Vintage Guitars
ROSETTI | CATALOGS | 1971 WORLD OF GUITARS | PAGE 27

9151G and 9151T banjos

1971 Rosetti guitar catalog, page 27

9151G and 9151T banjos

1971 Rosetti catalog page 27: 9151G and 9151T banjos
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vintage banjo & mandolin parts lot  Nuts bridges,  5th st. spikes, TPC parts etc

vintage banjo & mandolin parts lot Nuts bridges, 5th st. spikes, TPC parts etc

Southampton, Massachusetts, 010**, UNITED STATES OF AMERICA

$50

Out of an old long closed luthier shop in western Ma. A pile of old bone and wood string nuts for 4 and 8 strings. A really beat mandolin tailpiece cover Some mandolin bridges. Some ebony for DIY nuts and a bag of 5th string / railroad spikes, Please look at the pics. $50 buys em all with $10 75 postage. This shop was in business since the 1920's The pics are the description I know even less about banjos than I do about vintage guitars ! These will ship priority mail flat rate ... more
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Vintage 5 String Banjo

Vintage 5 String Banjo

Adamstown, Pennsylvania, 195**, UNITED STATES OF AMERICA

$350

This is an Antique Banjo that I recently purchased and believe it is from the 1960s or earlier. I could not find a manufacturer name on this banjo anywhere. It is in very good condition for its age showing slight normal wear. It measures 39 1 / 2?? long and 13?? across the wooden back. It comes with its original soft case. Please ask all questions 24 hours before the end of listing. Thank you and good luck. Please follow my upcoming auctions this month as I will be listing more jewelry, ... more
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Vintage 1920 Supertone # 406 5 String Banjo Musical Guitar Instrument 36??

Vintage 1920 Supertone # 406 5 String Banjo Musical Guitar Instrument 36??

Petrolia, California, 955**, UNITED STATES OF AMERICA

$400

This vintage 1920 Supertone # 406 banjo is a beautiful musical instrument perfect for any musician or collector. With its 5 strings and guitar banjo design, it's a unique addition to any collection. The banjo has a 36" length and is in great shape, ready to be played or displayed. This Sears Supertone model is highly sought-after and will be a valuable addition to any vintage string instrument collection. 2 broken strings all need 2 be replaced due to age
... more
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Lyon and Healy "American Conservatory" concert banjo ukulele, 1920s,

Lyon and Healy "American Conservatory" concert banjo ukulele, 1920s,

Dallas, Texas, 752**, UNITED STATES OF AMERICA

$650

The Lyon and Healy "American Conservatory" concert banjo ukulele from the 1920s is a highly sought-after vintage musical instrument. Made in the United States, this ukulele banjo features a unique design with a model number 575 and only 4 strings. It is a special piece for collectors and enthusiasts of vintage string instruments, offering its historical significance and craftsmanship. Complete with a case, this Lyon and Healy concert banjo ukulele is sure to delight any musician looking for a ... more
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Vintage Appalachian Mountain Banjo Stanley Hicks Style Primitive Left Handed

Vintage Appalachian Mountain Banjo Stanley Hicks Style Primitive Left Handed

Henrico, Virginia, 232**, UNITED STATES OF AMERICA

$400

Here is a vintage 5-string left-handed Appalachian Mountain banjo. I picked this up at an antique shop in central Virginia, not far from the Appalachian Mountains, but I really don??t know much about it. There is no signature that I can find, but it is definitely made in the exact style used by Stanley Hicks. I don??t know when it was made, but it??s definitely got some age. It is all hand made

The banjo measures approximately 36?? long, 10 25?? wide and 2?? deep. I don??t know the ... more
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1960s Fender Artist Banjo Walnut California Made Flathead Tone Ring Unplayed

1960s Fender Artist Banjo Walnut California Made Flathead Tone Ring Unplayed

Atlanta, Georgia, 303**, UNITED STATES OF AMERICA

$2750

This 1960s Fender Artist appears to have never been played. The frets are perfect and the finish is pristine. In the late 1960s and early 1970s, pro pickers like Vic Jordan, Eddie Adcock, and Bill Emerson chose the Fender Artist for its powerful, cutting tone
Fender acquired the Salstrom Banjo Company in the mid-1960s, inheriting a design that rivaled any banjo on the market. The Artist and top-of-the-line Concertone shared the same heavy pot assembly, featuring a Gibson-style no-hole ... more
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banjo block rim, 11" cherry with wood tone ring profile

banjo block rim, 11" cherry with wood tone ring profile

Piercefield, New York, 129**, UNITED STATES OF AMERICA

$50

These are rims I made from some of the leftover wood pieces I have accumulated. I end up with a bit more block material than I use in the rims I make, and over time it piles up, and I need the space. This rim is 11" x 5 / 8" thick x 2-3 / 8" high. There are four tiny holes in the bottom of each rim which can be plugged, or I always use a rim cap anyway which covers them. The top of each rim is shaped like a Mastertone flathead tone ring, more or less, with a radius on the outer corner and rest ... more
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Vintage Beltone 5 String Banjo w /  Resonator Needs Strings & Resto 37?? As-Is

