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GIBSON | BASS

Gibson bass guitar list

Bass guitars manufactured in the CMI and Norlin periods

Gibson Violin bass

Gibson have been producing bass guitars since 1953, starting with the violin-shaped EB bass. This was very much in the ethos of Gibson at the time. Their view was that guitars should be large jazz boxes, and the bass should be upright and acoustic; solid body instruments were for Fender, not Gibson. The fact that they made a solid-body bass at all in this climate is surprising, but Fender solid body sales were sufficiently high to make Gibson take notice. So the Gibson bass was shaped, and finished like an upright, and with an extendable pole at the bass so it could even be played upright.

Vintage Gibson bass guitars

Unlike Fender, who produced just a few bass models, but continuously over 50 years (Fender Precision, Fender Jazz bass), Gibson was continually creating new bass models, most with relatively short production periods. As a result, there is significant variation across the range of basses Gibson created, in looks, build, electronics, and ultimately sound. There are long scale and short scale basses. Models with set-necks, bolt-on necks, and through-body necks. There are mahogany, maple and alder bodies. There are humbuckers and single coil pickups. So it is hard to generalise, although some might argue that the darker sound of humbucking pickups in a mahogany body and neck with rosewood fingerboard is the signature sound of a Gibson bass.

Three Gibson bass guitars from the Norlin period: Gibson Ripper, Gibson G-3, Gibson Grabber
Three Gibson bass guitars from the Norlin period: 1978 Gibson Ripper, 1978 Gibson G-3, 1977 Gibson Grabber. Despite looking broadly similar, the construction and components of these three Gibson basses are quite different, and each has it's own distinctive tones. These maple/alder basses sold well in the mid to late seventies.

Classic guitars such as the 1960s Gibson Thunderbird, Gibson EB3 and Les Paul bass have been re-issued continuously; newer updated versions, the Thunderbird IV, the SG reissue bass and the Les Paul Standard bass have proved very popular making up the vast majority of Gibson's bass output.

Vintage Gibson Bass video clips

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1987 Gibson 20/20 bass / Gibson Lab Series L2 - part 2 (L2 midrange settings) (9m 35s)

Find out more about this amp here LabSeries L2

The Gibson 20/20 is a superb playing instrument. It has a wide tonal range, is comfortable to play, and, frankly sounds immense. It's paired in this video, with a late 70s/early 80s Gibson/Norlin Lab Series L2 100w bass amp with 1x15 speaker. And this is an awesome (solid state) bass amp, designed by Bob Moog.

This video (part2) demonstrates some of the wide range of sounds you can get solely by adjusting the L2 midrange frequency control - and, to some extent, playing style.

As you can hear, just this one control has an enormous effect on the sound - the Lab series amps really are awesome, and hugely underrated

Recorded here with an Electrovoice RE-20 (left channel) and a Shure SM57 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

1966 Gibson EB-0 Bass / WEM Dominator Bass mk1 (5m 34s)

Find out more about this amp here 1973 WEM Dominator Bass Mk 1

This is a really nice bass - a late 1965/early 1966 Gibson EB0 - single pickup, with that classic FAT Gibson bass tone. The WEM Dominator is harder to date - probably early to mid 1970s. All-valve, with superb clean tones, but super gainy when pushed. This is a really cool combination with a huge range of useable sounds. Watch the vid.. it goes from a relatively 'middy' honk when played at the bridge with a pick - to total mud when played at the neck with the tone down - and to extreme fuzz with the amp driven hard

This bass is fitted with Labella Deep Talkin' flatwound strings (short scale) set 760FL-S. Great great strings (although expensive!)

Recorded here with an Electrovoice RE-20 (left channel) and a Shure SM57 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

1987 Gibson 20/20 bass / Gibson Lab Series L2 (4m 27s)

Find out more about this amp here LabSeries L2

The Gibson 20/20 was not (visually, at least) to everyone's taste, but it is actually a superb playing instrument. It has a wide tonal range, is comfortable to play, and, frankly sounds immense. It's paired in this video, with a late 70s/early 80s Gibson/Norlin Lab Series L2 100w bass amp with 1x15 speaker. This video (part1) demonstrates the variance in instrument settings. Part 2 demonstrates some of the great sounds you can get by using the amps midrange frequency control.

