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VOX | VINTAGE ADVERTISEMENTS

Vox advertisement (1965)

VOX: Sound of the Longhairs (Dave Clark 5)

Vox Phantom IIII / Mark VI V222, Vox AC 100 Super De Luxe amplifier

The Sound of the Longhairs adverts underlined the fact that the Beatles used Vox amps, the Rolling Stones used Vox guitars, and the Dave Clark Five used a Vox organ. Pictured are the AC100, Mark VI guitar and the Continental organ.

Vox advertisement (1965) VOX: Sound of the Longhairs (Dave Clark 5)

Other related vintage advertisements

Vox AC 100 Super De Luxe - Fabulous - Vox
Vox AC 100 Super De Luxe - Fabulous - Vox
The Beatles, The Shadows, The Stones, The DaveClark Five - behind their performances there's another fabulous name - VOX. They chose VOX equipment because of its unbeatable fidelity, sensitivity, r...
Vox AC 100 Super De Luxe - Award yourself the finest sound equipment, money can buy!
Vox AC 100 Super De Luxe - Award yourself the finest sound equipment, money can buy!
United Kingdom Vox advertisement for all instruments: guitar, bass, keyboards and ampifiers. This was placed at a time when demand for Vox instruments (due to association with the British beat-boom...
Vox Phantom IIII / Mark VI V222 - VOX: Sound of the Longhairs (Beatles)
Vox Phantom IIII / Mark VI V222 - VOX: Sound of the Longhairs (Beatles)
When Beatles manager Brian Epstein made a deal with Vox to use their amplifiers exclusively, neither he nor Vox knew how big the band would become, and what an impact they would have on the music s...
Vox Phantom IIII / Mark VI V222 - What do the Beatles have in common with the Breakaways?
Vox Phantom IIII / Mark VI V222 - What do the Beatles have in common with the Breakaways?
As well as featuring 3 guitars: Mark VI 222, Bobcat, and Phantom IV bass, this advert also shows the Essex bass amp, and Vox Continental organ
Vox AC 100 Super De Luxe - Paul Revere and the Raiders Ride on Top with Vox
Vox AC 100 Super De Luxe - Paul Revere and the Raiders Ride on Top with Vox
Mid sixties Vox advert featuring Paul Revere and the Raiders and their Vox equipment. The Phantom guitar and bass, plus some Vox valve amplifiers: the AC-100 and Foundation bass amp
Vox Phantom IIII / Mark VI V222 - Vox: It
Vox Phantom IIII / Mark VI V222 - Vox: It's What's Happening (Rolling Stones)
Vox released several advertisements under the title 'Vox: it's what's happenng' in 1966-67. The mid sixties were very much their heyday, supplying equipment to the Beatles, Stones, and many many mo...

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Vintage guitar parts for sale

Vox Phantom IIII / Mark VI V222, Vox AC 100 Super De Luxe

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Vox 1967 V240 Folk Twelve Electro 12 String Acoustic / Elec Guitar Selling AS-IS

Vox 1967 V240 Folk Twelve Electro 12 String Acoustic / Elec Guitar Selling AS-IS

Manchester, New Hampshire, 031**, UNITED STATES OF AMERICA

$300

Vox 1967 V240 Folk Twelve Electro 12 String Acoustic / Elec Guitar Selling AS-IS
Selling as-is. Truss rod is not working, lots of finish cracks.... more
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Vintage Teisco Vox Egmond Framus Kay Guitar Tuners Inline Set for Project

Vintage Teisco Vox Egmond Framus Kay Guitar Tuners Inline Set for Project

Brooklyn, New York, 112**, UNITED STATES OF AMERICA

$35

Vintage Teisco Vox Egmond Framus Kay Guitar Tuners Inline Set for Project . As pictured. Narrow post spacing 23mm (117mm between 1st and 6th post centers). Don't forget to check my other listings!!!... more
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1966 VOX BERKELEY SUPER TWIN REVERB TUBE AMPLIFIER  !!