Vintage Beltone 5 String Banjo w / Resonator Needs Strings & Resto 37?? As-Is

Saint Augustine, Florida, 320**, UNITED STATES OF AMERICA

$145

Nice old Beltone banjo. 5 string model. With resonator. For repair and restoration. Not playable as it is. Needs strings and bridge. The body and neck look and feel solid. The bolts and screws are tight and have not been tried. The pegs are signed with a ??W?? or ??M??. The resonator is loose and coming apart. The back of the resonator is completely delaminated and the plywood back is split and cracked and missing the top veneer layer. It is shown loosely secured with a small center screw. The ... more
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1939 Orchestrella Four String Banjo Grover Hardware

1939 Orchestrella Four String Banjo Grover Hardware

Allison Park, Pennsylvania, 151**, UNITED STATES OF AMERICA

$325

The 1939 Orchestrella Four String Banjo with Grover Hardware is a vintage tenor banjo that is perfect for folk and world music enthusiasts. This unique instrument boasts four strings, giving it a distinct sound and feel. With its classic design and high-quality hardware, this banjo is sure to provide musicians with a beautifully crafted and historical piece to play and enjoy.... more
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Vintage Ludwig Wendell Hall Professional 4 String Banjo International Sale

Vintage Ludwig Wendell Hall Professional 4 String Banjo International Sale

Cos Cob, Connecticut, 068**, UNITED STATES OF AMERICA

$1950

This is a vintage pre-owned Ludwig Wendell Hall Professional 4 string banjo with all four strings. This banjo will need some minor restoration including wood treatment, a good cleaning, and some minor restoration on the lower neck area. This banjo is for sale internationally for $1950. This banjo stands at 22 1 / 2 inches tall, measures 10 inches in diameter and is 3 1 / 2 inches deep. This banjo is for sale internationally for $1950. This item is not available for shipping to Italy. All ... more
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Vintage Kay Kraft Electric Tenor Banjo Pearloid Veneer Headstock 4-String Case +

Vintage Kay Kraft Electric Tenor Banjo Pearloid Veneer Headstock 4-String Case +

Tucson, Arizona, 857**, UNITED STATES OF AMERICA

$250

Vintage Kay Kraft Electric Tenor Banjo Pearloid Veneer Headstock 4-String Case +
Vintage Kay Kraft electric tenor 4-string banjo
As found from an estate sale. Untested
Also included are the case an its contents:- 3 Gretsch Eagle brand tenor banjo strings, #292, silver-plated steel; each D or 2nd loop end- 4 Gibson mona-steel handmade tenor banjo strings #0546; each D or 2nd- 3 Gibson mona-steel handmade tenor banjo string for C or 4th- 1 Black Diamond string for tenor banjo; G or 3rd ... more
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Bacon banjo banjolin

Bacon banjo banjolin

Saint Louis, Missouri, 631**, UNITED STATES OF AMERICA

$299

Classic Banjolin complete . The tuners look like replacement waverly tuners . One tuner is bent . The neck looks good, but I am not expert. It has a super heavy tone ring. The banjo resonator is birds eye maple. It needs a new bridge. I could not find a model number or serial number. Someone has cut one of the round edges on the bridge cover. If you have any question please ask.... more
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Antique Ca 1920s or 30s Tenor Banjo Custom Hand Painted Viking Ships 4 String

Antique Ca 1920s or 30's Tenor Banjo Custom Hand Painted Viking Ships 4 String

Lansdowne, Pennsylvania, 190**, UNITED STATES OF AMERICA

$199

Antique Ca 1920s or 30's Tenor Banjo Custom Hand Painted Viking Ships 4 String
Pre Owned, see pictures for cosmetic conditionEstate find, no history on it dustynormal wearmissing 2 strings
please ask any question before buying / bidding
RETURNS ARE ACCEPTEDbuyer pays return shipping
PLEASE ASK ANY QUESTION YOU HAVE BEFORE BIDDING / BUYINGwe can only describe what we know and what we see
THANK YOU FOR YOUR CONSIDERATIONPLEASE SEE PICTURES AS THEY ARE PART OF THE ... more
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1920 Vega LIttle Wonder 16 Fret Banjo w Case Gold Plated w Ornate Headstock