Wonderful bass, brilliant amp: AWESOME combination.

Recorded here with an Electrovoice RE-20 (left channel) and a Shure SM57 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

1967 Gibson Melody Maker Bass / 1963 WEM ER15 (2m 05s)

Find out more about this amp here 1963 WEM ER-15

A really cool bass, played through an equally cool amp. A rare Gibson Melody Maker bass, circa 1967, through a British WEM ER15 tube amplifier, with 'Pick-A-Bass' cabinet. With Gibson's hot EB-humbucker, a short 30" scale, all-mahogany construction - and finally strung with flatwounds - this bass is just SUPER FAT.

Recorded here with an Electrovoice RE-20 (left channel) and a Shure SM57 (right channel), through a Focusrite Scarlett 2i2 interface - highly recommended gear!

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Gibson bass guitars for sale

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1965 Gibson EB-2 Bass a very special ordered EB-2 in a factory Argentine Gray !

1965 Gibson EB-2 Bass a very special ordered EB-2 in a factory Argentine Gray !

Fort Lauderdale, Florida, 333**, UNITED STATES OF AMERICA

$8995

The Gibson EB-2 Bass was invented in 1959 & made famous by many players. This example is oh-so rare & very special ordered by its 1st owner & is 1 of the coolest special ordered EB-2??s from 1965. Its beautiful slightly faded original ??Argentine Gray?? custom color finish is what this is all about & its so frickin rare. Its 1 of only 2 of this color known to exist. Its 1 piece mahogany neck feel delicious. No volute nor Made in the USA stamp. She??s got a perfect orange label ... more
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Gibson Ripper (L9-S) Bass Guitar with Seymour Duncan

Gibson Ripper (L9-S) Bass Guitar with Seymour Duncan

New Florence, Pennsylvania, 159**, UNITED STATES OF AMERICA

$3500

Gibson Ripper (L9-S) Bass Guitar with Seymour Duncan.
This bass is in very good condition. There are a few small marks located in the pictures. Feel free to ask questions, can send more pictures. Must have at least 10 positive comments to purchase. For sale in the United States Only
... more
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1968 Gibson EB2D Bass with Hard Shell Case

1968 Gibson EB2D Bass with Hard Shell Case

Bridgeport, West Virginia, 263**, UNITED STATES OF AMERICA

$3700

This Gibson EB2D bass is in very good condition. We listedit as "very good" because of the neck repairs, but if not for thatissue, it probably could be considered "excellent " The best we candetermine, the bass is a 1968. The pots are clearly marked 1967, and the dateranges for the bass is 1966-1969. Also has the mini humbucker in bridge. Itappears they only made 2000 of these with the mini humbuckers throughout theentire 60's. It has had the common repair where the headstock meets the neck, and... more
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Gibson / Epiphone Newport Bass Guitar 65-66 Vintage USA

Gibson / Epiphone Newport Bass Guitar 65-66 Vintage USA

Beach City, Ohio, 446**, UNITED STATES OF AMERICA

$1979

Used beautiful in very good condition I have owned this bass for over 40 years in the late 70??s this bass was refinished and refurbished by Virgil Lay founder of Lays guitar repair in Akron Ohio everything that is on this bass was done in 1978 it has many awesome upgrades a Bartolini split coil muddbucker pick up with two 2 position toggle switches a Badass bridge and Grover tuners. Bass is strung with Thomastik flat wound strings plays smooth and flawless very nice action. It??s not perfect ... more
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1969 Gibson EB-2DN all original minty Blonde bad boy the cleanest on Earth !

