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PLUSH | VINTAGE ADVERTISEMENTS

Plush advertisement (1969)

The Plush Rush Is On

Plush Amplifiers

This late sixties advert for plush amplifiers features the then line-up of the Jeff Beck Group; Jeff Beck on guitar, Ron Wood on bass and Rod Stewart (behind the amp) on vocals

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    Plush advertisement (1969) The Plush Rush Is On

    Plush

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    Vintage 1950??s Fender Musicmaster Cream Hardshell Case w / Red Plush Interior

    Vintage 1950??s Fender Musicmaster Cream Hardshell Case w / Red Plush Interior

    Richmond, Virginia, 232**, UNITED STATES OF AMERICA

    $400

    Condition: Good
    Exterior: This thing has definitely lived a life. There are plenty of scratches, dings, divots, and cracking in the genuine leather wrap of this case. There is also some rust on the corner brackets, as well as a missing carry handle. All that said, all the hinges and locks work perfectly!
    Interior: The plush interior is for the most part intact. There is one hole on the left side of the top half, and the right side plush is detached, but still intact.
    This vintage ... more
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    Vox Ace  JMI V205 2 Pickups 1963-66 Excellent, Complete with Hard Plush Case

    Vox Ace JMI V205 2 Pickups 1963-66 Excellent, Complete with Hard Plush Case

    Tulsa, Oklahoma, 741**, UNITED STATES OF AMERICA

    $599

    Vox Ace 2 Pickup electric guitar made in 1964ish. All original except the tone pot and the tuners (probably, not sure). Neck is straight, frets very good, finish very good overall. No damage, no rust. The fretboard and neck are very good, however the inlaid MOP dots have chipped areas missing. These V-2 JMI made original pickups are widely considered superior to the later Italian EKO plastic base versions, though I really like the Italian made Voxs as well. The vibrato, bridge / tailpiece is ... more
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    Vintage 1960s Gibson Black Yellow Plush 16" Hard Case ES-175 J-45 J-50 ES175 66

    Vintage 1960's Gibson Black Yellow Plush 16" Hard Case ES-175 J-45 J-50 ES175 66

    Chicago, Illinois, 606**, UNITED STATES OF AMERICA

    $795

    Vintage Correct Parts is proud to offer, for your consideration,
    A completely original and fantastic
    Vintage 1960's Gibson 16 inch (lower bout) Hard Case
    Now's the time to get a correct case for your vintage 60's Gibson archtop or flattop!
    This is correct for ANY Gibson Archtop or Flattop from the 1960's with a 16" lower bout
    Models include: ES-175, ES-175D, L-4, L-50, J-45, J-50, Hummingbird and others!
    This is the mid 60's version with the flat black tolex exterior. ... more
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    Norlin Epiphone Texan - 12 String Acoustic Guitar Model FT-160 + Hard Plush Case

    Norlin Epiphone Texan - 12 String Acoustic Guitar Model FT-160 + Hard Plush Case

    Olive Branch, Mississippi, 386**, UNITED STATES OF AMERICA

    $550

    This sale is for a preowned Norlin Epiphone Texan - 12 String Acoustic Guitar Model FT-160 + Hard Plush Case. Stand not included.
    Seller only ships to 48 contiguous United States of America
    Thanks for looking
    Information:
    Epiphone Model# FT-160 Texan-12Norlin Lincolnwood ILMade in Japan
    Strap and Pick holder included
    A quality jumbo size guitar. Body design and selected woods provide guitarist with excellent volume and tonal response
    Features:Selected fine spruce top ... more
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    Used Vintage 1960s Plush P1000S Tuck & Roll Gold Tube Guitar Amp Head

    Used Vintage 1960's Plush P1000S Tuck & Roll Gold Tube Guitar Amp Head

    Santa Monica, California, 904**, UNITED STATES OF AMERICA

    $700

    [contenteditable]{ pointer-events: none; }
    Do you want gigantic vintage tube amp tone with style? Here in stock is this epic vintage '60s Plush P1000S Tuck & Roll all-tube guitar amp head with gold covering. This Plush hails from the late '60s and was made in New York! This is a classic
    A true beast of an amp, this Plush is powered by four 6L6 power tubes giving you a massive amount of power and clean headroom. You get four inputs ( 2-Normal, 2-Vibrato), a Bright switch for each channel, ... more
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    Vintage PLUSH Congress IV Guitar / Voice Amplifier

    Vintage PLUSH Congress IV Guitar / Voice Amplifier

    Salt Lake City, Utah, 841**, UNITED STATES OF AMERICA

    $400

    The Vintage PLUSH Congress IV Guitar / Voice Amplifier is a rare and collectible piece of musical history. Made in the United States, this unique amplifier is designed for guitar and vocals, offering a warm and rich sound. With the Congress IV model, musicians can expect a high-quality audio experience with a touch of nostalgia from this vintage piece of equipment. Perfect for adding character and depth to any musician's sound, this amplifier is sure to impress both vintage enthusiasts and ... more
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    Plush P1000S Guitar Amplifier Head 1969 1970 - Blue sparkle

