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Latest vintage guitar updates
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1964 Gibson Melody Maker - a classic vintage guitar
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 A closer look at a Gibson Melody maker from 1964. The Melody Maker is one of Gibson's best ever selling guitars - despite it's comparatively low price it didn't skimp on Gibson tradition: well-built instruments, constructed from the finest materials. The body and set neck are both of South American mahogany whilst the fingerboard is South American rosewood. With a sunburst nitrocellulose finish the Melody Maker certainly looked the part. In fact the Melody Maker had more in common with many higher end Gibson instruments than guitars of a similar price bracket made by other manufacturers. The circuitry was simple; just a volume and tone control for one single coil pickup. See also Gibson Melody Maker shipping figures
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1966 Kalamazoo KG2a electric guitar
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 Details and information on the Kalamazoo KG2a electric guitar. The beat boom of the mid 1960s heralded a huge demand for electric guitars; youngsters up and down America were looking for affordable, well-built solid-bodies, with modern looks and a great sound. Gibson, better known for it's high-end jazz guitars, responded by producing the KG guitar and KB bass lines, under the Kalamazoo brand. They were initially modelled on the Fender Mustang, though soon took the shape of the Gibson SG, which was rapidly rising in popularity. The resulting instruments used modern composite wood technology, Fender style construction and actual Gibson hardware. They looked good, played well, and sold in large quantities. See also Kalamazoo KG shipping figures, a 1966 Kalamazoo KG1 (single pickup) and listen to the Kalamazoo KG soundclips.
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Gibson / Monzino (Italy) guitar catalogue, 1971
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 Gibson / Monzino guitar catalogue, 1971. America saw numerous promotional publications from Gibson in the first years of the 1970s, but new models were coming and going at such a rate, that some never made it into print. Just one US catalogue was printed in 1971: the Low Impedance for High Performance mini-catalogue, which contained just the Gibson Les Paul Recording guitar, and the Gibson Les Paul Triumph bass. However other countries were producing their own literature, capturing a snapshot of the Gibson range not seen in print in the US. This brochure was printed by the new Italian distributors, Monzino, and shows several instruments yet to be seen in US catalogues (the SG range in particular) and one that would never make it: the Gibson SB400 bass.
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Gibson Victory MV series
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 The Gibson Victory MV (multi-voice) guitars were launched towards the end of 1981, with a production period lasting just over two years. There were two models, the Gibson Victory MV2 and the Gibson Victory MVX. Both were very fine passive guitars with maple bodies and set maple necks. They had coil-tapped pickups for either humbucking or single coil sounds, but neither managed to give Gibson the Victory they required in terms of sales.
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1969 Gibson SG Special
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 The Gibson SG came in several varieties; and the Special is a typical 60s Gibson in many ways. Naturally, it has a mahogany body with a set mahogany neck, in true Gibson style. The pickups are typical Gibson single coil P90s, and the control layout, too, is classic Gibson. Have a closer look, or check out the SG Special soundclips of this guitar, through various vintage amps.
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1979 Gibson ES-175D
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 A closer look at a 1979 Gibson ES-175D. By the late 1970s, the ES-175D had followed the path of most Gibson guitars and changed it's mahogany neck, in favour of a maple neck with volute. It didn't last long, and the neck was again mahogany by 1983. Details of the changes in the ES-175D over time are detailed in the ES-175 timeline.
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Gibson EB3 Bass
Solid-body electric bass guitar
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 | | Cream - from left to right, Jack Bruce, Ginger Baker, and Eric Clapton |
The EB-3 is a real classic sixties bass. Jack Bruce, the bass player with Cream is famous for his EB3 bass playing in the mid to late 1960s, and it was also used by his friend Felix Papilardi of Mountain, Chris White of the Zombies, Bill Wyman of the Rolling Stones and Andy Fraser of Free. Peak production years were 1969-1971; around about 2000 guitars shipped in each of those years, and it was a flagship model throught the 18 years of its production.
| Short scale strings suitable for the 30½ scale EB3 bass |
The sixties basses were solid mahogany with one piece necks. This design evolved, going to a three piece neck with split headstock and finally a three piece maple neck, but still with a one piece mahogany body. This was the big-brother to the single pickup EB0; the extra bridge pickup on the EB3 granted greater tonal possibilities, and consequently this bass found favour with many late sixties and early seventies musicians.
Like most vintage Gibson basses, the sound is characterised by the deep mellow tones of set mahogany necks, short scale (30½ inch) and the Gibson humbucker. More about Gibson bass pickups
Sound ClipsThanks to the Gibson Bass website for the following clips. Files are approximately 150kb, and each clip features the introductory 4 bars of rescue me (Fontella Bass) played on the EB3, and recorded directly into a computer sound card. My favourite is the last; listen to that rumble!
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| Latest posts on the Gibson bass forum
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Gibson EB3 basses for saleIf you are looking for specific vintage guitars for sale, you may have to keep an eye on numerous vintage guitar stores, classifieds websites and ebay listings. Below are just the auctions - Vintage guitar stores tend to advertise theirs in their ebay online vintage guitar stores - have a look because there are some different listings.
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