1969 Gibson EB-2DN all original minty Blonde bad boy the cleanest on Earth !

Fort Lauderdale, Florida, 333**, UNITED STATES OF AMERICA

$10995

The Gibson EB-2 Bass was invented in 1959 & made famous by many players. This example is oh-so rare & is the last of the best EB-2DN??s from 1969 prior to changing its neck design into the 70??s. Its beautiful Blonde finish is what this is all about & so frickin rare. Its 1 piece mahogany neck feel delicious. No volute nor Made in the USA stamp. She??s got a perfect orange label too. Its black & white laminated pickgard show very well. Its 2 powerful pickups along w / its ... more
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1985 Gibson Explorer Bass Guitar Ebony

1985 Gibson Explorer Bass Guitar Ebony

Lawrenceville, Georgia, 300**, UNITED STATES OF AMERICA

$2000

1985 Gibson Explorer Bass bass in good condition. The bass is fairly lightweight for a 80s Explorer bass, very comfortable to play.
I am the second owner of this bass which has been kept in my home (smoke-free environment). Serial # 82555563 made in Nashville, TN
Note: Prev. owner did the skull stickers which appear to simply be glued over the dot inlays.
1 ) Missing (1) volume knob
2 ) A few nicks and significant paint chipping / checking.
Techn. details:
Alder body, ... more
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1967 GIBSON EB2-C: MADE IN KALAMAZOO, MI (WITH ORIGINAL HARD CASE) (HA2037500)

1967 GIBSON EB2-C: MADE IN KALAMAZOO, MI (WITH ORIGINAL HARD CASE) (HA2037500)

Harrison, Arkansas, 726**, UNITED STATES OF AMERICA

$2995

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1972 Gibson L6-S Bass Prototype (Ripper, Grabber) Singlecut Sunburst

1972 Gibson L6-S Bass Prototype (Ripper, Grabber) Singlecut Sunburst

Syracuse, New York, 132**, UNITED STATES OF AMERICA

$9000

1972 Gibson L6-S Bass Prototype (Ripper, Grabber) Singlecut Sunburst
 
This bass guitar is the prototype for the L6-S bass, a model that was never manufactured by Gibson. Although it is the prototype for an instrument that was not produced, it also seems to be a prototype of the Ripper and Grabber models introduced later that are constructed with the same materials (maple neck and body) and similar dimensions. The look of this one does foreshadow those later models
SETUP & ... more
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Gibson EB2 - 1965

Gibson EB2 - 1965

Pottsville, Pennsylvania, 179**, UNITED STATES OF AMERICA

$5900

Gibson EB-2 - 1965.... more
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1968 Gibson EB-0 Bass Rare Slotted Head w / Original Case (EXC ) Stunning!!

1968 Gibson EB-0 Bass Rare Slotted Head w / Original Case (EXC ) Stunning!!

Racine, Wisconsin, 534**, UNITED STATES OF AMERICA

$3995

1968 Gibson EB-0 Bass w / Original Case (EXC ) Stunning!!. Slotted headstock with original Gibson tuners!! Perfect for the collector!! This bass is in exceptional condition and so is the original case!! You will not find one in better condition!! Simply amazing!! Has new strings and comes with a beautiful vintage ??Made in Mexico?? leather strap!! Everything 100% original!! Thanks for looking!!
... more
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Gibson 1961 EB2 with baritone switch and finger rest.

Gibson 1961 EB2 with baritone switch and finger rest.

Albuquerque, New Mexico, 871**, UNITED STATES OF AMERICA

$4200

I have loved this bass But it's time she moved on to another person for them to love as much as I do
1961 Gibson EB2. with finger rest and baritone switch
Very nice after market case
New pots and baritone switch Originals pots and switch in case pocket
Fantastic looking, playing and sounding bass
Please see pictures and ask questions Thanks for looking,... more
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Gibson The Ripper Bass

Gibson The Ripper Bass

Jersey City, New Jersey, 073**, UNITED STATES OF AMERICA

$2500

Introducing the iconic Gibson The Ripper Bass, a must-have for all serious bass players. This electric bass guitar boasts a cool and unique design that is sure to impress any audience. Made by one of the most respected brands in the industry, this 4-string model is perfect for musicians of all levels.
With its powerful sound, sleek look, and incredible playability, this bass guitar is ideal for a wide range of genres. Whether you're playing rock, jazz, or anything in between, The Ripper... more
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Vintage Gibson Victory Bass Standard, Ebony, Rare, 1982, Custom Pickguard W / H

