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Acoustic advertisement (1970)

Acoustic Can Offer Unlimited Sound To Infinite Capacity

Acoustic Amplifiers

A very simple advertisement for acoustic amplification - and the first not to feature a big name musician of the time

Monochrome advert turning the ACOUSTIC brand name into an acronym


    Acoustic advertisement (1970) Acoustic Can Offer Unlimited Sound To Infinite Capacity

    Other related vintage advertisements

    Acoustic Amplifiers - Meet Our Friends - The Spirit
    Acoustic Amplifiers - Meet Our Friends - The Spirit
    Great sixties ad showing the band Spirit on stage with Acoustic amplifiers
    Acoustic Amplifiers - Meet Our Friends - Blind Faith
    Acoustic Amplifiers - Meet Our Friends - Blind Faith
    Sixties ad for Acoustic amplifiers featuring Blind Faith on stage with Acoustic amplifiers. From Left to right: Steve Winwood, Ric Grech, Ginger Baker and Eric Clapton
    Acoustic Amplifiers - Meet Our Friends.... The Chambers Brothers
    Acoustic Amplifiers - Meet Our Friends.... The Chambers Brothers
    1969 advertisement for Acoustic amplifiers, featuring the Chambers Brothers. From left to right:George Chambers (Gibson Thunderbird bass), Lester Chambers, Brian Keenan, George Chambers, Willie Cha...
    Acoustic Amplifiers - Meet Our Friends - Albert King and Chuck Berry
    Acoustic Amplifiers - Meet Our Friends - Albert King and Chuck Berry
    Another in Acoustics 'meet our friends' series of adverts. In the late 1960s most Acoustic amplifier advertisements featured a musician/band using their equipment in a live performance - in this ca...
    Acoustic Amplifiers - Acoustic
    Acoustic Amplifiers - Acoustic's Just Invented The PA System
    1970 acoustic advertisement for acoustic PA systems. Very short and to the point.

    Acoustic is funded by its visitors. When you buy through links on our site we may earn an affiliate commission. For more info see terms and conditions.
    Epiphone Caballero acoustic guitar

    Epiphone Caballero acoustic guitar

    Las Vegas, Nevada, 891**, UNITED STATES OF AMERICA


    Received as a gift in 1967.... more
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    vintage Framus acoustic guitar Made IN Germany nice shape see pics

    vintage Framus acoustic guitar Made IN Germany nice shape see pics

    Carlisle, Pennsylvania, 170**, UNITED STATES OF AMERICA


    vintage Framus acoustic guitar Made IN Germany nice shape see pics.... more
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    Epiphone J-200 EC Studio Acoustic-Electric Guitar

    Epiphone J-200 EC Studio Acoustic-Electric Guitar

    Barton, New York, 137**, UNITED STATES OF AMERICA


    Building on Gibson and Epiphone's long history of premier jumbo bodies, the Epiphone J-200 CE Studio is a highly stylized jumbo acoustic-electric guitar with a distinctive flair and comfortable cutaway. A big body means a big sound, and this guitar's robust tone fits in around a campfire or amplified via the onboard Fishman Presys pickup system. Based on the classic J-200 design made famous by legends like Bob Dylan, Pete Townshend, and the Everly Brothers, but with a deep, single cutaway for ... more
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    Citation CIT-5000 vintage MIJ acoustic 1970s - natural

    Citation CIT-5000 vintage MIJ acoustic 1970s - natural

    Lynn, Massachusetts, 019**, UNITED STATES OF AMERICA


    Works great. Neck is straight, frets have almost no wear, truss turns, action is good. New Martin Originals strings. There's normal cosmetic wear throughout. The two worst dings are pictured. There are light scratches on the back. Guitar features solid spruce top, mahogany back and sides, and adjustable thumbwheel bridge. No case / bag. Ships to lower 48. No international.... more
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    1993 Greco D-80P Roundneck Acoustic Electric Resonator Sunburst, Japan Fujigen