    Plush P1000S Guitar Amplifier Head 1969 1970 - Blue sparkle

    Utica, New York, 135**, UNITED STATES OF AMERICA

    $950

    Wonderful guitar head. It??s basically a clone of a twin reverb. Two channels. Reverb and vibrato. Cleaned pots, three pronged. It has some vintage 6l6s and some newer preamp tubes that are all unoriginal to the amp. Pots are all original. Reverb tank looks original. I have a demo I made of how this sounds embedded into the listing. original transformers. blue plush is in decent shape for age but shows wear and tear and age. Missing back panel. Ships fully insured and packaged with care
    ... more
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    Vintage 1970s Ovation Hard Guitar Case Brown Plush Lining WITH BACKSTAGE PASSES!

    Vintage 1970s Ovation Hard Guitar Case Brown Plush Lining WITH BACKSTAGE PASSES!

    McHenry, Illinois, 600**, UNITED STATES OF AMERICA

    $350

    Has backstage passes from 1980s concerts, including Bob Seeger, The Cars, Foghat, Waylon, and more. Vintage used condition with scratches / scuffs / dings / slight corrosion on metal and other wear. Inside is clean.... more
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    1970s Plush PRB 1000 S tube amp Head Very clean amplifier all original cond.

    1970's Plush PRB 1000 S tube amp Head Very clean amplifier all original cond.

    A Great Lake State, UNITED STATES OF AMERICA

    $2299

    VINTAGE 1970's BLUE SPARKLE DIAMOND TUCK AND ROLL PLUSH PRB 1000 S TUBE AMPLIFIER HEAD 4 RCA 6L6 POWER TUBES
    THE AUCTION IS JUST FOR THE HEAD NO SPEAKER CABINET INCLUDED !!!
    This is an original PLUSH amp built in about 1970. This amp is in superior condition it is one of the cleanest amps I have ever seen, period and its over 40 years old !!! With no exceptions it appears to me to be all original. If you like Minty tube amps this might be for you !!!
    So this is from late 60's ... more
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    Rare 1984  Japan Classic Signature Ron Wood ESP Electric with plush hard case

    Rare 1984 Japan Classic Signature Ron Wood ESP Electric with plush hard case

    Biloxi, Mississippi, 395**, UNITED STATES OF AMERICA

    $1500

    The rare 1984 Japan Classic Signature Ron Wood ESP Electric guitar is a vintage gem that showcases a solid black body made of alder, with a maple neck and fretboard for a classic look and feel. This right-handed 6-string electric guitar, part of the Vintage series by ESP, is designed for musicians seeking a unique and high-quality instrument. Made in Japan, this guitar features 22 frets and comes with a plush hard case for added protection and accessories Plus guitar cable. Ideal for collectors ... more
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    vintage 1969 Plush Royal Bass 1060-S guitar amp head Naugahyde gold champagne

    vintage 1969 Plush Royal Bass 1060-S guitar amp head Naugahyde gold champagne

    Portland, Oregon, 972**, UNITED STATES OF AMERICA

    $625


    1060-S head from Plush out of NYC - has a handwritten date 10 / 17 / 69 on label inside chassis. The amp was serviced a few years ago and played afterward, with both electric guitar and bass. Power cord was updated with a chassis ground. some other caps and components were replaced at that time - you can make out some of them in the detail photos
    This amp was last used 2-3 years ago, sounded good, was stored away after that. The 6L6GC-type power tubes, which will be pulled for shipping ... more
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    vintage 1970s Plush silver sparkle Naugahyde amp head cabinet tuck & roll

    vintage 1970s Plush silver sparkle Naugahyde amp head cabinet tuck & roll

    Portland, Oregon, 972**, UNITED STATES OF AMERICA

    $345

    vintage 1970s Plush padded Naugahyde amp head cabinet tuck & roll
    original sparkle cabinet, featuring quilted vinyl covering over pad for the 1000 series amplifiers, and any others that were manufactured to those same dimension specifications.
    External measurements are approx. 24" x 12" x 9 " . The internal clearance space is roughly 22" x 9" x 6 5" - there may be other amplifier chassis that could fit a Plush head cabinet, but shims or spacers might be necessary. There may or may not... more
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    1977 Vintage Fender Stratocaster / Telecaster Hardshell CASE Red Plush Interior

