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MARSHALL | VINTAGE ADVERTISEMENTS

Marshall advertisement (1971)

Hear No Evil

Marshall Amplifiers

1971 UK Marshall amplifier advertisement

Marshall equipment is made to pass on your sounds. Faithfully. Without distortion.

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    Marshall advertisement (1971) Hear No Evil

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    Frank Zappas 1976 Marshall Super Lead 1959 100w Head Guitar Amplifier w /  Video

    Frank Zappa's 1976 Marshall Super Lead 1959 100w Head Guitar Amplifier w / Video

    Portland, Oregon, 972**, UNITED STATES OF AMERICA

    $19999

    ... more
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    MARSHALL  1974X  18 W Point To Point Wired Guitar Amp

    MARSHALL 1974X 18 W Point To Point Wired Guitar Amp

    Huntington Station, New York, 117**, UNITED STATES OF AMERICA

    $2150

    THE marshall custom POINT TO POINT WIRED guitar amplifier. The sound that won the west ! When Eric Clapton recorded the Bluesbreaker record he played one of these same amps except his was 35 watts ! No one previously ever sounded like it ! That record taught more people to play and how to SOUND
    Than any before! No master volume just plug in an hit the gas ! No matter what guitar you use it will bring out the best in its voice ! It??s an absolute BEAST ! It was never gigged and stored in ... more
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    1973 Marshall 100watt JMP plexi Superlead Guitar Amp Amplifier Vintage Head 70s

    1973 Marshall 100watt JMP plexi Superlead Guitar Amp Amplifier Vintage Head 70s

    Lodi, California, 952**, UNITED STATES OF AMERICA

    $5000

    Super bass modded to super lead with post phase inverter master volume (PPIMV) by trace at voodoo amps, no extra holes drilled as the volume went in a forth speaker output, was retubed, recapped, and is in perfect shape for more decades of music. Sounds great both live and in studio, but I don??t give this amp the love it deserves anymore playing country music in Texas. I formerly
    played in tribute bands including Led Zeppelin, Boston, The Rolling Stones, AC / DC, Bob Seger, Heart, Fleetwood ... more
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    Marshall 1973 1960A Bass Slant Cab with Red Tolex - Excellent!

    Marshall 1973 1960A Bass Slant Cab with Red Tolex - Excellent!

    Euless, Texas, 760**, UNITED STATES OF AMERICA

    $5200

    Bass Slant A cab from 1973 with original Tolex. I purchased it, along with a ?74 Super Bass Head, from Rumble Seat Music in 2016 with the plan to move to a larger house, and subsequently a bigger studio, but it never happened so to time for the next custodian to take over. All original except for a couple screw on the back panel, which I replaced to keep the holes filled. Plenty of pics, but if there is something else you need, let me know. Cover is not original. This is local pickup only, ... more
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    Marshall 1959 Super Lead 100 Watt   Clone

    Marshall 1959 Super Lead 100 Watt Clone

    Chicago, Illinois, 606**, UNITED STATES OF AMERICA

    $3600

    Marshall 1959 Super Lead 100 watt. Clone. Cabinet in very nice condition ( scuff marks on the bottom of cabinet ). Amp lay out looks like the 1959 reissue, and sounds like a 1959 Super Lead 100 watt too. Has that CREAM !!! sound. Will be Posting more info , and pictures later. The 2nd picture was under exposed to capture the control panel shade, and color. Only U S.A. Bidders.... more
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    1999 Marshall 1959SLP Super Lead 100W ~ CJ

    1999 Marshall 1959SLP Super Lead 100W ~ CJ

    Las Vegas, Nevada, 891**, UNITED STATES OF AMERICA

    $4300

    This 1999 Marshall 1959SLP Super Lead 100W ~ CJ is a must-have for any guitar enthusiast. With its powerful 100W amplifier head, it delivers exceptional sound quality and reliable performance every time

