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Latest vintage guitar updates
1967 Vox (JMI) electric guitar catalogue
1967 Vox (JMI) electric guitar catalogue This was the last guitar and bass catalogue produced by Vox under the ownership of JMI. The cover features Brian Jones of the Rolling Stones, playing his trademark Vox Mark VI teardrop, and features a line up of British and Italian built vox guitars and basses; Vox Phantom, Vox Mark, Vox Spitfire, Lynx, Super Lynx and the Jones' Stones colleague Bill Wymans signature Wyman Bass. Twelve pages.
1964 UK Vox precision in sound catalogue
1964 Vox precision in sound catalogueVox catalogues were issued in different parts of the world representing the products available in that region. Guitars and amps were made across three continents throughout the 1960s, but this early JMI newsletter/catalogue was aimed at the British market, and showed guitars and amplifiers available in the United Kingdom. Most are British made, although there are electric acoustics imported from the Italian guitar builder Crucianelli, and some of the solid body guitars are fitted with Italian-made (Eko) necks. Also shows British-built Vox amps, and acessories. Eight pages
1963 Vox Shadow
1963 Vox ShadowThe specifications and features of certain Vox guitars were somewhat fluid throughout the course of their production. The Vox Shadow had two pickups at this stage (see other Vox Shadow versions); and is made of a lightweight laminate wood rather than the solid mahogany used on the three pickup Vox Shadow from 1964.
1964 Vox Shadow
1964 Vox ShadowVox made several different guitars with the name Shadow (other Vox Shadow versions); this one from 1964 has a Fender-style mahogany body and three single-coil pickups. Like previous versions of the Vox Shadow, this guitar was meant to resemble the guitar of Shadows guitarist Hank Marvin (who was playing a red Fender Stratocaster at the time). Many a British guitarist learnt on a guitar like this, but although functional, these all-British built Vox's were not up to the standard of the Phantom or Mark series. There are a few short Vox Shadow sound clips.
1965 Vox catalogue
Vox 1965 catalogueWith 'Beatlemania' and the 'British Invasion' firmly underway, Vox needed a US distributor for it's products. Enter the Thomas Organ Company. This 1965 Vox guitar and amp catalogue was the first issued by the Thomas Organ company for the US market. It features a few Italian-made guitars, as well as a lot of British made ones. In contrast, the next catalogue features almost exclusively Italian instruments.
Vox Bassmaster
Vox Bassmaster bassThe Vox Bassmaster was one of numerous early Vox guitars styled, at least vaguely, on Fender instruments. As an entry level bass it wasn't bad. It had a very thin neck, and along with it's short, 30" scale, made an ideal students bass. It was British made, but a forerunner to later Italian models. Have a look at a 1963 Vox Bassmaster, and a 1965 Vox Bassmaster, with sound clips.

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Vox Cheetah V267
hollow bodied electric guitar with built-in effects


Vox Guitar Parts
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Pete Townsend on the Smothers Brothers show 1967
Pete Townsend of The Who on the Smothers Brothers show 1967, with his Vox Cheetah

The Vox Cheetah, or V267, was one of Vox's late sixties semi-acoustic models sporting built in effects. Unfortunately the most famous piece of work involving this instrument is its destruction at the hands of Pete Townsend on the American Smothers Brothers TV show. This footage is available on the Who DVD The Kids Are Alright.

The built in effects are rather interesting, and consist of an E-tuner (plays a quiet E note), treble/bass boost, distortion (mild overdrive to full blown 60s fuzz) and repeat percussion. These are the same effects as on other vox guitars and basses of the period, though some also had a built in palm-operated wah wah pedal too. An identical model to the Cheetah, with added wah-wah was the V268 Vox Ultrasonic.

The original Vox literature describes the ultrasonic like this:

An exquisite double cutaway electric acoustic guitar. Has built-in E tuner, distortion booster, treble and bass booster, repeat percussion. All new easy-to-fret fast neck with Vox double T-bar and adjustable steel rod. Two exclusive Vox Ferro-sonic pickups. Fully adjustable bridge. One volume, two tone controls, 3-position pickup selector.
Vox V267 Cheetah controls

The controls are as follows:

  1. Pickup selector switch; neck pickup only, bridge pickup only or both pickups
  2. Master volume
  3. Neck pickup tone control
  4. Bridge pickup tone control
  5. Treble/ bass boost control and on/off switch
  6. Distortion level control and on/off switch (mild overdrive to extreme fuzz)
  7. Repeat percussion speed control and on/off switch

Vox cheetah in action 2.3 MB. I recorded this clip purely to demonstrate the different tones available from the Vox Cheetah - the biting treble from the treble boost, the smooth jazz tones of the bass boost, and the effects; repeater, blistering 60s fuzz, and even the E tuner! Incidently the bass in this clip is a Gibson RD artist bass

Links

1967 Vox V267 Cheetah
1967 Vox V267 Cheetah - Pickup and Bridge Detail 1967 Vox V267 Cheetah - Machine Head Detail
1967 Vox V267 Cheetah - Reverse Body Detail; Removable Pad Hides Battery Cover 1967 Vox V267 Cheetah Reverse - Electronic E Tuner

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