man, his guitar, and our amplifier
One of the earliest publicity pieces for the Lab Series amplifiers placed in mid 1978. Unlike the majority of adverts for these amplifiers to follow, this one is short on text, letting the images d...
Gibson Lab Series L5 - Employment Assurance
Gibson Lab Series L5 - Employment Assurance
"Whether you're a star, a sideman, a session player, or a serious student, the Lab Series works"
Gibson Lab Series L5 - It
Gibson Lab Series L5 - It's got to be about the best tranny amp I've ever heard – damn it, it's got to be one of the best apps I've heard, tranny or not!
This 1980 advert for the Lab Series amplifier range was published in Guitar Player in 1980, and is made up of quotes by Gary Cooper (who proffered the title), Alan Holdsworth, and Whitesnake's Bern...
Gibson Lab Series L5 - Try my sound.. See if you like it!
Gibson Lab Series L5 - Try my sound.. See if you like it!
This interesting advert from June 1980 features Jimmy Messina and the Lab Series L5. Like many of the other Lab Series ads, it includes quotes from the artist describing the amp, but also gives one...
Gibson Lab Series L5 - Lab Series. They
Gibson Lab Series L5 - Lab Series. They've never sounded so good
December 1980 United Kingdom advert for the Lab Series amplifiers - available at a big discount due to the favourable exchange rate. Models listed are the: L2 (100w 1x15" bass head/cabinet), L3 (60...
Gibson Lab Series L5 - "My Lab Series amp takes all the bumps, and still gives a smooth performance."
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This Lab Series advert featuring bluesman B.B. King and his L5 appeared in Guitar Player magazine in May and August 1981 - just one of many 'artist' adverts for the amp line. King's bassplayer, Joe...

2024 Vintage Guitar price guide 2024 Vintage Guitar price guide

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1964 Gibson ES-335 TDC Vintage Electric Guitar

1964 Gibson ES-335 TDC Vintage Electric Guitar

Loveland, Ohio, 451**, UNITED STATES OF AMERICA


1964 GibsonES-335, Cherry Red with block inlays, This one was custom order with a vibrolaand never had any other bridge installed, Two Humbuckers with Nickel covers, Nickel ABR-1, Single line Kluson tuners, 1 65 inches wide at the nut, Nicelyset up, Looks and sounds great! EC+, Clean original hard case.... more
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Vintage Gibson BR-9 Lap Steel & Amp Set -VG

Vintage Gibson BR-9 Lap Steel & Amp Set -VG

New Orleans, Louisiana, 701**, UNITED STATES OF AMERICA


Vintage 1950??s or early ?60??s - Gibson BR-9 Lap Steel set. 6 string Lap Steel w / matching tube amp. In the original hard case & cover for the amp is included
All working, very nice & clean- VG condition
Hard to find both in this condition!
*shipping includes insurance
... more
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1957 Gibson Les Paul GOLDTOP with original PAF pickups

1957 Gibson Les Paul GOLDTOP with original PAF pickups

Carbondale, Illinois, 629**, UNITED STATES OF AMERICA


Add Me to Your Favorite Sellers
Olivia's Vintage would like to present this 1957 Gibson Les Paul in its original Goldtop finish. The back of the body shows a bit of figured / flamed mahogany on the lower bass side. It has a good playing neck with some worn, but good frets. It's all original with the exception of the jackplate, a couple of jackplate screws and most of the screws for the tuning keys. There was another set of tuning keys installed at one time that required the tuning peg ... more
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1952 Gibson ES-295 Electric Guitar 100% Original with Case

1952 Gibson ES-295 Electric Guitar 100% Original with Case

Birmingham, Alabama, 352**, UNITED STATES OF AMERICA


This is about as nice of a 100% original 1952 ES-295 as you can find. The gold finish on these doesn't age well. Making this one, well above average.
The guitar has no breaks or cracks and needs nothing. The original frets have plenty of life left, the truss rod works as it should, and the guitar plays extremely well all the way up the neck. Even the original case is in great shape.
There really isn't much else to say, this is just a great playing guitar in great condition. 0 ... more
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Vintage 1965 Gibson ES-175 ES-175d Chrome Zig-Zag Tailpiece Complete 1966 1967

Vintage 1965 Gibson ES-175 ES-175d Chrome Zig-Zag Tailpiece Complete 1966 1967

Chicago, Illinois, 606**, UNITED STATES OF AMERICA


Vintage Correct Parts is proud to offer, for your consideration,
A completely original and fantasticVintage 1960's Gibson Chrome ES-175 "Zig Zag" Tailpiece assemebly
Correct for your 1965 thru 1969 ES-175 and ES-175D
Incredible original condition with original mounting screws, strap button and ground wire
Get it back to stock, get it VINTAGE CORRECT
Check our outstanding feedback and buy with confidence... more
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1924 Gibson TB-JR Tenor Banjo