    1977 Vintage Fender Stratocaster / Telecaster Hardshell CASE Red Plush Interior

    Jacksonville, Florida, 322**, UNITED STATES OF AMERICA

    $397

    Up for sale is a vintage 1977 Fender Stratocaster / Telecaster rectangular hardshell case, made in the USA during the CBS era. Featuring its original black tolex exterior with white stitching and a stunning red plush interior, this case is the perfect match for your late-??70s Strat or Tele??or for safely storing and displaying another Fender of the era
    ? Details
    Model: Fender Stratocaster / Telecaster Hardshell CaseYear: 1977 (CBS-era)Exterior: Black tolex with white stitched ... more
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    *MARTIN Hard-Shell Acoustic Guitar Case W / Plush Green Interior??Vintage??NICE CASE

    *MARTIN Hard-Shell Acoustic Guitar Case W / Plush Green Interior??Vintage??NICE CASE

    Warrior, Alabama, 351**, UNITED STATES OF AMERICA

    $250

    The Martin Hard-Shell Acoustic Guitar Case with a plush emerald green interior is a vintage accessory for your guitar. Made of leather and crafted in Canada, this black case is designed to fit a single guitar from the Martin 300-Series, I believe from the research I have done that it is a 300-series but I do not play and that is my educated guess at best.
    It offers both style and protection for your instrument, making it a durable and stylish choice for any guitarist looking for a quality ... more
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    VTG Aluminum Electric Guitar Hard Case - 50?? x 17 5?? x 6 5?? - Black Plush

    VTG Aluminum Electric Guitar Hard Case - 50?? x 17 5?? x 6 5?? - Black Plush

    Ardsley, New York, 105**, UNITED STATES OF AMERICA

    $125

    Protect your prized electric guitar in style with this Vintage Aluminum Hard Case! Measuring a generous 50?? x 17 5?? x 6 5??, it??s perfect for full-size electric guitars like Stratocasters, Les Pauls, or similar models with room for accessories. Crafted from durable aluminum with reinforced edges, it features a plush black interior for secure, scratch-free transport. Ideal for gigging musicians, collectors, or anyone needing reliable road-ready protection

    ?? Key Features:
    ?? ... more
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    Vintage 1971 Plush 3000B Super Bass Tube Guitar Amp w /  speaker

    Vintage 1971 Plush 3000B Super Bass Tube Guitar Amp w / speaker

    Voorhees, New Jersey, 080**, UNITED STATES OF AMERICA

    $2000

    PlushVintage 1971 Plush 3000B Super Bass Tube Guitar Amp w / speaker
    The amp works great The 18" driver's surround needs to be replaced Sold AS-IS Pick-up only

    ... more
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    GUITAR / BASS:HARD CASE / FLIGHT CASE: PLUSH LINED:LONG SCALE: VINTAGE / RETRO STYLE:

    GUITAR / BASS:HARD CASE / FLIGHT CASE: PLUSH LINED:LONG SCALE: VINTAGE / RETRO STYLE:

    Orpington, BR6***, UNITED KINGDOM

    £40

    GUITAR OR BASS:HARD CASE / FLIGHT CASE: LONG SCALE CASE:VINTAGE / RETRO STYLE:
    STRAIGHT FORWARD CASE AND CUSION, INTERIOR NOT MOULDED IN ANY WAY, IN GREAT CONDITION INTERNALY THO AS YOU CAN SEE THERE IS SOME RUST SPOTS EXTERNALY BUT IT IS BUILT LIKE A TANK AND HARD AS NAILS SO THIS DOES NOT AFFECT ITS CONSTRUCTION OR THE PROTECTION OF YOUR INSTUMENT, THINK OF IT AS A RELIC LOOK!. HAS DONE VERY MINIMAL TRAVELLING, HOUSE MOVE ONCE, MAYBE ROUND A FRIENDS AND BACK BUT IT HAS BEEN AROUND A WHILE ... more
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    Find more Plush at vintageguitarsforsale.co

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    1973 Hagstrom Swede Bass

    1973 Hagstrom Swede Bass The Hagstrom Swede bass, or model HB 903, was only built in small numbers: just 1479 basses shipped between 1971 and 1976. Unlike the current range of Hagstrom guitars, the 1950s-1980s Hagstroms were built in Sweden. This example comes from 1973 and is pretty typical: translucent cherry finish, mahogany body, mahogany neck with an ebony fretboard. It's a really nice bass, beautifully appointed with a very wide tonal range, and a great playing feel. It is relatively heavy though for a mahogany instrument, mostly due to its thick solid body. Very cool bass, and certainly one of the very best basses produced by Hagstrom.

    1973 Shaftesbury 3400

    1973 Shaftesbury 3400 This example of the Shaftesbury 3400 was produced by Japanese manufacturer Matsumoku who made some great quality guitars in the 1970s and 1980s. This is a slightly later example, and has some features not seen on earlier 3400s. Although nice guitars, these are not in the same league as the Gibson Les Paul it was emulating (no set neck, no carved maple top); but they are far better than many of the entry-level Les Paul copies available in the mid-1970s - for example the Shaftesbury 3400 has gold plated hardware, a solid body bound front and back, Maxon brand humbuckers and nice inlaid neck and headstock.

