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GIBSON | ELECTRIC ACOUSTIC | L-5CES

Gibson L-5CES

Electric acoustic archtop jazz guitar

Gibson L5 CES

Gibson L5 CESN
Wes Montgomery graces the cover of the 1964 Downbeat annual guitar issue

Wes Montgomery graces the cover of the 1964 Downbeat annual guitar issue

The Gibson L-5CES was a particularly fine instrument, and as such was made in relatively small numbers, and had a relatively high purchase price. Favoured by jazz musicians, most notably Wes Montgomery, it had a hand carved top; a feature of only the very best guitars. It was first available in 1951, and is still available today - either in sunburst or natural finish. Initially the pickups were P90 single coils, changing to Alnicos from 1953 to 1957. Thereafter the Gibson humbuckers came as standard.

One important variation over the course of production was the cutaway shape - initially this was the rounded Venetian style, changing in mid-1960 to the sharper Florentine cutaway (pictured). Sometime in 1969, this reverted to the Venetian style of the 1950s. Have a look through some of the Gibson catalogues that include the L5 CES, to see how it changed over the years.

As previously mentioned, the L-5CES was an expensive instrument - only cheaper than the Super 400 and Johnny Smith (and the Citation, when it was launched). After 1962 it was marked in price lists as a custom order instrument - but despite this, sales rose throughout the 50s, 60s and 70s.

1970 Gibson electric-acoustics catalog

The following description is taken from the 1970 Gibson electric-acoustics catalog

L-5 CES - Cutaway Professional musicians enjoy the fast neck action and quick response of the L-5 CES. This electric acoustic offers performance to match its rich, impressive appearance.

FEATURES: Carved top of select close-grained spruce. Carved back of curly maple with matching rims. Slim, fast low-action neck joins the body at the 14th fret. Five-piece curly maple neck, adjustable truss rod. Ebony fingerboard, pearl block inlays. Adjustable Tune-O-Matic bridge. Exclusive L-5 tailpiece. Powerful twin Humbucking pickups. Separate tone and volume control for each pickup. Three position toggle switch to activate either or both pickups. Gold-plated metal parts. Deluxe individual machine heads. 17" wide, 21" long, 3 3/8 " deep; 25 ½ " scale, 20 frets.

L-5 CES - Sunburst
L-5 CESN - Natural
600 - Faultless plush-lined case
ZC-6 - Deluxe zipper cover for 600 case

A gorgeous 1952 Gibson L-5CES in natural finish Image Heritage auctions

Vintage adverts featuring the Gibson L-5CES

Electric guitar advertisements originally published from 1964 onwards. Click on the images for larger copies. Check out other vintage Gibson advertisements

Gibson L-5 CES - The Incredible Jazz Guitar of Wes Montgomery

Gibson L-5 CES - The Incredible Jazz Guitar of Wes Montgomery (1964)
This advertisement from 1964 uses the title of Wes Montgomery's highly acclaimed 1960 album 'The Incredible Jazz Guitar of Wes Montgomery' - and highlights his use of Gibson jazz guitars. Montgomer...
[more]

Gibson L-5 CES - Wes Montgomery

Gibson L-5 CES - Wes Montgomery (1965)
In the mid 1960s, Gibson almost exclusively advertised itself as a brand, rather than specific products. And these adverts invariably featured virtuoso jazz guitarists that used a Gibson jazz box. ...
[more]

Gibson L-5 CES - Gibson, The Workingmans Guitar

Gibson L-5 CES - Gibson, The Workingmans Guitar (1967)
Featuring legendary Jazz guitarist Wes Montgomery playing a Gibson L-5 CES electric guitar
[more]

Gibson L-5CES catalog appearances

The L-5CES guitar has appeared in numerous Gibson guitar catalogues since the model's introduction in 1951. In chronological order...

Gibson 1958 Electrics Catalogue

1958 Gibson Electrics catalogue

Hand-graduated, carved top of select close-grain spruce • arched, highly figured curly maple back with matching curly maple rims • alternate black and white ivoroid binding • modern cutaway design • small, comfortable feeling three-piece curly maple neck with Gibson Adjustable Truss Rod

Gibson 1960 Electrics Catalogue

1960 Gibson Electrics catalogue

The inherent quality, versatility, and rich, impressive appearance of the L5-CES have won acclaim from the most discriminating artists.

Gibson 1962 Electrics Catalogue

1962 Gibson Electrics catalogue

A beautiful modern deep cutaway guitar with hand-graduated, carved top of select close-grained spruce, arched back of highly figured curly maple, with matching rims

1964 Gibson electric guitar and bass catalogue

From the 1964 Gibson electric guitar and bass catalogue

Guitarists everywhere praise the slim, comfortable neck, the fast, easy-playing action and quick response

Gibson 1966 Full Line catalogue

The 1966 Gibson full line catalogue is the first to show the entire Gibson guitar range in colour. The L5-CES appears on page 4, alongside the Super 400 CES and ES-175D models.

1970 Gibson electric acoustics catalogue

The 1970 Gibson electric acoustics catalogue

Professional musicians enjoy the fast neck action and quick response of the L-5 CES. This electric acoustic offers performance to match its rich, impressive appearance

1972 Gibson L-5CES showcase

In 1972 Gibson launched a flyer devoted to the L-5CES - The Gibson L-5CES Guitar of the Month Showcase. The spruce used on the L-5CES is from a tree approximately 450-500 years old. Only a very small portion of the world's spruce yield is good enough to use in production of the Gibson L-5CES

1975 Gibson Electric Acoustics catalogue

From the Gibson 1975 Electric Acoustics catalogue

Gibson custom order guitars are unequalled anywhere because their materials design and craftsmenship are unavailable anywhere else. Close even-grained spruce from trees 450-500 years old; solid woods, not veneered; hand carved and graduated tops and backs; precision f-holes based on Stradivarius violin construction

1978 Gibson catalogue

From the 1978 Gibson catalogue

Custom carved spruce top. Carved maple back. Solid maple matching rims

1980 Gibson catalogue

The 1980 Gibson catalogue gives each model a page of it's own - the L-5CES is not exception, and is shown on page 9

1981 Gibson (Rosetti) catalogue

The 1981 Gibson (Rosetti) catalogue was produced by UK distributors Rosetti.