1920 Vega LIttle Wonder 16 Fret Banjo w Case Gold Plated w Ornate Headstock

Salisbury, Maryland, 218**, UNITED STATES OF AMERICA

$799

Estate Find. pics and video should show you what you  eed to see and know   comes w original case w plush green velvet interior. velvet has come lose at one end. latches work   No key     Probably needs some service and or repairs. I dont play banjo so have non idea on its current playability. Seems like a nice model and in reasonably good shape for 100+ yrs old. Sold as is
Youtube https: / / youtu be / beOlr14pjms?si=wKbeT3oRKbfbQWZ5
... more
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circa 1925 Paramount Banjos Catalog William L Lange 40 pages Original B4-55

circa 1925 Paramount Banjos Catalog William L Lange 40 pages Original B4-55

Sharpsville, Pennsylvania, 161**, UNITED STATES OF AMERICA

$88

ca 1925 Paramount Banjos Catalog William L Lange Original. 40 pages. Measures 9-1 / 8" x 12-1 / 8 " . See Images. Shows some wear & bumps to edges of oversized covers. Front cover has 1 / 4" tear on bottom edge. Rear cover has (2) 1 / 8" tears & tiny chip on top edge. Light vertical bend throughout. Covers & contents are clean. B4-55
I started selling on here in 1998. I actively listed till around 2013. Then allowed the listings to die a slow death. Last sale was in 2021. After a... more
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1980s Alvarez Silver Princess 5-String Banjo W /  Hard Shell Case

1980s Alvarez Silver Princess 5-String Banjo W / Hard Shell Case

Hicksville, New York, 118**, UNITED STATES OF AMERICA

$900

1980s Alvarez Silver Princess 5-String Banjo W / Hard Shell Case
How's it going! You're looking at a 1980s Alvarez Silver Princess 5-String Banjo W / Hard Shell Case! This beautiful 5-String Banjo was manufactured in Japan back in the 1980s. In my opinion, this one of the most comfortable banjos I've held. It's in great shape for it's age and still produces a rich tone. The neck is straight, intonation is spot on and the action is great. This Banjo has been professionally set up and there ... more
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VINTAGE - Stromberg Voisinet Resonator  Banjo / Ukulele AND Mandoline Harpsichord

VINTAGE - Stromberg Voisinet Resonator Banjo / Ukulele AND Mandoline Harpsichord

Marathon, Wisconsin, 544**, UNITED STATES OF AMERICA

$570

I strive to give accurate and truthful information on all my items for sale

That being said, if I am misrepresenting either piece I sure would greatly appreciate any and all correct information so I could properly display items and not unintentionally mislead the buyer

From what I could depict, you are looking at:

1920??s Stromberg Voisinet Resinator banjo / ukulele.

This piece has a butterfly on back. And some inlays. One inlay is missing. See pic.... more
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Barclay Tenor Banjo Project w /  Chipboard Case

Barclay Tenor Banjo Project w / Chipboard Case

Huntington, Indiana, 467**, UNITED STATES OF AMERICA

$150

For sale is a Barclay Tenor Banjo Project w / Chipboard Case in Poor Condition
The banjo really just needs a new head and a proper set up and it should play great, structurally the banjo seems to be in good shape!
Sold as pictured / described
Internal Use Bin) - T3
... more
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Vintage Weymann Closed Back Tenor Banjo

Vintage Weymann Closed Back Tenor Banjo

Huntington, Indiana, 467**, UNITED STATES OF AMERICA

$700

For sale is a Vintage Weymann Closed Back Tenor Banjo in Fair Condition
The banjo plays nice with lower action and is in overall sound condition considering it's age
The shell has some tape on the sides as seen in the photos. Most of the wood is structurally solid, but there a some small gaps in the wood that may need some attention long term
Sold as pictured / described
Case: N / A
Scale Length: 22 7 / 8??
Nut Width: 1 17??
Frets Remaining: 7 5 / 10
Action at 12F ... more
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WURLITZER BANJO MADE BY SLINGERLAND MAY BELL QUEENS 1920s 1930s VINTAGE MAYBELL

WURLITZER BANJO MADE BY SLINGERLAND MAY BELL QUEENS 1920s 1930s VINTAGE MAYBELL

Berkeley, California, 947**, UNITED STATES OF AMERICA

$799

The product is a vintage Wurlitzer banjo made by Slingerland in the 1920s or 1930s. This four-string banjo is known as the "Maybell" model and is considered a rare and collectible piece for vintage musical instrument enthusiasts. Slingerland was a well-known brand that produced high-quality drums and percussion instruments, so this banjo may have been used for both traditional folk music and entertainment purposes during that era.... more
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1973 Hagstrom Swede Bass

