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Vintage Gibson guitars are very special indeed, and they are held in very high regard by serious players and vintage guitar collectors alike. Especially the guitars made in the main Gibson plant, 225 Parsons Street, Kalamazoo, Michigan. The very best of these guitars were made in the 1950s and 1960s; often referred to as the CMI (Chicago Musical Instruments) period. These Gibsons are the epitomy of quality. The best guitars were hand-built. Tops were carved and tap-tuned, a job requiring great skill and experience, and the pieces were assembled and finished by skilled craftsmen, with incredible attention to detail. But even the entry-level Gibson guitars were a step above the majority of guitars available at the time; both in terms of workmanship and components.
But this was a time of big change in the guitar market. Gibson specialised in expensive electric acoustics; guitars like the L5-CES, ES-5, and ES-175, all large hollow-body guitars with superb clean tones for jazz soloing. Gibson endorsees were 'serious' musicians; often guitar virtuosos, in the jazz, pop or bluegrass genres. They would be accompanied by an upright bass, and a drummer using brushes. But the advent of rock 'n' roll changed everything. The necessary increase in volume rendered the jazz box obsolete and heralded the rise in popularity of the semi-acoustic and the solid-body.
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Gibson rock guitars
In this time, and under the stewardship of Ted McCarty, Gibson introduced the majority of the iconic models that it is famous for today. The Les Paul in 1952, the ES335, Flying V and Explorer in 1958, the Melody Maker in 1959, the SG in 1961, and the Firebird in 1963. Despite being superb instruments, many of these were too far ahead of their time, and were commercial failures until re-issued years later. Only 98 Flying V guitars were shipped between 1958 and 1959, and only 22 Explorers. The low-production numbers of these models guarantees their desireability to vintage guitar collectors, and if offered for sale could fetch a five or six figure sum, depending on the state of the market.
Gibson went from strength to strength in the early 1960s, selling guitars quicker than they had time to build them. 1965 was their peak year, selling over 83000 instruments.
But by the late 1960s, the American guitar industry was in trouble. Companies were folding and changing hands, and Gibson was no exception. Norlin took charge in December 1969, and immediately introduced numerous new models.
The Norlin period
This period is not held in as high regard as the earlier CMI period, and it is true, Gibson produced a lot of low-priced guitars at this time, but the finest instruments are every bit as good as older versions. Guitars like the Citation, L-5S, and Crest are as good as anything Gibson ever built. In 1974 Gibson opened a new plant in Nashville, and some guitar output was moved there. The Nashville plant was unable to compete in terms of quality with Kalamazoo, and some of the seventies bad reputation may have been due to this.
This is the decade Gibson moved away from mahogany, in favour of other woods. The archetypal Gibson solid body sound had been produced by Gibson humbuckers, a mahogany body and a glued in mahogany neck. Bill Lawrence designed a number of new guitars for Gibson, the L-6S, Marauder, S-1, Grabber bass and Ripper bass; all used maple and or alder, and many were natural-finished giving a distinctly different look to preceding models. The use of maple continued later in the decade with the RD and Victory series. But even necks on a lot of traditionally all-mahogany instruments went maple: 70s Les Pauls, SGs and 335s often have maple necks.
One of the last series of instruments to be made entirely at the Kalamazoo plant was the RD series. This was a colaboration between Gibson and Moog, to create an active instrument with built-in Moog electronics.
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| The Gibson RD Standard bass
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In 1984 the Kalamazoo plant closed, and electric guitar production moved entirely to Nashville. In January 1986 Gibson was sold to it's current owners
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