    Made by the renowned Marshall brand, this 1959SLP Mk. 2 model is perfect for guitar players looking for a high-end amplifier that can handle any musical genre. The amplifier type is a head and features the power of 100W. This item is perfect for those who want to rock the stage or ... more
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    Friedman Modded Marshall 1959SLP MK II 100-Watt w /  Master Volume, Amplifier

    Friedman Modded Marshall 1959SLP MK II 100-Watt w / Master Volume, Amplifier

    Chicago, Illinois, 606**, UNITED STATES OF AMERICA

    $3400

    Friedman Modded Marshall Head
    Marshall 1959SLP 100-Watt Superlead head modded by Dave Friedman to match his '68 Plexi specs and to add a Master Volume knob in the back. This is in full working condition with only aesthetic wear
    This amp sounds great at any volume and nails the late 60's Plexi sound. Perfect for AC / DC, Cream, Zeppelin and everything in between. The Master Volume is excellent for bringing higher volume settings down to manageable levels
    This was serviced in December ... more
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    Marshall 2104  Master 50 Watt Mk2 Lead Combo 1979 Vintage Guitar Combo Amplifier

    Marshall 2104 Master 50 Watt Mk2 Lead Combo 1979 Vintage Guitar Combo Amplifier

    Brookfield, Connecticut, 068**, UNITED STATES OF AMERICA

    $2500

    The Marshall 2104 JMP MKII Master Volume Lead is a very simple, yet very loud 50-watt all-tube amp that gives the highly sought after ??Marshall tone??. The 2104 is set up with three pre-amp tubes (12ax7), and two power tubes. The only knobs found on this amp are for Presence, Bass, Middle, Treble, Master Volume, and Pre-Amp Volume

    It only has a single channel, but inputs for High and Low Sensitivity allow you to play anything from super clean to super raunchy with just the turn of a... more
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    Marshall Vintage 1970 Super Tremolo 50 Watt 4 x 10" Basketweave Combo RARE! All

    Marshall Vintage 1970 Super Tremolo 50 Watt 4 x 10" Basketweave Combo RARE! All

    Renton, Washington, 980**, UNITED STATES OF AMERICA

    $11200

    This is a very rare Marshall 4 x 10" 50 watt Tremolo Amp. Built April 24th of 1970 it's in remarkable condition and perfect working order. The Celestion 10" speakers all date to April of 1970. The transformers appear to be thew stock Dagnalls. The V1 preamp tube socket has been mounted in a small thin rubber shock absorbing mount. V1 and V2 are NOS Telefunken Tubes,
    This amp sounds incredible and functions perfectly. Beautiful deep, warm, rich and lush textured Marshall tone
    please... more
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    RARE 1978 MARSHALL MASTER MODEL 50W MK 2 LEAD 2X12 TUBE GUITAR AMPLIFIER COMBO

    RARE 1978 MARSHALL MASTER MODEL 50W MK 2 LEAD 2X12 TUBE GUITAR AMPLIFIER COMBO

    Fort Myers, Florida, 339**, UNITED STATES OF AMERICA

    $4950


    PLEASE BE SURE TO CHECK OUT
    OUR OTHER LISTINGS!!!
    ~ SUPER RARE FIND ~
    1978 MARSHALLMASTER MODEL 50WMK 2 LEAD2X12 TUBE GUITARAMPLIFIER COMBO!!!
    WHEN A FRIEND OF OURSLET US KNOW THAT THISAMP WAS AVAILABLE FOR SALE, IT TOOK US ALL OF ABOUT30 SECONDS TO DECIDE THATIT WOULD BE HEADING SOUTHTO US HERE IN FLORIDA!!!
    THEY WOULD NOT SHIP THE AMP, SO WE HAD TO MAKE PLANSTO PICK UP IN PERSON;THAT'S A 4-DAY ROUND TRIPTHAT WE HAVE INVESTED!!!
    CRAZY, RIGHT? YES!WORTH IT? ... more
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    1980s Marshall JCM800 1981 200 Watt 2x15 Bass Cabinet 215 Cab Vintage