    1993 Greco D-80P Roundneck Acoustic Electric Resonator Sunburst, Japan Fujigen

    Seattle, Washington, 981**, UNITED STATES OF AMERICA


    Up for sale, a 1993 Greco D-80P acoustic / electric single cone resonator in exceptional, 100% original condition and in perfect working order. This Japanese-made Greco is uncommon outside of its country of origin, featuring a maple dreadnought body (with a carved, arched maple back), three-piece maple neck, slab rosewood fretboard, spider bridge, and a lipstick pickup
    Bright and full-sounding, there??s a liveliness and immediacy to the instrument, sensitive to pick attack and projecting ... more
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    Vintage 1940s era Kay K 12 model acoustic flattop guitar converted to X bracing

    Vintage 1940's era Kay K 12 model acoustic flattop guitar converted to X bracing

    Austin, Texas, 787**, UNITED STATES OF AMERICA


    Vintage 1940's era Kay K 12 model acoustic flattop guitar converted to X bracing
    Vintage 1940's era Kay K 12 model acoustic flattop guitar converted to X bracing
    1940's era Kay model K-12 jumbo flattop guitar
    Body measures 17 inches at lower bout, and overall body length is 20 1 / 2 inches with a 26 inch scale. Mahogany back, sides, and ... more
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    Aurora, Colorado, 800**, UNITED STATES OF AMERICA


    DISCRIPTION: Up for Purchase is this VINTAGE GUITAR. This is a nice find in excellent condition. Please see photo's. I am selling other legos, please visit my eBay store. As always all our item come from Smoke-Free and Pet-Free environment. GREAT... more
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    Vintage Silvertone Aristocrat Acoustic Guitar FOR PARTS c-x

    Vintage Silvertone Aristocrat Acoustic Guitar FOR PARTS c-x

    Owensboro, Kentucky, 423**, UNITED STATES OF AMERICA


    Please refer to the pictures to view item condition.
    If you have any questions regarding this item, please feel free to message us
    The "c-x" in the title is for our store reference only and does not pertain to the item
    What is shown in the pictures is what is included with the item. If it's not pictured it is not included.
    Shipping address can NOT be changed after purchase.
    Shipping to domestic USA only, excluding Hawaii and Alaska.
    This item is located in our ... more
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    Vintage Behringer Ultracoustic AT108 Guitar Amp 15 Watt

    Vintage Behringer Ultracoustic AT108 Guitar Amp 15 Watt

    Fort Lauderdale, Florida, 333**, UNITED STATES OF AMERICA


    Vintage Behringer Ultracoustic AT108 Guitar Amp 15 Watt. Condition is Used. Shipped with USPS Ground Advantage.... more
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    Very Cool  1964 Vintage Gibson B25 Natural Acoustic Guitar in Case

    Very Cool 1964 Vintage Gibson B25 Natural Acoustic Guitar in Case

    Van Nuys, California, 914**, UNITED STATES OF AMERICA


    Very Cool 1964 Vintage Gibson B25 Natural Acoustic Guitar in Case. All original, No broken parts, Original bridge. Some Coating wear on the back of the neck. Straight neck, low strings action. The guitar produce amazing deep sound. Comes in the nice case.... more
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    Epiphone FT-145SB ( Sunburst) White - label Acoustic Guitar Vintage 1970s Japan

    Epiphone FT-145SB ( Sunburst) White - label Acoustic Guitar Vintage 1970's Japan

    Tulsa, Oklahoma, 741**, UNITED STATES OF AMERICA


    This Epiphone FT-145SB acoustic guitar is a vintage piece from Japan, perfect for collectors and musicians alike. Its sunburst white color and label add to its unique appeal. The guitar is made by Epiphone and belongs to their Vintage series.

    The unit type is measured in feet and its aspects include brand, type, model, and country / region of manufacture. The guitar is categorized under Musical Instruments & Gear and Guitars & Basses, specifically Acoustic Guitars. With its ... more
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    Harmony Sovereign H162 acoustic guitar made in USA 1965 New with sale tags /  case

    Harmony Sovereign H162 acoustic guitar made in USA 1965 New with sale tags / case

    Portland, Oregon, 972**, UNITED STATES OF AMERICA


    Harmony Sovereign H162 acoustic guitar made in USA 1965 rare condition (new condition ) with sale tags and original hard case .

