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FENDER | CATALOGUES | 1972 | PAGE 50

Fender Champ and Vibro Champ amplifier

1972 Fender guitar and bass catalog, page 50

Page 50. Details of the Fender Champ and Vibro Champ amplifiers.

1972 Fender guitar and bass catalog page 50: Fender Champ and Vibro Champ amplifier
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Fender Champ and Vibro Champ amplifiers for sale

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1975 Fender Vibro Champ Silverface Vintage Combo Amp

1975 Fender Vibro Champ Silverface Vintage Combo Amp

San Diego, California, 921**, UNITED STATES OF AMERICA

$1395

1975 Fender Vibro Champ

In Very Good Condition

Shows Light Cosmetic Wear

Recently Serviced And Sounds Great

Replaced Output Transformer

Available For Pickup From Any Of Our Three Locations (Orange, Burbank, Sherman Oaks)

Located In Orange At The Time Of Listing... more
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Fender Champ - 1966

Fender Champ - 1966

Beaver Dam, Wisconsin, 539**, UNITED STATES OF AMERICA

$1375

About as stock and original as they come. An upgraded grounded power cord is the only change. Original Oxford speaker. Amp serviced by an experienced technician. Can include a Weber 8A125 speaker for $60 I used in order to preserve the original.
... more
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1957 Fender Champ Amplifier

1957 Fender Champ Amplifier

Farmingdale, New York, 117**, UNITED STATES OF AMERICA

$3299

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Questions? We can help!
Contact us today!
30-Day Money Back
Guarantee
... more
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Fender Champ "Drip Edge" 1968 Silverface

Fender Champ "Drip Edge" 1968 Silverface

Peekskill, New York, 105**, UNITED STATES OF AMERICA

$995

This is a vintage 1968 Fender Silverface Champ Amp. This combo sports the "Drip Edge" trim, found on Fender amps made during the transition from Blackface to Silverface models. All tube, this amp pushes around 5 Watts through its Jensen Special Design 8" speaker. This amp is Ideal for recording or low volume practice (city apartments anyone?). It sounds awesome at low volume, and killer overdrive when dimed across the board
It has been recently serviced, given fresh electrolytic capacitors, ... more
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1979 Fender Champ Silverface Vintage Tube Amp Class A 1x8, Serviced

1979 Fender Champ Silverface Vintage Tube Amp Class A 1x8, Serviced

Seattle, Washington, 981**, UNITED STATES OF AMERICA

$800

Up for sale, a 1979 Fender Champ in excellent condition and in perfect working order. Thoroughly serviced, this Champ delivers a tone with chiming and dynamic cleans that give way to sizzling overdrive as you turn up the Volume knob. It's a perfect pint-sized Class A amplifier for studio use, and with a microphone in front of it, this amp can sound like a giant. It's hard to beat the Champ for simplicity and tonal purity
The original Schumacher transformers are intact, dating between the ... more
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1956 Fender Champ Amp 5F1 Narrow Panel 1x8" 5W Tube Amplifier #50034

1956 Fender Champ Amp 5F1 Narrow Panel 1x8" 5W Tube Amplifier #50034

Burbank, California, 915**, UNITED STATES OF AMERICA

$3750

ebay template
eBay Template Design by OCDesignsOnline HomeAboutTestimonialsPoliciesContactSell your Gear 1956 Fender Champ Amp 5F1 Narrow Panel 1x8" 5W Tube Amplifier #50034 ××××××××××××××××××××××××××××××××××× Item DescriptionWORKING CONDITION: Excellent - This amp is in excellent working condition. The breakup happens pretty ... more
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1965 Fender Vibro Champ Vintage Black Panel Tube Amp 1x8, Class A, FEIC

1965 Fender Vibro Champ Vintage Black Panel Tube Amp 1x8, Class A, FEIC

Seattle, Washington, 981**, UNITED STATES OF AMERICA

$2400

Up for sale, a 1965 Fender Vibro Champ in excellent condition and in perfect working order. This Vibro Champ has the model's introductory features including the Pre-CBS-era "Fender Electric Instrument Co" faceplate and no-logo grill
This Black Panel-era Fender wonder delivers five watts of pure Class A tube tone. A surprisingly loud amp via the original Oxford alnico magnet 8" speaker, the Vibro Champ offers warm, dynamic cleans before pushing into smooth, lightly compressed tube overdrive ... more
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Fender 1975 Champ Guitar Amplifier