Vintage Gibson Victory Bass Standard, Ebony, Rare, 1982, Custom Pickguard W / H

Buffalo, New York, 142**, UNITED STATES OF AMERICA

$1400

Super Fast Same Day Shipping
1982! Overall Great Condition This Bass in in the rarest ebony finish, to really make this bass "POP" a custom red and black swirl pickguard was added
The Gibson Victory bass was launched in mid-1981, as a basic one-pickup passive model; the Victory Standard, and a two-pickup active Victory Artist. These were joined a year later by a two-pickup passive version, the Gibson Victory Custom. It was designed by the then Research and Development team, based in the ... more
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Gibson Victory Artist Bass 81

Gibson Victory Artist Bass 81'

Blackfoot, Idaho, 832**, UNITED STATES OF AMERICA

$3800

This a killer bass and a total P bass killer. Gibson released these to compete with the p bass and they are far, far, better quality. Mahogany body, Mable neck, brass nut, active and passive humbuckers with MOOG electronics! All original with the original case. The original case is pretty beat up with a buckle replaced but still road Worthy. Original paperwork still with it. The guitar is set up to play easy with a low action and great sound. One bridge saddle is missing the riser but works ... more
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Gibson Grabber Bass 1977 - 1978 - Natural with OHC

Gibson Grabber Bass 1977 - 1978 - Natural with OHC

San Antonio, Texas, 782**, UNITED STATES OF AMERICA

$3100

1977-1978 Gibson Grabber Bass Natural Finish
Selling a '77 / '78 Gibson Grabber bass. This bass sounds and plays awesome. All original. It is super lightweight and packs a punch. It is in great condition for its age. It does have some wear on the back of the body and some on the neck from years of use. It has never had any sort of structural repairs. Original Grabber pickup slides to bridge and neck position as it should. The neck is straight. Frets have plenty of life left. It was recently... more
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Vintage Early 1960s Gibson EB-0  /  EB-2 Bass Bridge Mute

Vintage Early 1960's Gibson EB-0 / EB-2 Bass Bridge Mute

Brooklyn, New York, 112**, UNITED STATES OF AMERICA

$175

Vintage Early 1960's Gibson EB-0 / EB-2 Bass Bridge Mute
Very Good Condition Sold by a mom & pop music store in Brooklyn NY
... more
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1962 Gibson EB-0 Vintage Short Scale SG Bass Cherry 100% Original w /  Mudbucker

1962 Gibson EB-0 Vintage Short Scale SG Bass Cherry 100% Original w / Mudbucker

Seattle, Washington, 981**, UNITED STATES OF AMERICA

$3500

Up for sale, a 1962 Gibson EB-0 in 100% original condition and in perfect working order. Introduced in 1959 in response to declining sales of the EB-1, the EB-0 originally came with a Les Paul Junior style body, quickly superseded by the SG style body (like the example seen here) in 1961. Lightweight at 7lbs 2oz with solid mahogany construction, this bass delivers pure, fat low-end thump courtesy of the famous "Mudbucker" pickup. The rich growl of the EB-0 sits perfectly in a mix, deftly below ... more
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1969 Gibson EB-0 one owner bass with original custom hard sided case.

1969 Gibson EB-0 one owner bass with original custom hard sided case.

Patchogue, New York, 117**, UNITED STATES OF AMERICA

$2000

1969 Gibson EB-0 one owner bass with original custom hard sided case. See pic of original owner with the bass in the early ?70s ! Both the bass and case show wear from decades of use. There are scuffs, scratches, dings, and dents as you would expect. There is a split in the headstock that extends for approximately 7 inches, see photo. Electronics appear to be untouched all original. As shown in pic, date code on pot reads 6833, so bass was built in late 1968 or possibly early 1969. Serial number... more
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Epiphone By Gibson Rock Bass Ebony Jazz Bass Hockey Stick Headstock Very Rare