    This beautiful vintage Harmony guitar is a very rare find , is on consignment at our shop , it has spent its entire life in its case since 1965 in a well kept home environment with no signs of play wear . Nothing wrong with it , beautiful vintage guitar , with Brazilian rosewood bridge and possibly Brazilian rosewood fingerboard , collectors item in original ... more
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    Truetone Kay K5165 1969 Cherry Sunburst Auditorium Acoustic Guitar for 1995022-1

    Truetone Kay K5165 1969 Cherry Sunburst Auditorium Acoustic Guitar for 1995022-1

    Brooklyn, New York, 112**, UNITED STATES OF AMERICA


    1969 Truetone K5165 Cherry Sunburst
    Very cool looking vintage USA made acoustic!
    The 1969 Kay catalog calls this the "Where it's at!" model
    Straight 6 in line headstock / tuner design
    The tuners have been changed to brand new Kluson's
    The scale length is 25 5 " , the nut width is 1-11 / 16" wide, the upper bout is 10-3 / 4" wide, the waist is 9-1 / 2" wide, the lower bout is 15" wide, and the body depth is 4 " . The action at the 12th fret is under 3 / 32"
    The guitar has a ... more
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    Orig 1967 NORMA Model FG3 Acoustic 3 / 4 Parlor Guitar TRAPEZE TAILPIECE

    Orig 1967 NORMA Model FG3 Acoustic 3 / 4 Parlor Guitar TRAPEZE TAILPIECE

    Mount Juliet, Tennessee, 371**, UNITED STATES OF AMERICA


    Original 1967 NORMA Model FG3 Acoustic 3 / 4 Parlor Guitar TRAPEZE TAILPIECE. Tailpiece does show some expected age / use wear (see pics). String attachment bar still has the original protective plastic (see pics). Needs Light Cleaning. 100% Authentic. Made in Japan. No attachment screws in sale. SALE IS FOR WHAT IS PICTURED ONLY
    ... more
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    Vintage Harmony? Kay? Cherry Sunburst Double Dove Acoustic Guitar

    Vintage Harmony? Kay? Cherry Sunburst Double Dove Acoustic Guitar

    Jerseyville, Illinois, 620**, UNITED STATES OF AMERICA


    Vintage Harmony ? / Kay ? Cherry Sunburst ??Double Dove?? Acoustic Guitar. Not sure of the exact age but I believe it??s from the late 60s or early 70s. The tuners were changed out at some point in its life - I assume it had the old 3 on a strip tuners originally.

    It is missing a string and has a few dings and signs of wear but overall is in good condition for a ~ 50 year old guitar.

    Comes as pictured plus a gig bag.

    Shipping will be $38 in the lower 48 ... more
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    Vintage 1969 Framus Texan 12 String Acoustic Guitar Burst

    Vintage 1969 Framus Texan 12 String Acoustic Guitar Burst

    Providence, Rhode Island, 029**, UNITED STATES OF AMERICA


    This vintage 1969 Framus Texan acoustic guitar is a true gem.

    Hiii. Please look at pictures. Could use some lovin. Seems to be missing the part that hides the nut, some strings & pegs. Email me with any questions. Or if you??d like more pics. Thanks for looking.
    Sold as is.
    ... more
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    Vintage Regal Luann 1920s Floral Parlor Acoustic Guitar With SSC

    Vintage Regal Luann 1920's Floral Parlor Acoustic Guitar With SSC

    Santa Monica, California, 904**, UNITED STATES OF AMERICA


    [contenteditable]{ pointer-events: none; }
    Dangit Regal Luann! If I have to tell people one more time what a great parlor guitar you are, I'm gonna blow my top. They should already know you're a beautiful lil' parlor guitar from the 1920's with the bright, percussive tone that vintage parlor guitars are known for
    You're Regal - it's in your name. You know how to Charleston and Foxtrot. too! That's not good enough? Well, do they know about your gorgeous floral art deco spruce top. No? How ... more
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    Gibson L-1 archtop acoustic guitar 1916 - 1917 with original case

