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Fender Amplifiers

1972 Fender guitar and bass catalog, page 37

Page 37. Fender Amplifiers.

1972 Fender guitar and bass catalog page 37: Fender Amplifiers
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Vintage Fender, Amplifier Front Grill, Pro 185, Has Cosmetic Issues.

Vintage Fender, Amplifier Front Grill, Pro 185, Has Cosmetic Issues.

Foster, Rhode Island, 028**, UNITED STATES OF AMERICA


Vintage Fender, Amplifier Front Grill, Pro 185, Has Cosmetic Issues

Please see photos for description, condition and fitment, thank you grill does have cosmetic issues paint marks, rips, tears please see photos, sold, as is no returns
... more
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Vintage FENDER BULLET Reverb Amp Amplifier PR241 38W

Vintage FENDER BULLET Reverb Amp Amplifier PR241 38W

Thousand Oaks, California, 913**, UNITED STATES OF AMERICA


Excellent condition. Works great.... more
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1954 Fender Deluxe 100% Original

1954 Fender Deluxe 100% Original

Boulder, Colorado, 803**, UNITED STATES OF AMERICA


another super clean near-mint tweed deluxe has found it's way here. this one far too nice for me, belongs in the hands of a serious collector. amp is 100% original 1954, collector grade. like most everything here comes from a high level, old school collector who's been collecting audio since the early 1980's and is now retired. many more listings to come as well in the coming weeks.
this amp sounds and performs as it should; the easiest amp to record of all time, nothing sounds ... more
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1969 Fender Super Reverb Tilt Back Arms 19" (includes original bolts / nuts)

1969 Fender Super Reverb Tilt Back Arms 19" (includes original bolts / nuts)

Dunnellon, Florida, 344**, UNITED STATES OF AMERICA


1969 Fender Super Reverb Tilt Back Arms 19" (includes original bolts / nuts) a bit of surface funk on the bottom part of one arm .can clean up with a bit of steel wool (can pick up if your in the area to avoid postage fee)
... more
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1967 FENDER Band ~ Master AB763 Tube Amp Head (Black Panel / Faced, Clean) ~ See Vid ~

1967 FENDER Band ~ Master AB763 Tube Amp Head (Black Panel / Faced, Clean) ~ See Vid ~

Collingswood, New Jersey, 081**, UNITED STATES OF AMERICA


Today we have a beautiful VINTAGE 1967 Black Faced Fender Band ~ Master All Tube Amplifier Head w the coveted AB763 circuit. SN: A 25558 on chassis


This amp has Fender??s highly regarded AB763 circuit. Also, the design of the blackface control panel is a very iconic & visually recognized amp head. This is a powerful amplifier that is still widely revered, sought after, and regularly used to this day for it?s Vintage Rock, Blues, RnB, Soul & ... more
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1953 Fender Champ 5C1 "600" Wide Panel Tweed Combo Pre-CBS

1953 Fender Champ 5C1 "600" Wide Panel Tweed Combo Pre-CBS

San Diego, California, 921**, UNITED STATES OF AMERICA


1953 Fender Champ 5C1 "600" Wide Panel Tweed Combo
This Amp Is Located At IVG Sherman Oaks
In Very Good Overall Condition (Please See Photos)
Original Tweed Covering And Grille Cloth Show Moderate Cosmetic Surface Wear Throughout
All Original Circuit
Replaced 8" Speaker As Shown
Original 2-Prong Power Cord
Tested And Fully Functional
Available For Local Pickup In Our Shop
... more
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(5) 1966 Mallory 16mfd 450v Capacitors From Fender Tube Amplifier (ESR Tested)

(5) 1966 Mallory 16mfd 450v Capacitors From Fender Tube Amplifier (ESR Tested)

Lufkin, Texas, 759**, UNITED STATES OF AMERICA


All matching date codes 235-6601 (1st week of 1966). I re-capped my original 1966 Fender Tremolux amplifier over the weekend just as a preventative maintenance measure because I'll be gigging with it. The amplifier was working fine with these original capacitors. I did NOT clip the leads, I unsoldered and carefully removed each one so that they can be reinstalled without having to add any wire. The ESR's tested excellent on every capacitor so these are not leaky at all. See values and ... more
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Vintage 1954 Fender Tweed Deluxe Guitar Amplifier    5D3  Wide Panel