Epiphone By Gibson Rock Bass Ebony Jazz Bass Hockey Stick Headstock Very Rare

Flower Mound, Texas, 750**, UNITED STATES OF AMERICA

$400

Epiphone By Gibson Rock Bass Ebony Jazz Bass Hockey Stick Headstock Very Rare.
These were made from 1986-93 according to the internet. The serial number sticker has been peeled of, but I believe this is an earlier one
Very nice looking bass
Sealed tuners, new strings, brass saddles, black on black with matching headstock, all original
The body has a few light nicks and scratches, in the clear coat. None major
No apparent fret wear or groves
The bass has just had a ... more
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GIBSON MUSICAL INSTRUMENTS VICTORY BASS ARTIST (EC3024171)

GIBSON MUSICAL INSTRUMENTS VICTORY BASS ARTIST (EC3024171)

Oklahoma City, Oklahoma, 731**, UNITED STATES OF AMERICA

$1800

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Find more Gibson bass guitars for sale at vintageguitarsforsale.co

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Tammy Smith Comment left 2nd July 2021 20:08:27 reply
I have a 2013 Gibson EB Bass Sunburst Guitar serial #123131362 with a Gibson rectangle white fur-lined case, both in exceptionally immaculate condition. I need to know their value.
BKravitz Comment left 17th January 2018 08:08:58 reply
Just purchased a Les Paul Signature Bass in a TEA Burst that is similar to the two pickup guitar finish. Also it has a flamed maple top. The sunburst basses I have seen have a darker outside mist and a plain maple top. I have some info from FLY Guitars but can't find out how many sunburst finish were made in total and for the year of this instrument. Was my bass a special order or made special for a trade show? Gibson employee bass? serial# makes it a 1979. Any info would be helpful thank you!
David Shelton Comment left 11th January 2015 22:10:17 reply
Hoping to find out all I can on a Gibson Electric Bass #771385. All info would be greatly appreciated.
vintage guitar and bass Comment left 5th January 2012 03:03:16 reply
1972 is a bit of a turning point year. Gibson was in between the deep-sounding all mahogany 60s and the brighter all maple late 70s. So, for 1972 you are looking at a then newly designed EB bass series (EB0, EB3 or EB4L), an SB 350 or 450 or a Les Paul Triumph. Probably the best of that bunch is the Les Paul Triumph, even though it is short scale. If long scale is important, the best is the long-scale EB3 (the EB3L).
Daniel Willis Comment left 5th January 2012 02:02:45 reply
Hi, I'm looking to purchase a 1972 Gibson Bass. As this will be for someone else, i have limted knowledge of what models are availble and what i should consider when looking to purchase. Could you please give me some advice on my options. The only requirements are that it has to be a Gibson, from 1972 and in good cond and working order.

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1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (seepage 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Coloramawas the name UK distributorSelmergave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and HofnerDiamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respectedMatsumokuplant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IITheHofner Coloramawas the name given bySelmerto a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here)Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). TheMatsumokufactory had been producing guitars for export for some time, but the1820 bass(alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's GibsonMarauderbegan in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like theMarauder,S-1, andL-6S Custommixed in with brand new models theThe V,The Explorerand theFlying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bassRose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The3263 basswas one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner ZambesiThis very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super AceTheVox Super Acewas a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickupVox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of 47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Basssupporting members area

1966 Vox New Escort

1966 Vox New EscortTheVox New Escortwas Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin CareCatalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger FolkThe Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitarTheSymphonicbass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to theFender Precisionbass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style3264; and three Rickenbacker-styled semi-acoustic models: the six-string3261, the twelve string3262and the3263bass.Shaftesburywas the house-brand of major UK distributorRose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, byEko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. TheFender Precisionhad been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerTheVox Strollerwas the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price 18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of theVox Clubman IIbass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the GibsonES Artistlaunched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold toLaVonne Musicby Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

1959 Hofner Committee

1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

1965 Gretsch Chet Atkins Tennessean

1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalogHagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner PresidentThePresidentwas produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the newJaguar.

1971 Gibson Les Paul Recording guitar owners manual

1971 Gibson Les Paul Recording guitar owners manualThe newly designedLes Paul Recordingguitar was released in 1971, in many ways as an updated version of the Les Paul Professional that had debuted two years earlier in 1969. The new guitar came with a new owners manual explaining the (somewhat complicated) controls, their operation, and giving other specifications, including recommended strings, action and control settings. Compare with the broadly similar owners manual for theLes Paul Personal / Professional