1924 Gibson TB-JR Tenor Banjo

Rockland, Massachusetts, 023**, UNITED STATES OF AMERICA


This tenor banjo has been professionally restored.
When I originally acquired it the neck and split laterally across the heel because, so I learned later, the neck was not original to the instrument. With some luthier magic, the split was repaired, and the neck altered slightly at the joint to fit the pot properly. Add in a replacement tailpiece (no cover despite the pics) and it is ready to go. Plays nice and sounds like you'd expect
Maple Pot and neck. SN: 11187A-13
Has an ... more
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Vintage 1960s Gibson PAF Cover Gold Les Paul SG Custom ES-345 ES355 Patent Num

Vintage 1960's Gibson PAF Cover Gold Les Paul SG Custom ES-345 ES355 Patent Num

Chicago, Illinois, 606**, UNITED STATES OF AMERICA


Vintage Correct Parts is proud to offer, for your consideration,
A completely original and fantastic
Vintage 1960's Gibson Patent - Number PAF cover
Very nice original late 60's PAF cover This is a standard spaced cover - perfect for your late 60's Les Paul / SG custom, ES-345, ES-355 and any PAF equipped gold hardware guitar.
This is 1 / 2 we have available - it's mate is available in our other auctions.
Nothing looks or sounds like REAL DEAL PAF covers - very nice worn ... more
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Vintage 1965 Gibson Lg-1 Acoustic Guitar

Vintage 1965 Gibson Lg-1 Acoustic Guitar

Fayetteville, Arkansas, 727**, UNITED STATES OF AMERICA


Up for sale is a 1965 Gibson LG-1 acoustic guitar. This guitar is in fair to good condition. It does show normal signs of age and use, including scratches, dents and dings. The finish on this guitar is crackling, over most of the guitar. There are small holes on the front of the body where I suspect the pick guard use to be. The tuners have also been changed out, and the original tuner holes are exposed. There are no cracks to the body or necks. There is light fret wear.
Overall, a nice ... more
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1969 Gibson EBO Control cavity plate cover Eb3 Bass

1969 Gibson EBO Control cavity plate cover Eb3 Bass

Buffalo, New York, 142**, UNITED STATES OF AMERICA


See pictures ask questions

No returns or exchanges on used parts
... more
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MINTY 1988 Korean Gibson EPIPHONE C-50 CLASSICAL GUITAR Rosewood Orig Case!

MINTY 1988 Korean Gibson EPIPHONE C-50 CLASSICAL GUITAR Rosewood Orig Case!

Front Royal, Virginia, 226**, UNITED STATES OF AMERICA


This guitar is in incredible condition. No cracks, buckle rash, finish checks, or other significant blemishes as far as I can see. There is no pitting on the hardware. The bridge is tight to the top. If you look at the picture of the right shoulder, that little light spot might be a tiny nick, but it doesn't really feel like it. (picture 3) Also, the two slightly dark areas on the top is the natural color of the wood. (pictures 11 & 12) It is really nice and the rosewood grain is ... more
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1994 Gibson All American II Melody Maker

1994 Gibson All American II Melody Maker

Austin, Texas, 787**, UNITED STATES OF AMERICA


Gibson All American II double cut melody maker from 1994?
Wasn't the All American II Melody Maker model only in catalogues from 1996-1998?
Was this 94 a prototype?
Was it a trade show model?
A Guitar Center exclusive with possibly less than 100 created?
Gibson employees past and present have answered some questions and raised even more. I believe the answer lies somewhere in the middle
The All American II Melody Maker wasn't in any printed material until 1996. And then only ... more
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Gibson Les Paul Custom Cherry Sunburst 1970 w / OHSC (Refret)

Gibson Les Paul Custom Cherry Sunburst 1970 w / OHSC (Refret)

Renton, Washington, 980**, UNITED STATES OF AMERICA


Vintage Gibson Les Paul Custom in Cherry Sunburst finish made in 1970 with Original Hard Shell Case. This guitar features a double bound sandwich body, mahogany / maple / mahogany body with a 3-piece maple top, 3-piece mahogany neck and bound ebony fingerboard. Equipped with set of original gold covered Gibson patent sticker T-Tops in the neck and bridge position. Controlled by 2 Volume, 2 Tone knobs and a 3-Way Toggle Switch comprised of original pots, caps and switch dating to 1970 with the ... more
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Vintage 1960s Gibson ES-175 Single PAF pickgaurd Wide Bevel 1960 1963 1964 1965