1966 VOX BERKELEY SUPER TWIN REVERB TUBE AMPLIFIER !!

Fair Lawn, New Jersey, 074**, UNITED STATES OF AMERICA

$2000

For sale / auction is an original 1966 VOX BERKELEY 2 SUPER TWIN REVERB all tube amplifier. it has the original 2 10" VOX BULLDOG speakers which are in great condition. I have just had the head serviced by FUCHS AUDIO TECHNOLOGY so its really sounding sweet. I have kept the replaced parts in case you want them. The power is 18 W but it is still very powerful, believe me!! when you crank it, the natural overdrive kicks in and it has a beautiful growl to it. Back off the volume a little and it ... more
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Cordovox GIG Amp Amplifier Accordion CXG Guitar Amp Vintage

Cordovox GIG Amp Amplifier Accordion CXG Guitar Amp Vintage

Dale, New York, 140**, UNITED STATES OF AMERICA

$185

This vintage amplifier is a must-have for any musician. With its cabinet amplifier type, it is perfect for gigs of any size. The Cordovox Accordion CXG model also makes it a great addition to any collection
It features one speaker and is branded Cordovox. This amplifier is perfect for guitarists and accordion players alike. Don't miss out on this unique piece of musical history
Pictures are of the exact item that you'll be receiving. Please see pictures for more details and feel free to ... more
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Vox Hurricane 1960s Controls: Pots And Switch - Vintage

Vox Hurricane 1960s Controls: Pots And Switch - Vintage

New York, 100**, UNITED STATES OF AMERICA

$100

Vox Spitfire or Hurricane Controls - Vintage 1960s
Set of three potentiometers and 3-way switch from vintage Vox Hurricane electric guitar with original wiring
In good working order: controls move smoothly and quietly
Includes mounting hardware (nuts, washers, screws)
... more
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1960s vintage VOX STUDENT PRINCE GUITAR HOLLOW BODY GUITAR

1960s vintage VOX STUDENT PRINCE GUITAR HOLLOW BODY GUITAR

Staten Island, New York, 103**, UNITED STATES OF AMERICA

$650

1960s vintage VOX STUDENT PRINCE GUITAR HOLLOW BODY GUITAR / Guitar is setup and ready to go Some finish checking Plays great and pickup is strong No case Please feel free to ask any ? Thanks... more
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1967 Vox Tornado Sunburst Semi-Hollow Body with Hardshell Case

1967 Vox Tornado Sunburst Semi-Hollow Body with Hardshell Case

Deary, Idaho, 838**, UNITED STATES OF AMERICA

$450

1967 Vox Tornado Sunburst Semi-Hollow body w / hardshell case
This 1967 Vox Tornado is in incredible shape for a nearly 60 year old guitar. There are a few small surface level cracks and scuff marks, mainly on the bottom edge near the output jack. I had to replace the output jack cover because the old one was stripped and falling out, so there are a few visible holes. Other than that, the only other issue is a missing volume knob.
It plays great. The single coil pickup has great clarity ... more
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Vintage Silvertone Kay Guitar Tuners Kent Vox Stella

Vintage Silvertone Kay Guitar Tuners Kent Vox Stella

Carver, Massachusetts, 023**, UNITED STATES OF AMERICA

$35

Heres a decent set of 3x3 Tuners for use Silvertone Kay Kent stella, even fits some older Gibsons, s&h is 11 00 with original screws
... more
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Phantom Guitarworks (Vox) Limited Edition Teardrop Hollowbody #10 of 20

Phantom Guitarworks (Vox) Limited Edition Teardrop Hollowbody #10 of 20

Ashburn, Virginia, 201**, UNITED STATES OF AMERICA

$1898

This Limited Edition Phantom (Vox) Hollowbody Teardrop guitar is in mint unplayed condition. It is #10 of only 20 made. All Phantom®, Teardrop® and MandoGuitars® are hand-assembled in the United States of America with foreign and domestic parts
The bookmatched flame maple top pattern in the see-through red finish does not show up too well in photos but it's stunning in person.
... more
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VOX MARK VI WITH MINT CASE Electric Teardrop Guitar 1960s SUPER NICE! ITALY!

