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LabSeries L2
Valve bass amplifier

Guitars Bass guitars Guitar effects Amplifiers Soundclips


LabSeries L2 soundclips

The Lab Series amplifiers were the result of a collaboration between Norlin companies Gibson and Moog.

Gibson LabSeries L2 bass amplifier

Vintage Guitar Soundclip:
1978 Guild B302F
through a
LabSeries L2

1978 Guild B302FLabSeries L2
Bass recorded with a Shure SM57 microphone, into an M-audio mobile pre USB interface. Flatwound strings.

more vintage guitar soundclips

Neck pickup

Guitar: volume 10, tone 10. Amp: everything at 12 o'clock: hi input, no deep boost, volume 5, bass 5 midrange freq 400hz, midrange boost/cut 0, treble 5, no compression, master volume 5. Played fingerstyle.

Bridge pickup

Guitar: volume 10, tone 10. Amp: everything at 12 o'clock: hi input, no deep boost, volume 5, bass 5 midrange freq 400hz, midrange boost/cut 0, treble 5, no compression, master volume 5. Played fingerstyle.
Guitar: volume 10, tone 0. Amp: everything at 12 o'clock: hi input, no deep boost, volume 5, bass 5 midrange freq 400hz, midrange boost/cut 0, treble 5, no compression, master volume 5. Played fingerstyle. Turning the tone down to zero on the bridge pickup produces one of my favourite tones: fat, heavy but with just enough mid to cut through

Both pickups

Guitar: volumes 10, tones 10. Amp: everything at 12 o'clock: hi input, no deep boost, volume 5, bass 5 midrange freq 400hz, midrange boost/cut 0, treble 5, no compression, master volume 5. Played fingerstyle.
Guitar: volumes 10, tones 10. Amp: boosted mids (800hz) : hi input, no deep boost, volume 5, bass 5 midrange freq 800hz, midrange boost +5, treble 5, no compression, master volume 5. Played fingerstyle.
Guitar: volumes 10, tones 10. Amp: boosted low mids (200hz) : hi input, no deep boost, volume 5, bass 5 midrange freq 200hz, midrange boost +5, treble 5, no compression, master volume 5. Played fingerstyle.
Guitar: volumes 10, tones 10. Amp: slightly cut low mids (300hz) : hi input, no deep boost, volume 5, bass 5 midrange freq 300hz, midrange cut -2, treble 5, no compression, master volume 5. Played fingerstyle. This gives a great spanky tone, ideal for slapping and popping.
Exactly the same guitar and amplifier settings as above, but with some compression from the amplifier (-6)

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