Vintage 1954 Fender Tweed Deluxe Guitar Amplifier 5D3 Wide Panel

Birmingham, Alabama, 352**, UNITED STATES OF AMERICA


This is a 1954 Fender 5D3 Deluxe Guitar Amp Tube Chart is dated DJ (1954, July) .Original Jensen P12R is dated 220420 (20th week of 1954). Serial #3129
When I got this, it was an absolute mess but it had potential!
The first thing I noticed was that the original tweed had been painted gold a very long time ago. The gold didn't age well either. It just makes the amp look dirty and dingy. My first instinct was to clean it, or at least give some thought to the idea of what to do with it. I ... more
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1965 Fender Showman

1965 Fender Showman

Loveland, Ohio, 451**, UNITED STATES OF AMERICA


1965 Fender Showman head and 1X15 speaker cab, Four 6L6tubes, Massive sounding rig with a great clean sound, The bass sounds robust! Amazing Fender vibrato, Super cool amp
A word about purchasing any of these rare Vintage amps, ??these amps need to be regularly cared for??. These are very old and may need to be or may have been serviced in thepast. We recommend that any of these amps upon purchase be serviced and thenregularly looked over by a skilled amp tech. Used amps are sold here on ... more
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1954 Fender Tweed Deluxe 5D3 Wide Panel Vintage Tube Amp 1x12 w /  Jensen P12R

1954 Fender Tweed Deluxe 5D3 Wide Panel Vintage Tube Amp 1x12 w / Jensen P12R

Seattle, Washington, 981**, UNITED STATES OF AMERICA


Up for sale, a 1954 Fender Deluxe in exceptional condition and in perfect working order. The precursor to the narrow panel 5E3 circuit, this 5D3 "wide panel" Deluxe is an exceedingly well-kept and very original example, complete with the original Triad transformers and Jensen P12R speaker. Incredibly dynamic and harmonically rich, the Deluxe can be glassy and clear at low volumes, but for most players the magic is in this amp's overdrive capabilities. Especially when connecting the two channels ... more
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Berlin, New Hampshire, 035**, UNITED STATES OF AMERICA


These came out of a 1974 Bassman Ten combo but are suitable for all Fender amps produced in the early to mid 1970's. These were produced at a time when CTS amp pots were being made in a Mexico facility. I believe they are 100K pots but one has mfg code 000651 and the other 000653 if that aids in identifying them. They turn freely and are in good shape with minor oxidation as seen in the pics. The price is for both pots. You could probably install these in a 1974 Fender ... more
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Vintage 1965 Fender Vibrolux Reverb Guitar Combo Amp 35w 2x10

Vintage 1965 Fender Vibrolux Reverb Guitar Combo Amp 35w 2x10

Rosenberg, Texas, 774**, UNITED STATES OF AMERICA


Vintage 1965 Fender Vibrolux Reverb Guitar Combo Amp 35w 2x10

Item will come securely and professionally packaged. Item will require signature confirmation upon delivery. Protects buyer and seller. No returns.

Please see photos in listing for detailed information on amp and for transformer dates codes for authenticity.
Patina aging. 1965
New tubes, majority original stock. Modern updates. 3 prong power. Included foot switch
Speakers replaced with Jensen ... more
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1977 Fender Twin Reverb Vintage Combo Amp w / JBL D120F

1977 Fender Twin Reverb Vintage Combo Amp w / JBL D120F

San Diego, California, 921**, UNITED STATES OF AMERICA


1977 Fender Twin Reverb

In Excellent Condition

Shows Light Cosmetic Wear

Includes Original JBL D120F

Includes Original Slip Cover

Located In Orange At The Time Listing
... more
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Vintage Original Fender Amp 2 Button Footswitch - real vintage part, not reissue