    1971 Epiphone 1802T

    1971 Epiphone 1802T The Epiphone 1802T was the early name given to the Epiphone ET-270 and derived from an existing Aria guitar, also the 1802T. This was the first of the 1970s Epiphone solid bodies made in Japan by Matsumoku.The model evolved somewhat over its short production run: the very earliest examples were very similar to the Aria, sharing the same body shape, hardware, and clear-coated neck with Fender-style headstock with decal logo. By the time it was designated the Epiphone ET-270 it had been upgraded with the classic Epiphone-style headstock, with nice inlaid logo, and Epiphone 'E' motifs on the truss rod cover and scratchplate. This example from 1971 is somewhere in between with the Epiphone-style headstock, but with silk-screened logo, and no 'E's.

    1971 Shaftesbury 3400

    1971 Shaftesbury 3400Shaftesbury was a brand distributed by Rose-Morris in the UK - generally imported guitars from Italy or Japan. This guitar, model 3400 was produced by Matsumoku in Japan, and was one of the earliest Les Paul copy guitars, debuting in the UK in 1969, although the same guitar was also sold as the Univox U1982 'Rhythm and Blues' by Merson in the USA as early as 1968. It was also available in different territories under different marques, most obviously the Aria 5522 (Japan), Jedson Jet 4444 (UK, Dallas Arbiter), with no doubt many more examples worldwide.

    1981 Gibson Victory MVX

    1981 Gibson Victory MV-XThe Gibson Victory MV-X, or Victory 'Multi-Voice' 10, was so-named because of the 10 distinct switch settings: although on first glance this guitar is very much a 'super-strat', with its three-pickup 5-way switch wiring configuration, the original advertising, sounds like... all of 'em underlines that this isn't just a Stratocaster copy, having the sounds of both Gibson humbuckers and Fender single coils available with a flick of a switch. The model was short-lived, with the first instruments shipping from Kalamazoo in Summer of 1981, and the last (excluding any stragglers) leaving Nashville by early 1982. This one was stamped on August 3rd 1981 in Kalamazoo.

    1970 Rosetti Epiphone guitar catalogue

    1970 Rosetti Epiphone guitar catalogScan of 1970 Epiphone guitar catalogue produced by Rosetti for the UK market. Undated but most likely from mid-late 1970, this was the first UK catalogue to show the new range of Japanese (Matsumoku) Epiphone guitars. Interestingly, these pages show the Epiphone solid bodies with a single-sided Fender-style headstock layout - a feature quickly replaced with a typical two-sided Epiphone headstock almost immediately. Epiphone electric guitars: 9520, 9525; bass guitars: 9521, 9526; acoustic guitars: 6730, 6830, 6834

    A World of Guitars by Rosetti - 1971

    1971 A World of Guitars by Rosetti catalogueScan of 1971 Rosetti catalogue (UK) featuring guitars from from numerous manufacturers worldwide: guitars by Epiphone, Hagstrom, Levin, Hoyer, Egmond, Eros, Moridaira, Kiso-Suzuki, Schaller, and Tatra.

    1971 Selmer guitar catalogue

    1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

    1968 Selmer guitar catalogue

    1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

    1961 Hofner Colorama I

    1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

    1971 Commodore N25 (Matsumoku)

    1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

    1960 Hofner Colorama II

    1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

    1971 Epiphone 1820 bass (ET-280)

    1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

    1981 Gibson Marauder

    1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

    1971 'Pick Epiphone' Catalog

    1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

    1981 'Gibson Specials' Pre-Owners Manual

    1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
    It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

    1970s Shaftesbury 3263 bass

    1970s Shaftesbury 3263 bass Rose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

    1961 Hohner Zambesi

    1961 Hohner Zambesi This very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

    1963 Vox Super Ace

    1963 Vox Super Ace The Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of £47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

    1966 Vox New Escort

    1966 Vox New Escort The Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

    1969 Fender catalog, Fender Lovin' Care

    1969 Fender catalog, Fender Lovin Care Catalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

    1973 Eko Ranger Folk

    1973 Eko Ranger Folk The Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

    1966 Vox Symphonic bass guitar

    1966 Vox Symphonic bass guitar The Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

    1968 Shaftesbury 'Electric Guitars' catalog

    1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

    1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

    1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

    1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

    1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

    1972 Fender Precision bass

    1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

    1967 Vox Stroller

    1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

    1963 Vox Clubman Bass (left handed)

    1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

    1977 Gibson ES Artist 'prototype'

    1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music