    1980s Marshall JCM800 1981 200 Watt 2x15 Bass Cabinet 215 Cab Vintage

    Hendersonville, North Carolina, 287**, UNITED STATES OF AMERICA

    $1200

    Very good condition. No issues. Sounds great.
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    1970 1971 vintage Marshall basketweave 4x12 speaker cabinet

    1970 1971 vintage Marshall basketweave 4x12 speaker cabinet

    Fort Worth, Texas, 761**, UNITED STATES OF AMERICA

    $1050

    Most likely 1971 Basketweave Marshall 4x12 cabinet. The levent and grillclothe appear to be redone (although the guy I bought it from said the grillclothe was original)? Original caster incerts and handles!

    If shipping comes to less will issue partial refund though eBay to make up the difference!

    Cabinet in good condition and structural sound. Has two sets of odd holes drilled in baffle for? which go to the other side of the baffle through the wood. Also rectangular cut in... more
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    Marshall 1959HW 100-watt Handwired Tube Head - Black

    Marshall 1959HW 100-watt Handwired Tube Head - Black

    Hagerstown, Maryland, 217**, UNITED STATES OF AMERICA

    $3500

    MARSHALL 1959HW PLEXI
    100 watts COMPLETELY HAND-WIRED

    THIS IS A TONE MONSTER AMD SOUNDS INCREDIBLE AND LOUD LOUD LOUD
    THIS AMP IS THE PINNACLE OF WHAT MARSHALL HAS TO OFFER AND THERE IS NO SUBSTITUTE

    AMP IS IN EXCELLENT CONDITION AND HAS BEEN WELL TAKEN CARE OF AND HAS VERY LITTLE PLAY TIME NO RIPS OR DENTS AMD HAS ORIGINAL MARSHALL TUBE SET UP
    THE SOUND IS INCREDIBLE AND IF YOUR LOOKING FOR THAT HENDRIX TONE AND THE TONE THAT DEFINED ROCK & ROLL LOOK NO ... more
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    Black Crowes Owned Marshall Guitar Amplifier Speaker Cabinet 1960A Vintage Slant

    Black Crowes Owned Marshall Guitar Amplifier Speaker Cabinet 1960A Vintage Slant

    Osterville, Massachusetts, 026**, UNITED STATES OF AMERICA

    $5000

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    1970s Marshall 1960A 4x12 Guitar Speaker Cabinet 412 Cab Angled

    1970s Marshall 1960A 4x12 Guitar Speaker Cabinet 412 Cab Angled

    Hendersonville, North Carolina, 287**, UNITED STATES OF AMERICA

    $1500

    Great cab. Obviously has some wear from use but sounds great. Has vintage Sunn Transducer speakers.
    ... more
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    1979 Marshall JMP 1982A 4x12 Speaker Cabinet Original Celestion T2876 G12-80

    1979 Marshall JMP 1982A 4x12 Speaker Cabinet Original Celestion T2876 G12-80

    Milford, New Jersey, 088**, UNITED STATES OF AMERICA

    $2000


    Here's a JMP era 1979 Marshall model 1982A 4x12 speaker cabinet. These late 70s JMP era cabinets were all labeled for 120 watt due to Marshall not updating the serial tags when they discontinued the G12H-30 in favor of the newer G12-80s for the 1982(A)(B) model cabinets. It handles 320 max Features an original date matched quad of Celestion G12-80s with their original Mueller 444 bass cones. See photos for date and cone codes. Look carefully each photo shows both. 16 ohm impedance via ... more
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    Marshall Amplifier Super Bass 100 Exceptional 1971

    Marshall Amplifier Super Bass 100 Exceptional 1971

    Plattsburgh, New York, 129**, UNITED STATES OF AMERICA

    $7950

    Marshall Custom Color head 1971, A serial number9 on 10 condition, 100 watt Super Bass HeadTolex is in exceptional condition Stock electronicsChanged 3 prong cordYou will not find a cleaner versionWorldwide shipping available, contact me for a shipping quote prior to purchaseNo returns Thank you for looking... more
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    Vintage 1974 Marshall JMP 50 Watt 1987 Mark II Head! Classic Marshall Sound!