VOX MARK VI WITH MINT CASE Electric Teardrop Guitar 1960's SUPER NICE! ITALY!

Bellport, New York, 117**, UNITED STATES OF AMERICA

$4200


VOX MARK VI ITALY SUPER CLEAN WITH CASE!!!! I have owned the guitar for over 15 years, I'm the 3rd owner. The neck is in "10" condition, absolutely amazing, no marks at all! The body has normal veneer cracking due to age. It comes with the ORIGINAL CASE! Comfortable to play, and seems to have a distinct Beatles round tone that comes through. One of the finest guitars I've ever owned. It isn't going away cheap, because you'll never find one as clean as this. The serial... more
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Vintage Vox 1960s Panther bass pickup and wiring harness

Vintage Vox 1960's Panther bass pickup and wiring harness

Bakersfield, California, 933**, UNITED STATES OF AMERICA

$139

Vintage 1960's Vox Panther pickup and wiring harness. Came out of a basket case. Some of the ground wires looks to be changed out and re soldered on back of pots. Otherwise looks to be correct.
Someone did make a nice base plate repair for the adjustment screw ears that always break off
Pickup is healthy at 6. 39 ohms
Harness is untested since bass was purchased apart
Sold as-is no returns.
... more
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1967 Vox Buckingham V1121 Amplifier and Speaker Cabinet w /  Tiltback Trolley

1967 Vox Buckingham V1121 Amplifier and Speaker Cabinet w / Tiltback Trolley

Pittsburgh, Pennsylvania, 152**, UNITED STATES OF AMERICA

$800

- Fair Condition
- Some normal cosmetic signs of use an age- See All Photos
This amp was thoroughly tested. The amp powers up and is fully functional. All of the inputs, switches and knobs are functional, and the speaker is receiving signal and producing sound. However, there is a lot of fuzz, signal irregularities, and the overall signal is not clean. Sometimes the xlr cable connecting the amp to the speaker needs "wiggled" to get the signal to be heard. We suspect that a thorough ... more
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Vox AC2 1x8" Combo 1961 - Fawn

Vox AC2 1x8" Combo 1961 - Fawn

Brooklyn, New York, 112**, UNITED STATES OF AMERICA

$6499

Here we have a vintage 1961 Vox AC2 combo guitar amplifier! This features an 8" Goodmans speaker, dual inputs, two piece back, pink control plate, fawn covering and diamond grill cloth. It has volume, speed and on / off / tone controls. The amp is in good condition save for the grill cloth damage on the lower front. It's been converted to 120v and has a Mercury Magnetics power transformer. It has a modern 3 prong power cable as well as a hard-wired footswitch. There is a baffle hanging between ... more
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1960??s VOX Phantom Teardrop Guitar Case Leather Gigbag

1960??s VOX Phantom Teardrop Guitar Case Leather Gigbag

Brisbane, California, 940**, UNITED STATES OF AMERICA

$40

Some wear here and there but overall good. Zipper works just fine. No rips. Some cracks on bunding. Looks cool

Intended for the vox phantom and teardrop guitars
... more
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Vintage VOX Framus Hofner Eko Guitar Tuners for Project Upgrade

Vintage VOX Framus Hofner Eko Guitar Tuners for Project Upgrade

Brooklyn, New York, 112**, UNITED STATES OF AMERICA

$30

Vintage VOX Framus Hofner Eko Guitar Tuners for Project Upgrade. Great condition!!! As pictured. Don't forget to check my other listings!!!... more
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Lot of 17 Aerovox capacitors for tube amp! Untested. 200vdc@2 mfd x6; 400@ 5 x2

