1963 Vox Symphonic bass - have a closer look at this instrument here
The Vox Symphonic Bass, or V207, was one of the earliest Vox solid-body basses available; bodies were produced by G-plan in the UK for assembly at the JMI/Vox plant in Dartford, UK. At the time, Vox endorsers, The Shadows were kitted out with Vox amps and Fender guitars, so it is no surprise the Vox created a range of instruments that would appeal to Shadows fans who were not able to get a real Fender. Stratocaster-influenced guitars like the Vox Shadow sold well, the Vox Symphonic bass (heavily influenced by the Fender Precision) less so.
Unlike the other Fender-style Vox bass JMI was producing at the time, the Bassmaster, the Vox Symphonic was in the same league as the bass it was emulating - with the same long scale (34"), similar neck and body dimensions, and approximately the same weight as the Precision, and more than a passing resemblance.
A white Symphonic bass body awaits a neck at the JMI factory, Dartford, UK
The Symphonic bass was listed in Vox catalogues as early as late 1962, and at this time it was fitted with Vox V1 pickups, as fitted to numerous other Vox guitars and basses of the time. Unlike many other early models it did not have any major re-design, but there were numerous minor changes to the bass over the next five years of production, most notably the upgrade to V2 pickups in the mid sixties, mentioned although never illustrated in Vox literature. But furthermore, the body contours were deepened somewhat in the mid sixties; early versions are more slab-like (though not completely) and the neck pocket was also enlarged to allow the neck to join the body at the 15th rather than the 16th fret (also making the bass a fraction shorter). This required the bridge to be repositioned further back on the body to maintain the same scale. There were also intermediate examples with the larger pocket, but still joining at the 16th fret. One final change, that affected all UK Vox guitars was the new thicker 'black-edged' scratchplate.
The following description comes from the 1964 Vox catalogue 'Precision in Sound'.
Elegant electric bass. Two fine-quality adjustable bass pick-ups for maximum low frequency response. Independent tuning bridge. Adjustable reinforced neck with rosewood fingerboard. All hardware in polished chromium. Available in red, white or sunburst polyester finish.
The Symphonic bass was initially aimed at the UK market, and few were exported to the United States, however they were available in small numbers in 1965, before the Italian E.M.E plant was set up to produce Vox guitars for America. It had a 1964 UK price of £98 10s 0d, cheaper than the Fender, but as can be seen below, it was impossible for this Precision copy to compete overseas, when it was actually more expensive! Interestingly, the Summer NAMM show publicity of 1965 actually describes it as a Vox Stingray bass.
|Vox Clubman bass||$100|
|Vox Bassmaster bass||$120|
|Vox Symphonic bass||$250|
|Vox Phantom bass||$340|
|Fender Precision bass||$223|
This 1966 Symphonic bass has no serial number or headstock markings, yet is fitted with a Vox "V" bridge cover.
The Symphonic bass disappeared from the Vox line in the US, but remained in UK price lists as late as 1967, although it is most likely that this was an attempt to use up old stock rather than any reflection of customer preference. The April 1967 UK price was £95 17S - the same as the Mark IV. Shortly after the issue of this list JMI went bust, and by 1969 unshipped Vox guitars were being marketed by Dallas Arbiter. The Symphonic bass was sold by them as model 4537 - with an incredible price of just £69.
The 4537 is shown here in the 1969 Dallas Arbiter catalogue. It was listed alongside the Clubman, Bassmaster and, as seen here, Mark IV bass. These guitars typically have no Vox headstock decal, or serial number, but often featured Vox engraved hardware.
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