Vintage 1960's Gibson ES-175 Single PAF pickgaurd Wide Bevel 1960 1963 1964 1965

Chicago, Illinois, 606**, UNITED STATES OF AMERICA


Vintage Correct Parts is proud to offer, for your consideration,
A fantastic and original
Vintage Gibson ES-175 Wide Bevel "Single PAF" Pickguard
This will fit your vintage Single PAF ES-175 perfectly
Excellent original condition! This is the version with the "top mount" screw opening.
Perfect for the restoration of your vintage ES-175
Get it back to stock, get it VINTAGE CORRECT

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1983 Gibson ES-335 Sunburst

1983 Gibson ES-335 Sunburst

Antioch, Tennessee, 370**, UNITED STATES OF AMERICA


Excellent condition 1983 Gibson ES-335. Tim Shaw pickups. This guitar would be labeled mint, but there was a headstock break 8 years ago that is pretty hard to photograph. It was repaired very well, with one noticeable blemish from the repair. Aside from that, this guitar is all original, and was babied for years. Never gigged, only played in church and put back in its case. These pickups sound excellent, with the neck pickup being a very warm, clear option, and the bridge pickup cutting... more
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vintage Gibson ES 125 Brazilian rosewood fingerboard only w frets  luthier parts

vintage Gibson ES 125 Brazilian rosewood fingerboard only w frets luthier parts

Southampton, Massachusetts, 010**, UNITED STATES OF AMERICA


I'm cleaning out a long closed Western Ma. luthier shops inventory and will be selling a lifetime collection of mostly vintage musical instruments and parts. Today I have a Gibson ES 125 guitar finger board with all its original frets and inlays Including the side dots. The scale length is 24 75 The finger board was taped to a bard to keep it flat and it worked well. We took off the tape and cleaned most of residue off for the photos. It is of course Brazilian rosewood. The frets a the ... more
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1979 / 80 Gibson Grabber G-3 III bass guitar Ex Cond!

1979 / 80 Gibson Grabber G-3 III bass guitar Ex Cond!

Reynolds Station, Kentucky, 423**, UNITED STATES OF AMERICA


Excellent condition! A beauty!

These are quite rare. And you will seldom find one in such fine condition as this. Even some nice flame in the back.
This was most likely stored in a closet or something?? amazing condition for 44-45 years old.
... more
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Vintage Gibson Deluxe Guitar Tuner Single Tuning Peg Bass Side Keystone Button

Vintage Gibson Deluxe Guitar Tuner Single Tuning Peg Bass Side Keystone Button

Amarillo, Texas, 791**, UNITED STATES OF AMERICA


working tuner - $9 S / H to U S.
... more
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Gibson Marauder 1978 Natural Satin Finish made in the USA Mint with OHSCase

Gibson Marauder 1978 Natural Satin Finish made in the USA Mint with OHSCase

East Hampton, New York, 119**, UNITED STATES OF AMERICA


Oct 2023 ebay craigslist
MintGibson Marauder 1978 Natural Satin Finishmade in the USA with OHSCase

GibsonMarauder is not just just a rare bird from 1978 in mint condition(like it was made yesterday) -- but it is also one of the most versatile, best-sounding and charismatic guitars from the Gibson Norlin-era years theyhave ever made
BillLawrence went to work for Gibson in 1972, but 'Hot Bill' had been a name knownto guitarists for long years. Born in Cologne, Germany as Willi ... more
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Gibson Non-Reverse Thunderbird Bass Inverness Green

Gibson Non-Reverse Thunderbird Bass Inverness Green

Middletown, New York, 109**, UNITED STATES OF AMERICA


... more
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Gibson EB3 Bass Vintage

Gibson EB3 Bass Vintage

Edmonton, Kentucky, 421**, UNITED STATES OF AMERICA


This is a beautiful bass that sounds and plays great. Cherry finish 600xxx . I bought it used in the mid 90's from a gentleman who purchased it new from the Gibson Factory Nashville in the early 70's. It had a blemish on the finish and he bought it as a second. It comes with the original Gibson hard case. There is no structural damage or repairs If you pick it up rather than having it shipped I will throw in a Ampeg amp. Ampeg B100R. This a like new excellent condition amp that would sell for ... more
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1971 Selmer guitar catalogue

1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bassRose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner ZambesiThis very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super AceThe Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of 47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

1966 Vox New EscortThe Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin CareCatalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger FolkThe Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitarThe Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

1959 Hofner Committee

1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

1965 Gretsch Chet Atkins Tennessean

1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalogHagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner PresidentThe President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.