Lot of 17 Aerovox capacitors for tube amp! Untested. 200vdc@2 mfd x6; 400@ 5 x2

Fairbanks, Alaska, 997**, UNITED STATES OF AMERICA

$30

Here is a Lot of 17 (mostly) Aerovox capacitors for tube amps! Untested. 200vdc@2 mfd x6; 400@ 5 x2; 200vdc@1 0 x3 and six smaller misc ones, 17 total.
Check my feedback, bid with confidence.
... more
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Matched QUAD (4) 6BQ5 power tubes by Mashsushita Japan for Vox, Marshall etc

Matched QUAD (4) 6BQ5 power tubes by Mashsushita Japan for Vox, Marshall etc

Fairbanks, Alaska, 997**, UNITED STATES OF AMERICA

$60

Here is a Matched QUAD (4) tubes of 6BQ5 power tubes by Mashsushita Japan for Vox, Marshall etc, any audio or guitar amp you might have. All from 1962, and all marked Baldwin coming from a vintage organ
Minimum on my TV-7 is 50, and these test at 76 / 76 / 74 / 74. Awesome tubes, and 62 years young! You won't be disappointed
Check my feedback, bid with confidence.
... more
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Vox Skybolt IV Bass 1960s

Vox Skybolt IV Bass 1960s

Midlothian, Texas, 760**, UNITED STATES OF AMERICA

$1200

Fully functional. Recently set up with new nylon wound strings. Super slim neck
Vox Skybolt Bass 1960s IA Generated
The Vox Skybolt IV bass is a vintage electric bass guitar that was first introduced in the 1960s. It was produced in Italy by EKO in Recanati, and it was part of a series of bass guitars designed by Vox. The Skybolt IV was influenced by the growing popularity of the Gibson EB-2 bass in the late 1960s
The Skybolt IV features a double cut-away body, two f-holes, and a ... more
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Excellent+ 1966 Vox Bulldog Mosrite Style Sunburst Solidbody Electric W /  OHSC

Excellent+ 1966 Vox Bulldog Mosrite Style Sunburst Solidbody Electric W / OHSC

Reynoldsville, Pennsylvania, 158**, UNITED STATES OF AMERICA

$1479

Excellent + , lightly played 1966 Vox Italy Bulldog Mosrite Style Solidbody Electric W / XLT OHSC. Cost more than a USA strat. Marked 'second' on back. NOTE=The 2 volume controls are wired backwards / they need to be rewired (shouldn't be hard). Couple cracks on pickguard (see pic). all origional. Chrome very nice. Some light scratches, imperfections on back (wouldn't photograph). No marks on top, headstock or sides. Priced to sell. Email with questions. see my other great items. Free ... more
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Vintage Vox Buckingham Amp Model V1123 W /  Cover

Vintage Vox Buckingham Amp Model V1123 W / Cover

Longmont, Colorado, 805**, UNITED STATES OF AMERICA

$850

Vox Buckingham Head for sale. Normal treble knob has some pot noise. The reverb isn't working. See pictures for any cosmetic blemishes
The Buckingham was the separate head and cab version of the Vox Viscount 2x12 combo amp. You can read about the development of the Viscount amplifier by clicking here
In 1965, after Thomas Organ in the US inked their distribution deal with Vox in the UK, Thomas published their first Vox product catalog. It featured the British Vox tube amps with new "easy... more
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Find more Vox Phantom IIII / Mark VI V222, Vox AC 100 Super De Luxe at vintageguitarsforsale.co

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1973 Hagstrom Swede Bass

1973 Hagstrom Swede Bass The Hagstrom Swede bass, or model HB 903, was only built in small numbers: just 1479 basses shipped between 1971 and 1976. Unlike the current range of Hagstrom guitars, the 1950s-1980s Hagstroms were built in Sweden. This example comes from 1973 and is pretty typical: translucent cherry finish, mahogany body, mahogany neck with an ebony fretboard. It's a really nice bass, beautifully appointed with a very wide tonal range, and a great playing feel. It is relatively heavy though for a mahogany instrument, mostly due to its thick solid body. Very cool bass, and certainly one of the very best basses produced by Hagstrom.

