Hagstrom eight-string bass, Vox Cheetah semi acoustic guitar with built in effects, Gibson EB3 bass
Hagstrom H-8 eight-string bassVox CheetahGibson EB3
Home | Guitar Model Info | Catalogue Scans | Forum | Other Stuff | Search   
     VintageGuitarAndBass on Facebook FlyGuitars on Twitter

pick a brand

The majority of the instruments profiled on this site were produced by the brands to the left (click for more), although there is also some limited content on the following guitars and amps
Ampeg, Baldwin, Dan Armstrong, Futurama, G&L, Goya, Hayman, Ibanez, Marshall, Musicman, Ovation, Peavey, Rickenbacker, Selmer, Silvertone, Supro and Yamaha, WEM

Or try the site search

Trying to find the value of your guitar?
Vintage guitar parts for sale

Classic Motorcycles For Sale
Classic Cars For Sale
Vintage guitars for sale

Gibson L6-S

PART 1 L6-S specifications

L-6S specifications | L6-S controls | shipping figures and pricing | schematics & parts lists | famous users

1976 L-6S Custom | 1976 L-6S Deluxe

Gibson L6-S Custom - Its the best damn guitar you ever played
Gibson L6-S Custom - Its the best damn guitar you ever played
This early advert for the L-6S was printed when the guitar was at its peak. 1974 was the only year with reasonable sales, despite the high profile endorsement of Carlos Santana over the following years.
This early instrument has the block inlaid fingerboard, which would soon be changed to dots.
Gibson L6-S Custom - Santana Calls it His Rainbow
Gibson L6-S Custom - Santana Calls it His Rainbow
Actually, it's the Gibson L6-S. But he's got a point. Because the L6-S lets you color your sound any way you want with tone and mid-range control and a six-position sound switch. From pretty and warm to funky and hard-and anything in between-the choice is yours. The L6-S also has two incredibly powerful pickups mounted in its solid maple body for exceptional sensitivity and sustain. And the body itself is designed to give you complete access to 24 frets of the quickest, easiest action you ever laid your hands on. Creem Magazine called it "The kind of guitar that musicians ten years from now will dream about owning." Santana calls it his rainbow. We call it the L6-S.
Gibson L6-S Custom - Santana Calls It his Rainbow
Gibson L6-S Custom - Santana Calls It his Rainbow
Mid 70s advertisement for the Gibson L6-S series. The image features Carlos Santana (of latin rock band Santana) playing the L6-S Custom. This model was the first of the series, and was simply known as the L6-S until (and in some cases beyond) the time that the L6-S Deluxe was also available.
Latest L-6S forum posts from the VintageGuitar forum
forum index | post message

Gibson L6-S
13 replies
last message by Guitarman@guitarsofheroes

Gibson L6-S
0 replies
last message by tct

L6-S doublecut
3 replies
last message by jules

L-6S Deluxe Finish and Comparison to SG Standard
2 replies
last message by WAB74

The Gibson L-6S. Above L-6S Custom, below L-6S Deluxe

Two versions of the L-6S guitar, the Custom (top) and the Deluxe (bottom).

ModelL6-S CustomL6-S DeluxeMidnight Special
PickupsTwo chrome-covered super humbuckers (parts 13682, front; 13683, back) Two black plastic-covered super humbuckers (parts 13654, front; 13655, back)Two chrome-covered super humbuckers
Scale24 3/4"
BodyMaple. 13 1/2" wide (lower bout), 16 1/2" long, 1 1/4" thick
NeckSet maple neck, with maple, rosewood, or ebony fingerboard. 24 frets. Dot markers (a few early examples have block markers)Set or bolt-on neck, with rosewood fingerboard. 24 frets. Dot markersBolt-on neck, maple fingerboard. 24 frets. Dot markers
Width at nut1 9/16"
HardwareVolume, midrange and 'treble roll-off' controls. 6 position pickup selector switch. Wide-travel tune-o-matic bridge, with stop-bar tailpiece.Volume and 'treble roll-off' controls. Three position pickup-selector switch. Tune-o-matic bridge, strung through body.Volume and tone controls. Three position pickup-selector switch. Tune-o-matic bridge, strung through body.
FinishesNatural Maple Gloss, Black, Cherry, Wine Red, Tobacco Sunburst, from 1980 SilverburstNatural Satin, Wine Red, Tobacco SunburstEbony, Maple Gloss, Wine Red, White
NotesBy far the most popular of the series, outselling the deluxe 4:1, and the MS 6:1 This 'secret' guitar was left unadvertised. Unmentioned in price lists, catalogs and other promotional material

The L6-S was designed in 1972 by then Gibson employee Bill Lawrence. The remit was to create a guitar with as varied an array of sounds as possible, without over-complicated electronics, and something that could compete with Fenders six string range. Bill Lawrence explains:

In 1972, I was asked to design a multi-sound system for the SG Standard. This didn't make any sense to me, and after several meetings with marketing, I convinced them to introduce a completely new solid-body that offered a wide variety of different sounds. I was given a free hand as long as I observed a set production cost limit. In order to stay within that limit, I had to make use of their existing hardware, including pickup covers, and the champfered body contours I wanted were not in the budget either. Given a mere $25 more to work with, I could have made the guitar to my specs. Also, I had designed a beautiful three post lightweight bridge made of hardened stainless steel that could be converted into a trem and a two 3 position toggle switches for nine different sounds. The first 3 position switch was a pickup selector while the second was a sound selector -- position one was for Les Paul , position two for Strat, and position three for Tele sound.

Well, I had to stay within the budget, and we ended up with a six-position rotary switch, pickups with large humbucker covers, a stock Schaller bridge with a "stop" tailpiece, and a clumsy-looking body. My original prototype had a beautiful, elegantly-shaped pickguard, but somebody changed that too. Even with these changes, the early production L6-S was still an excellent performer. When the new ownership took over, there were even more changes, and by 1976, the L6-S had become just another Les Paul-style Gibson solid-body. All that remained of my original design was the thin, lightweight body with its large cutaway for easy access to all 24 frets.

Read the rest of this article at the Bill Lawrence website

Launched in 1973 at the summer NAMM show in Chicago, very much as a more affordable version of the Gibson L-5S. It retained the L-5S body shape, still had maple body / neck (although the L-5S was curly maple, rather than close grain) and an (optional) ebony fingerboard. Solid bodies had tradionally been mahogany up to this point, but for reasons of economics, and fashion, the seventies saw a range of maple Gibsons, and L-6S was one of them.

Electrically it differed from the L-5S though, with its six-position phase switching system, and treble roll-off and midrange controls. The idea was to offer new sounds and as much versatility as possible. To this end, the L-6S also had a two octave, 24 fret neck - the first Gibson to have this.

L6-S production started at the Kalamazoo plant in Michigan, however it moved to Nashville, certainly by the end of 1977, perhaps earlier.

The guitar shown below was in the 1973 Gibson Look Ahead to Gibson flyer. Unlike the majority of L6-Ss this instrument has a two-piece scratchplate, old-style headstock script, and block inays. Whether this was just a prototype, or an early production version is unclear. Compare this to a later, 1976 L6-S Custom

1973 Gibson L-6S

L-6S players

L-6S Custom
Keith Richards (Rolling Stones)
Carlos Santana
Al di Meola
Lady Bo (Bo Diddley)
Johnny Borrell (Razorlite)

L-6S Deluxe
Johnny Borrell (Razorlite)

In 1974 a second model was released (the Midnight Special), and in 1975 a third, the Deluxe (see a 1976 L-6S Deluxe). The original model was then named the L-6S Custom. Both were a cheaper models with simpler electronics, strung through the body, bolt-on neck for the Midnight Specials and a rosewood fingerboard for the deluxe. Each had its own unique scratchplate. Some instruments may have been alder-bodied too.

The series lasted throughout the 70s, with the deletion of the model announced in dealer newletter Gibson News in June 1980. Some examples still shipped from the Nashville plant, though, as late as early 1981. The current owners of Gibson produced a limited reissue in 2011.

Back to the GIBSON INDEX | comment

Gibson L6S for sale

# # #
There are 4 comments on this article so far. Add your comment
John Oppenheimer Comment left 12th November 2012 21:09:17
May l know if L6-S Custom electric guitar ebony was selling in December 1983, l mean in Gibson store as new thanks for your answer Good day
Vintage Guitar and Bass Comment left 12th November 2012 21:09:06
They had really stopped making them (in any number at least) by 1980 - but it is quite possible that one was still in a guitar shop window somewhere at that time. Whether one would leave the factory at that time is another matter... certainly not impossible, and Gibson did ship very small numbers of older guitars, long after they had been deleted from the range: presumably using up parts. So yes, quite possible.
Robert White Comment left 12th March 2013 07:07:56
How can I tell what year my L6S was made?
Vintage Guitar and Bass Comment left 6th January 2014 19:07:09
Hi Robert, dating an L-6S is not too different from any other seventies Gibson. The serial number and potentiometer codes will give you a ballpark figure. The period of production spans years covered by three different serial number styles (6 digit stamped, 73-75; 8 digit decal, 75-77; 8 digit stamped, 77-onwards) with the last two having a year embedded into the sn itself - see http://www.flyguitars.com/gibson/serial_numbers/

Comment on this article

All comments are moderated. Name and email details are required.

Email address
Your comments

Anti-spam question - to catch web robots

How many legs does a tripod have?