Fender 1975 Champ Guitar Amplifier

Harrison, Ohio, 450**, UNITED STATES OF AMERICA

$750

Fender 1975 Champ Guitar Amplifier
This Fender Champ guitar amplifier is a true gem for any musician. With its classic design and powerful sound, it's a must-have for any guitar enthusiast. Amplifier Type is Combo, making it easy to transport and use on the go. The Brand is Fender, a name that speaks for itself in the world of music The model is Fender Champ, a reliable and versatile option for guitarists of any skill level. This amplifier is perfect for those who are in the market for a ... more
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1987-90 Fender Champ 12 12w 1x12" White Snake Skin Guitar Combo Amplifier

1987-90 Fender Champ 12 12w 1x12" White Snake Skin Guitar Combo Amplifier

San Diego, California, 921**, UNITED STATES OF AMERICA

$695

1987-90 Fender Champ 12 12w 1x12" White Snake Skin Guitar Combo Amplifier
In Excellent Overall Condition (Please See Photos)
White Snake Skin Covering
12 Watts
1x12" Fender Speaker
Comes As Shown With Footswitch
... more
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1973 Fender Champ Silverface Amplifier

1973 Fender Champ Silverface Amplifier

Gulfport, Mississippi, 395**, UNITED STATES OF AMERICA

$1000

Practically like new all originalSounds great ready to plug and Play... more
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Fender Champ 6-Watt 1x8?? Vintage Guitar Tube Combo Silverface 1978

Fender Champ 6-Watt 1x8?? Vintage Guitar Tube Combo Silverface 1978

North Hollywood, California, 916**, UNITED STATES OF AMERICA

$1029

For sale is a 1978 Fender Champ in excellent working condition. One of Fender's most famous and longest-running amps, these low-watt legends are perfect for all your vintage tube crunch needs -- a perfect fit for guitar, Champs are also famously used with clavinets, harmonicas and beyond. Simple controls, top-notch US-made components, and immaculate Fullerton build quality make this one a real gem
This amp has been fully serviced by a professional technician and is in great working ... more
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1959 Fender Tweed Champ a nice original Champ freshly serviced by Lee Jackson.

1959 Fender Tweed Champ a nice original Champ freshly serviced by Lee Jackson.

Fort Lauderdale, Florida, 333**, UNITED STATES OF AMERICA

$3495

This is an original 1959 Fender Tweed Champ amp 5F1 w / an original Jensen speaker dated to the 47th week of 1958. Its factory label is perfectly intact & dated ??IB?? for February 1959. The tweed covering is a bit tired mostly on its bottom side in need of some re-gluing. Its grill cloth is quite nice. The Champ is the perfect amp for those small gigs perhaps plugged into the board or to keep in your living room or office for personal enjoyment. Overall she??s in very good original ... more
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1953 Fender Champ 5C1 "600" Wide Panel Tweed Combo Pre-CBS

1953 Fender Champ 5C1 "600" Wide Panel Tweed Combo Pre-CBS

San Diego, California, 921**, UNITED STATES OF AMERICA

$3495

1953 Fender Champ 5C1 "600" Wide Panel Tweed Combo
This Amp Is Located At IVG Sherman Oaks
In Very Good Overall Condition (Please See Photos)
Original Tweed Covering And Grille Cloth Show Moderate Cosmetic Surface Wear Throughout
All Original Circuit
Replaced 8" Speaker As Shown
Original 2-Prong Power Cord
Tested And Fully Functional
Available For Local Pickup In Our Shop
... more
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Vintage 1966 Fender Blackface Vibro-Champ Amp w / 10" Jensen speaker Clean!

Vintage 1966 Fender Blackface Vibro-Champ Amp w / 10" Jensen speaker Clean!