1973 Shaftesbury 3400

1973 Shaftesbury 3400 This example of the Shaftesbury 3400 was produced by Japanese manufacturer Matsumoku who made some great quality guitars in the 1970s and 1980s. This is a slightly later example, and has some features not seen on earlier 3400s. Although nice guitars, these are not in the same league as the Gibson Les Paul it was emulating (no set neck, no carved maple top); but they are far better than many of the entry-level Les Paul copies available in the mid-1970s - for example the Shaftesbury 3400 has gold plated hardware, a solid body bound front and back, Maxon brand humbuckers and nice inlaid neck and headstock.

1971 Epiphone 1802T

1971 Epiphone 1802T The Epiphone 1802T was the early name given to the Epiphone ET-270 and derived from an existing Aria guitar, also the 1802T. This was the first of the 1970s Epiphone solid bodies made in Japan by Matsumoku.The model evolved somewhat over its short production run: the very earliest examples were very similar to the Aria, sharing the same body shape, hardware, and clear-coated neck with Fender-style headstock with decal logo. By the time it was designated the Epiphone ET-270 it had been upgraded with the classic Epiphone-style headstock, with nice inlaid logo, and Epiphone 'E' motifs on the truss rod cover and scratchplate. This example from 1971 is somewhere in between with the Epiphone-style headstock, but with silk-screened logo, and no 'E's.

1971 Shaftesbury 3400

1971 Shaftesbury 3400Shaftesbury was a brand distributed by Rose-Morris in the UK - generally imported guitars from Italy or Japan. This guitar, model 3400 was produced by Matsumoku in Japan, and was one of the earliest Les Paul copy guitars, debuting in the UK in 1969, although the same guitar was also sold as the Univox U1982 'Rhythm and Blues' by Merson in the USA as early as 1968. It was also available in different territories under different marques, most obviously the Aria 5522 (Japan), Jedson Jet 4444 (UK, Dallas Arbiter), with no doubt many more examples worldwide.

1981 Gibson Victory MVX

1981 Gibson Victory MV-XThe Gibson Victory MV-X, or Victory 'Multi-Voice' 10, was so-named because of the 10 distinct switch settings: although on first glance this guitar is very much a 'super-strat', with its three-pickup 5-way switch wiring configuration, the original advertising, sounds like... all of 'em underlines that this isn't just a Stratocaster copy, having the sounds of both Gibson humbuckers and Fender single coils available with a flick of a switch. The model was short-lived, with the first instruments shipping from Kalamazoo in Summer of 1981, and the last (excluding any stragglers) leaving Nashville by early 1982. This one was stamped on August 3rd 1981 in Kalamazoo.

1970 Rosetti Epiphone guitar catalogue

1970 Rosetti Epiphone guitar catalogScan of 1970 Epiphone guitar catalogue produced by Rosetti for the UK market. Undated but most likely from mid-late 1970, this was the first UK catalogue to show the new range of Japanese (Matsumoku) Epiphone guitars. Interestingly, these pages show the Epiphone solid bodies with a single-sided Fender-style headstock layout - a feature quickly replaced with a typical two-sided Epiphone headstock almost immediately. Epiphone electric guitars: 9520, 9525; bass guitars: 9521, 9526; acoustic guitars: 6730, 6830, 6834

A World of Guitars by Rosetti - 1971

1971 A World of Guitars by Rosetti catalogueScan of 1971 Rosetti catalogue (UK) featuring guitars from from numerous manufacturers worldwide: guitars by Epiphone, Hagstrom, Levin, Hoyer, Egmond, Eros, Moridaira, Kiso-Suzuki, Schaller, and Tatra.

1971 Selmer guitar catalogue

1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bass Rose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner Zambesi This very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super Ace The Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of £47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

1966 Vox New Escort The Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin Care Catalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger Folk The Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitar The Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music