1973 Hagstrom Swede Bass The Hagstrom Swede bass, or model HB 903, was only built in small numbers: just 1479 basses shipped between 1971 and 1976. Unlike the current range of Hagstrom guitars, the 1950s-1980s Hagstroms were built in Sweden. This example comes from 1973 and is pretty typical: translucent cherry finish, mahogany body, mahogany neck with an ebony fretboard. It's a really nice bass, beautifully appointed with a very wide tonal range, and a great playing feel. It is relatively heavy though for a mahogany instrument, mostly due to its thick solid body. Very cool bass, and certainly one of the very best basses produced by Hagstrom.

1973 Shaftesbury 3400

1973 Shaftesbury 3400 This example of the Shaftesbury 3400 was produced by Japanese manufacturer Matsumoku who made some great quality guitars in the 1970s and 1980s. This is a slightly later example, and has some features not seen on earlier 3400s. Although nice guitars, these are not in the same league as the Gibson Les Paul it was emulating (no set neck, no carved maple top); but they are far better than many of the entry-level Les Paul copies available in the mid-1970s - for example the Shaftesbury 3400 has gold plated hardware, a solid body bound front and back, Maxon brand humbuckers and nice inlaid neck and headstock.

1971 Epiphone 1802T

1971 Epiphone 1802T The Epiphone 1802T was the early name given to the Epiphone ET-270 and derived from an existing Aria guitar, also the 1802T. This was the first of the 1970s Epiphone solid bodies made in Japan by Matsumoku.The model evolved somewhat over its short production run: the very earliest examples were very similar to the Aria, sharing the same body shape, hardware, and clear-coated neck with Fender-style headstock with decal logo. By the time it was designated the Epiphone ET-270 it had been upgraded with the classic Epiphone-style headstock, with nice inlaid logo, and Epiphone 'E' motifs on the truss rod cover and scratchplate. This example from 1971 is somewhere in between with the Epiphone-style headstock, but with silk-screened logo, and no 'E's.

1971 Shaftesbury 3400

1971 Shaftesbury 3400Shaftesbury was a brand distributed by Rose-Morris in the UK - generally imported guitars from Italy or Japan. This guitar, model 3400 was produced by Matsumoku in Japan, and was one of the earliest Les Paul copy guitars, debuting in the UK in 1969, although the same guitar was also sold as the Univox U1982 'Rhythm and Blues' by Merson in the USA as early as 1968. It was also available in different territories under different marques, most obviously the Aria 5522 (Japan), Jedson Jet 4444 (UK, Dallas Arbiter), with no doubt many more examples worldwide.

1981 Gibson Victory MVX

1981 Gibson Victory MV-XThe Gibson Victory MV-X, or Victory 'Multi-Voice' 10, was so-named because of the 10 distinct switch settings: although on first glance this guitar is very much a 'super-strat', with its three-pickup 5-way switch wiring configuration, the original advertising, sounds like... all of 'em underlines that this isn't just a Stratocaster copy, having the sounds of both Gibson humbuckers and Fender single coils available with a flick of a switch. The model was short-lived, with the first instruments shipping from Kalamazoo in Summer of 1981, and the last (excluding any stragglers) leaving Nashville by early 1982. This one was stamped on August 3rd 1981 in Kalamazoo.

1970 Rosetti Epiphone guitar catalogue

1970 Rosetti Epiphone guitar catalogScan of 1970 Epiphone guitar catalogue produced by Rosetti for the UK market. Undated but most likely from mid-late 1970, this was the first UK catalogue to show the new range of Japanese (Matsumoku) Epiphone guitars. Interestingly, these pages show the Epiphone solid bodies with a single-sided Fender-style headstock layout - a feature quickly replaced with a typical two-sided Epiphone headstock almost immediately. Epiphone electric guitars: 9520, 9525; bass guitars: 9521, 9526; acoustic guitars: 6730, 6830, 6834

A World of Guitars by Rosetti - 1971

1971 A World of Guitars by Rosetti catalogueScan of 1971 Rosetti catalogue (UK) featuring guitars from from numerous manufacturers worldwide: guitars by Epiphone, Hagstrom, Levin, Hoyer, Egmond, Eros, Moridaira, Kiso-Suzuki, Schaller, and Tatra.

1971 Selmer guitar catalogue

1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bass Rose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner Zambesi This very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super Ace The Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of £47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

1966 Vox New Escort The Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin Care Catalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger Folk The Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitar The Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music