Lubbock, Texas, 794**, UNITED STATES OF AMERICA

$1450

Vintage 1966 Fender Vibro-Champ Amp==Excellent cosmetic condition -- both transformers date early1966, original 1966 pots, chassis and cabinet 1966 date stamps==Professionally modified for a 10" Jensen Mod speaker connected via a 1 / 4" plug -- (2) capacitors changed -- 3-prong grouned cable installed (work probably by shop on back panel sticker) -- unfortunately the "vibrato" is not working -- one back panel missing==Good sounding amp with more volume and low-end oomph than with the stock 8" ... more
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Vintage 1976 Fender Champ Silverface All Tube Combo Amp! Made in USA! VERY NICE!

Vintage 1976 Fender Champ Silverface All Tube Combo Amp! Made in USA! VERY NICE!

Santee, California, 920**, UNITED STATES OF AMERICA

$799


At top 40 guitarsour customers satisfaction is our first concern All of out items have a 14 day return policy If after 14 days you are not completely satisfiedwith your purchase, please return it for a full refund .Peace be with you
all returned items must be in the same condition theywere at the time of sale. All original packing must be included
#
Up for Sale is a
Vintage 1976 Fender Champ Silverface All Tube Combo Amp!
All Original! One Owner Amp!
This is really cool.... more
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Vintage Fender Vibro Champ Tube Amplifier ??Free Shipping??

Vintage Fender Vibro Champ Tube Amplifier ??Free Shipping??

Virginia Beach, Virginia, 234**, UNITED STATES OF AMERICA

$900

Vintage Fender Vibro Champ Tube AmplifierIt is in used cosmetic condition, please check our pictures It has been tested and it works great For more information, please ask us a question Free Shipping!!!... more
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1973 Fender Champ 1x8 Combo Amplifier Silverface

1973 Fender Champ 1x8 Combo Amplifier Silverface

San Diego, California, 921**, UNITED STATES OF AMERICA

$1295

1973 Fender Silverface Champ
This Amp Is Located At Imperial Vintage Guitars Sherman Oaks
In Very Good Overall Condition (Please See Photos)
Cosmetic Surface Wear Throughout As Shown
Tested And Fully Functional
Original 8" Alnico Speaker
Circuit Is Mostly Original With Several Capacitors Replaced As Shown
Original 3-Prong Power Cord Missing Ground Plug
... more
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Fender Champ "Drip Edge" 1968 Silverface

Fender Champ "Drip Edge" 1968 Silverface

Peekskill, New York, 105**, UNITED STATES OF AMERICA

$995

This is a vintage 1968 Fender Silverface Champ Amp. This combo sports the "Drip Edge" trim, found on Fender amps made during the transition from Blackface to Silverface models. All tube, this amp pushes around 5 Watts through its reconed original 8" speaker. This amp is Ideal for recording or low volume practice (city apartments anyone?). It sounds awesome at low volume, and killer overdrive when dimed across the board
It has been recently serviced, given fresh electrolytic capacitors, ... more
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Fender Champ Amp Vintage 1965 Blackface

Fender Champ Amp Vintage 1965 Blackface

Long Branch, New Jersey, 077**, UNITED STATES OF AMERICA

$1250

Fender Champ Amp
Vintage 1965 Blackface, new caps, JJ tubes, and new vintage style Weber speaker. Evaluated and renovated by 30th street guitars in NYC
... more
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Vintage 1977 Fender Silverface Vibro-Champ Amp strong 6 watts

Vintage 1977 Fender Silverface Vibro-Champ Amp strong 6 watts

Lubbock, Texas, 794**, UNITED STATES OF AMERICA

$950

Vintage 1966 Fender Vibro-Champ Amp==Very Good condition with some useage wear, original set of Fender-logo tubes, original transformers, original speaker, original etc ==Nice player-quality amp, strong 6 watts, excellent vibrato, sounds good!==Ships worldwide==
If you are considering a purchase, please take a minute and read our feedback !!!
We strive to achieve 5 star service !! PLEASE contact us if there are ANY problems (SEE RED BELOW)!! THANKS !!
Payment within 3 days please==We ... more
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Find more Fender Champ and Vibro Champ amplifiers for sale at vintageguitarsforsale.co

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1971 Selmer guitar catalogue

1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bassRose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner ZambesiThis very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super AceThe Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of 47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

1966 Vox New EscortThe Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin CareCatalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger FolkThe Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitarThe Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

1959 Hofner Committee

1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

1965 Gretsch Chet Atkins Tennessean

1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalogHagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner PresidentThe President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.