Gibson 1983 guitar and bass catalogue

Gibson 1983 American made World played guitar and bass catalogue

The Gibson L-5CES is the heart and soul of the entire Gibson line - the proud descendent of Lloyd Loars masterpiece L-5, the worlds first arch top, f-hole guitar in 1923. Today's L-5CES has specially designed bracing, a carved maple back, hand-shaped rims and a beautifully finished spruce top

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Gibson L-5CES for sale

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Vintage 1950s Gibson Rosewood Archtop Bridge and Base L-5ces, Super 400 ES-175

Vintage 1950's Gibson Rosewood Archtop Bridge and Base L-5ces, Super 400 ES-175

Chicago, Illinois, 606**, UNITED STATES OF AMERICA

$495

Vintage Correct Parts is proud to offer, for your consideration,
A completely original and fantastic
Vintage Gibson 1950's thru 1960's Rosewood Archtop Bridge
This original Brazilian rosewood bridge and base is in fantastic original condition
Correct for the L-5CES, Byrdland, Super 400, ES-175 and any other Gibson arch tops from this era. The tone on these is INCREDIBLE! They don't make them like this anymore.
Perfect for the restoration of your vintage Gibson OR dress up... more
eBay logo
Vintage 1950s Gibson Rosewood Archtop Bridge and Base - L-5ces, Super 400 ES175

Vintage 1950's Gibson Rosewood Archtop Bridge and Base - L-5ces, Super 400 ES175

Chicago, Illinois, 606**, UNITED STATES OF AMERICA

$495

Vintage Correct Parts is proud to offer, for your consideration,
A completely original and fantastic
Vintage Gibson 1950's thru 1960's Rosewood Archtop Bridge
This original Brazilian rosewood bridge and base is in fantastic original condition
Correct for the L-5CES, Byrdland, Super 400, ES-175 and any other Gibson arch tops from this era. The tone on these is INCREDIBLE! They don't make them like this anymore.
Perfect for the restoration of your vintage Gibson OR dress up... more
eBay logo
Gibson L5CES 1967 - Sunburst

Gibson L5CES 1967 - Sunburst

Doncaster, DN6***, UNITED KINGDOM

£12999

FINESTSELECTIONSHIPPINGSPECIALISTS24 HourSupportLondon Vintage Guitars are please to offer:Gibson L5CES 1967 - SunburstClassic L5 
We are happy to offer the Classic Gibson L5 with its rare Florentine Cutaway , details as follows 
Gibson L5 Ces 
1967 
Sunburst 
Florentine Cutaway 
Twin Pat Number Humbuckers 
Gold Hardware 
Internally / Externally Original 
Condition 8 / 10 ( Light , Normal Playing Wear ... more
eBay logo

Find more Gibson L-5CES for sale at vintageguitarsforsale.co

There are 3 comments on this article so far. Add your comment

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How many legs does a tripod have?
MKDDR Comment left 28th April 2014 01:01:02 reply
What issue/date is that Downbeat please? (Wes Montgomery cover) thanks
vintageguitarandbass Comment left 17th September 2016 22:10:50 reply
The issue of Downbeat magazine with Wes Montgomery on the cover (pictured above) is dated 17th July 1964
jazzer Comment left 25th June 2012 07:07:03 reply
Superb guitar. Absolutely stunning to play, and with a tone to die for. Not quite worth the stupid money people are asking for them on ebay, but very nearly :/

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1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (seepage 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Coloramawas the name UK distributorSelmergave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and HofnerDiamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respectedMatsumokuplant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IITheHofner Coloramawas the name given bySelmerto a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here)Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). TheMatsumokufactory had been producing guitars for export for some time, but the1820 bass(alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's GibsonMarauderbegan in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like theMarauder,S-1, andL-6S Custommixed in with brand new models theThe V,The Explorerand theFlying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bassRose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The3263 basswas one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner ZambesiThis very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super AceTheVox Super Acewas a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickupVox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of 47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Basssupporting members area

1966 Vox New Escort

1966 Vox New EscortTheVox New Escortwas Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin CareCatalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger FolkThe Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitarTheSymphonicbass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to theFender Precisionbass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style3264; and three Rickenbacker-styled semi-acoustic models: the six-string3261, the twelve string3262and the3263bass.Shaftesburywas the house-brand of major UK distributorRose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, byEko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. TheFender Precisionhad been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerTheVox Strollerwas the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price 18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of theVox Clubman IIbass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the GibsonES Artistlaunched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold toLaVonne Musicby Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

1959 Hofner Committee

1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

1965 Gretsch Chet Atkins Tennessean

1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalogHagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner PresidentThePresidentwas produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the newJaguar.

1971 Gibson Les Paul Recording guitar owners manual

1971 Gibson Les Paul Recording guitar owners manualThe newly designedLes Paul Recordingguitar was released in 1971, in many ways as an updated version of the Les Paul Professional that had debuted two years earlier in 1969. The new guitar came with a new owners manual explaining the (somewhat complicated) controls, their operation, and giving other specifications, including recommended strings, action and control settings. Compare with the broadly similar owners manual for theLes Paul Personal / Professional