    Gibson L-1 archtop acoustic guitar 1916 - 1917 with original case

    Seattle, Washington, 981**, UNITED STATES OF AMERICA


    I am selling my vintage Gibson L-1 with original case:
    Factory Order Number 3386 stamped inside guitar.
    Serial Number 34251 handwritten in pencil on Gibson label in the sound hole.
    The FON and Serial number combined date this guitar most likely to 1916, or possibly to 1917, according to the 11th Edition of the Blue Book of Acoustic Guitars / Gibson Serialization I found online
    The guitar comes with the original GIbson hardshell case which is completely functional.
    This... more
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    Vintage 50??s National Guitar Case by Stone Case Company NY for Acoustic Guitar o

    Vintage 50??s National Guitar Case by Stone Case Company NY for Acoustic Guitar o

    Shingle Springs, California, 956**, UNITED STATES OF AMERICA


    Vintage 50??sNational Guitar Case by Stone Case Company NY for Acoustic Guitar or Arch Top

    Hard case for an Acoustic Guitar OR Arch top jazz guitar.
    Made by the Stone Case company out of New York City.
    It??s in SUPERB condition considering its age!
    It fits a Vintage Martin D-28 like a glove!
    It??s got just enough MOJO on the case to show beautifully, its age in all its vintage bitchin??-ness!.

    This case actually belonged to Eddie Dean, a famousCountry-Western ... more
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    1960s -70s Orpheus Grand Auditorium Acoustic OM Guitar Mahogany SPruce Japan

    1960s -70s Orpheus Grand Auditorium Acoustic OM Guitar Mahogany SPruce Japan

    Orange, California, 928**, UNITED STATES OF AMERICA


    orpheus Guitarno case
    Vintage 60s-70sMade in JapanMahogany back and sidesSpruce topbridge is pulling off and will need to be reattached, otherwise in decent shapesee picturessold AS-IS... more
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    1971 Selmer guitar catalogue

    1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

    1968 Selmer guitar catalogue

    1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

    1961 Hofner Colorama I

    1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

    1971 Commodore N25 (Matsumoku)

    1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

    1960 Hofner Colorama II

    1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

    1971 Epiphone 1820 bass (ET-280)

    1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

    1981 Gibson Marauder

    1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

    1971 'Pick Epiphone' Catalog

    1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

    1981 'Gibson Specials' Pre-Owners Manual

    1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
    It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

    1970s Shaftesbury 3263 bass

    1970s Shaftesbury 3263 bassRose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

    1961 Hohner Zambesi

    1961 Hohner ZambesiThis very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

    1963 Vox Super Ace

    1963 Vox Super AceThe Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of 47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

    1966 Vox New Escort

    1966 Vox New EscortThe Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

    1969 Fender catalog, Fender Lovin' Care

    1969 Fender catalog, Fender Lovin CareCatalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

    1973 Eko Ranger Folk

    1973 Eko Ranger FolkThe Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

    1966 Vox Symphonic bass guitar

    1966 Vox Symphonic bass guitarThe Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

    1968 Shaftesbury 'Electric Guitars' catalog

    1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

    1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

    1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

    1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

    1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

    1972 Fender Precision bass

    1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

    1967 Vox Stroller

    1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

    1963 Vox Clubman Bass (left handed)

    1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

    1977 Gibson ES Artist 'prototype'

    1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

    1959 Hofner Committee

    1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

    1965 Gretsch Chet Atkins Tennessean

    1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

    1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

    1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

    Guitar Repair: fixing fret buzz and sharp fret ends

    Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

    1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

    1966 Hagstrom guitar catalogHagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

    1965 Hofner President

    1965 Hofner PresidentThe President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

    1963 1964 Fender catalog

    Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.