    Vintage 1974 Marshall JMP 50 Watt 1987 Mark II Head! Classic Marshall Sound!

    Mesquite, Texas, 751**, UNITED STATES OF AMERICA

    $3999


    Item: Vintage 1974 Marshall JMP 50 Watt 1987 Mark II Head! Classic Marshall Sound!
    Description: You are purchasing a Vintage 1974 Marshall JMP 50 Watt 1987 Mark II Head! Classic Marshall Sound! This is the one everybody wants. Used on countless records and songs. This one has had a master volume mod. In overall good shape and works well. Please ask any questions before buying if you have any Shipping: $150 00 shipping to the Lower 48 States! We ship overseas. Overseas shipping ... more
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    Marshall 1959HW 100-watt Handwired Tube Head

    Marshall 1959HW 100-watt Handwired Tube Head

    Middletown, New York, 109**, UNITED STATES OF AMERICA

    $3000

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    Marshall Vintage Modern 2266c Local Pickup Only

    Marshall Vintage Modern 2266c Local Pickup Only

    Miami, Florida, 331**, UNITED STATES OF AMERICA

    $1600

    Hello, I??m selling an excellent condition, made in England, Marshall Vintage Modern 2266C 50 watt 2x12 all tube guitar amp combo. This amp was never gigged, only used for some recordings and rehearsals. Gary from Alpha Kinetix did a full recap and retube of the amp a few years ago. The purple LED indicator bulb was changed a year ago from Albert at Six String Theory, I will include extra bulbs. Currently, the amp is running a matched pair of ARS 6L6 tubes instead of the stock KT66??s. ... more
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    Find more Marshall at vintageguitarsforsale.co

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    1971 Selmer guitar catalogue

    1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

    1968 Selmer guitar catalogue

    1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

    1961 Hofner Colorama I

    1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

    1971 Commodore N25 (Matsumoku)

    1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

    1960 Hofner Colorama II

    1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

    1971 Epiphone 1820 bass (ET-280)

    1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

    1981 Gibson Marauder

    1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

    1971 'Pick Epiphone' Catalog

    1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

    1981 'Gibson Specials' Pre-Owners Manual

    1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
    It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

    1970s Shaftesbury 3263 bass

    1970s Shaftesbury 3263 bassRose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

    1961 Hohner Zambesi

    1961 Hohner ZambesiThis very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

    1963 Vox Super Ace

    1963 Vox Super AceThe Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of 47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

    1966 Vox New Escort

    1966 Vox New EscortThe Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

    1969 Fender catalog, Fender Lovin' Care

    1969 Fender catalog, Fender Lovin CareCatalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

    1973 Eko Ranger Folk

    1973 Eko Ranger FolkThe Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

    1966 Vox Symphonic bass guitar

    1966 Vox Symphonic bass guitarThe Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

    1968 Shaftesbury 'Electric Guitars' catalog

    1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

    1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

    1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

    1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

    1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

    1972 Fender Precision bass

    1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

    1967 Vox Stroller

    1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

    1963 Vox Clubman Bass (left handed)

    1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

    1977 Gibson ES Artist 'prototype'

    1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

    1959 Hofner Committee

    1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

    1965 Gretsch Chet Atkins Tennessean

    1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

    1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

    1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

    Guitar Repair: fixing fret buzz and sharp fret ends

    Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

    1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

    1966 Hagstrom guitar catalogHagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

    1965 Hofner President

    1965 Hofner PresidentThe President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

    1963 1964 Fender catalog

    Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.