Vintage Original Fender Amp 2 Button Footswitch - real vintage part, not reissue

Zeeland, Michigan, 494**, UNITED STATES OF AMERICA


Vintage original 70's Fender 2 button footswitch in excellent, all original condition
All original and in very nice shape. Fully tested and works as it should without any issues
No repairs, no modifications
It shows only minor wear from age and use
This will work at engaging the reverb and tremolo on any vintage Fender blackface or silverface amps with reverb and tremolo like the Twin Reverb, Super Reverb, Vibrosonic, Vibroverb, Vibrolux,... more
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Vintage 1970s Fender PS 18B Gauss 18" speaker, used

Vintage 1970's Fender PS 18B Gauss 18" speaker, used

Camano Island, Washington, 982**, UNITED STATES OF AMERICA


Vintage 1970's Fender Gauss PS18B, 18" speaker, recone
As used in the PS400 system
Impedance: 8 ohms *Normally a 4 ohm impedance. *
This was reconed many years ago, set on a shelf and as of now has some voice coil rub, so please understand, IMHO, it will require reconing
These speakers are rare and when they are found, they are quite spendy
Please! Read Auction Terms & then ask all questions prior to bidding

... more
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Fender Bassman Head 1968-1969 Silver Face

Fender Bassman Head 1968-1969 Silver Face

Chattanooga, Tennessee, 374**, UNITED STATES OF AMERICA


Fender Bassman Head 1968-1969 Silver Face
Condition: Good
Drip Edge
Silver Panel
AB165 Chassis
New Tubes & Filter Caps- original components included
Grille Cloth replaced
This amp has been thoroughly gone over, repaired, and updated by a qualified amp technician. The power cord, a tube socket, tubes, and caps / resistors have been replaced and the amp functions excellently, with modern safety in mind. The grille cloth is not original. There is some wear to the ... more
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1967 Fender Deluxe Reverb Amplifier 67 Amp Near Mint

1967 Fender Deluxe Reverb Amplifier 67 Amp Near Mint

Hagerstown, Maryland, 217**, UNITED STATES OF AMERICA


Last year of theunaltered pre-CBS style circuit and cosmetics, Deluxe Reverb in exceptionalcosmetic and functional condition. All original, including reverb tank / bag, speaker, transformers, all circuit components, even the tubes are original. Theonly 2 items updated were the 5 filter caps and a grounded power cord. I believeI??m the 3rd owner of this beauty and all I??ve had to do is dust it off andfully test it. The previous owners obviously took good care of this amp. Checkout the nice ... more
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1965 Fender Vibro Champ Vintage Black Panel Tube Amp 1x8, Class A, FEIC

1965 Fender Vibro Champ Vintage Black Panel Tube Amp 1x8, Class A, FEIC

Seattle, Washington, 981**, UNITED STATES OF AMERICA


Up for sale, a 1965 Fender Vibro Champ in excellent condition and in perfect working order. This Vibro Champ has the model's introductory features including the Pre-CBS-era "Fender Electric Instrument Co" faceplate and no-logo grill
This Black Panel-era Fender wonder delivers five watts of pure Class A tube tone. A surprisingly loud amp via the original Oxford alnico magnet 8" speaker, the Vibro Champ offers warm, dynamic cleans before pushing into smooth, lightly compressed tube overdrive ... more
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Vintage Fender Showman Cabinet with dual D140-F JBL Speakers

Vintage Fender Showman Cabinet with dual D140-F JBL Speakers

Glendale, Arizona, 853**, UNITED STATES OF AMERICA


Notes: 1. Item is for sale locally and if sold locally, this listing will be terminated immediately 2. We are not experts in these vintage musical instruments - please make sure that these are right for your application before buying / bidding 3. LOCAL PICKUP ONLY
Fender Showman Single Cabinet converted to Dual with Signature JBL D140-F Lansing gray speakers serial #17514 / 17538. Black tolex with black grille cloth! Has guides on two sides!
Measurements: 36?? x 24?? x 11 1 / ... more
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1975 Fender Twin Reverb Silverface

1975 Fender Twin Reverb Silverface

Syracuse, New York, 132**, UNITED STATES OF AMERICA


... more
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1971 Selmer guitar catalogue

1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bassRose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner ZambesiThis very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super AceThe Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of 47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

1966 Vox New EscortThe Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin CareCatalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger FolkThe Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitarThe Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

1959 Hofner Committee

1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

1965 Gretsch Chet Atkins Tennessean

1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalogHagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner PresidentThe President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.