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FENDER | CATALOGUES | 1963 1964 | PAGE 5

Fender Bassman, Bandmaster, Tremolux, and Pro amplifiers

Fender 1963/1964 catalog page 5

Fender 1963/1964 guitar catalogue. Page 5. The amplifier section continues with three 'piggy-back' amp/cab units (Bassman, Bandmaster, both 2x12" and the 2x10" Fender Tremolux) and one combo, the Fender Pro, with 1x15" speaker.

July 1963 US list prices are Bassman: $399.50; Bandmaster $389.50; Tremolux $329.50 and Pro $299.50

1963 1964 Fender guitar catalog page 5 - Fender Bassman, Bandmaster, Tremolux, and Pro
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1968 Fender Bassman AB-165 Amplifier. VIDEO DEMO

1968 Fender Bassman AB-165 Amplifier. VIDEO DEMO

Saint Louis, Missouri, 631**, UNITED STATES OF AMERICA


https: / / youtu be / n8zMTO4qEsk
Video of my working vintage '68 Bassman. Dated by the transformer codes. Twoof the codes date 67, but one is 68. AB 165 circuit according to the chart inside the casing. . I bought this from a guy in New England a few years back. He is a luthier named Mike and builds some of the most beautiful hand carved guitars around. He gave me a fair deal as he plays through a vintage blonde bassman. I have used minimally since I ve head it, mostly for bedroom and ... more
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Fender 1958 Tweed 4x10 Bassman 45 watt Guitar Amp

Fender 1958 Tweed 4x10 Bassman 45 watt Guitar Amp

Escondido, California, 920**, UNITED STATES OF AMERICA


This Fender Bassman combo amp is a true gem for any musician. With 45 watts of power, it provides just the right amount of sound to get your music noticed. The amp features a classic tweed design, with four speakers to choose from to create the perfect sound.
The Fender 1958 Tweed 4x10 Bassman is a must-have for any guitar enthusiast. This combo amp is perfect for small to medium-sized gigs, and can handle any type of music. The Fender Bassman is known for its warm and natural sound, and ... more
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Vintage 1960s Fender Bassman 2X15 Cabinet Tested Works

Vintage 1960s Fender Bassman 2X15 Cabinet Tested Works

Leominster, Massachusetts, 014**, UNITED STATES OF AMERICA


Vintage 1960s Fender Bassman 2X15 Cabinet
Tested in Good Working OrderGood Cosmetic ConditionCabinet has a Fender Square Back Speaker (Working) and a Pyle 15" Speaker (WorkingPlease see images
2 Convenient Pickup Locations:
Gordon LaSalle Music993 Main St East Hartford, CT 06108
Gordon LaSalle Music 339 Main St Southbridge, MA 01550
... more
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1960s Fender Piggyback Amp Screws For Vintage Bassman Showman Bandmaster #2 P287

1960s Fender Piggyback Amp Screws For Vintage Bassman Showman Bandmaster #2 P287

Grand Rapids, Michigan, 495**, UNITED STATES OF AMERICA


Just in at Tone Chasers Music are these 1960s Fender piggyback screws in very good condition. As pictured.

Follow us here
https: / / www facebook com / tonechasersmusic

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1955 Fender  Bassman Dual Rectifier Model 5D6-A Amp Head Vintage

1955 Fender Bassman Dual Rectifier Model 5D6-A Amp Head Vintage

Honolulu, Hawaii, 968**, UNITED STATES OF AMERICA


1955 Fender Bassman Model 5D6-A
Amp Head only
Includes: Bassman Amp & Repro Cabinet
( Optional - Original Cabinet, Please Message)
This is an original 1955 Fender Bassman amp chassis in a repro cabinet. Sam Hutton, one of my friends was one of several cabinet builders inside the Fender Fullerton factory when he worked for Fender building cabinets in the early 1960's. He built for me this cabinet for the head chassis in the early 1990's; reason being was to make the amp lighter ... more
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1971 Fender Bassman Silver Faceplate Original Vintage Metal

1971 Fender Bassman Silver Faceplate Original Vintage Metal

Honolulu, Hawaii, 968**, UNITED STATES OF AMERICA


1971 Fender Bassman Silver Faceplate is all original and made of metal. This faceplate says "Fender Musical Instruments" so we know it's CBS issue. I had this on an old Bassman amp that is up for auction so its used but not abused; please see photo for condition.
Please Message with any additional questions before purchasing or bidding :)
Shipping is Fedex or USPS and INSURED in the US
Your item will be packed with great care rest assured.
From... more
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1971 Fender Bassman Tube Amp Head- WORKS VINTAGE Model  AA371

1971 Fender Bassman Tube Amp Head- WORKS VINTAGE Model AA371

Honolulu, Hawaii, 968**, UNITED STATES OF AMERICA


1971 Fender Bassman
Tube Amp Head
Re-issue Blackface Faceplate
Model AA371
Electric Guitar / Bass Amplifier
Made in USA
I purchased this original amplifier locally in the 1990??s from the original owner who took very good care of it and played it in a band. This amp was working perfectly when I purchased it. I had asked him if he ever did anything to it and he said, ??No??. It had never had any problems and still has all the original parts, hardware and tubes. I bought the ... more
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1978 Fender Pro Reverb Vintage Silverfasce Fender Tube Combo amplifier Free Ship

1978 Fender Pro Reverb Vintage Silverfasce Fender Tube Combo amplifier Free Ship

Sun Valley, California, 913**, UNITED STATES OF AMERICA


Hello I have here is a 1978 Fender Pro Reverb Vintage Silverfasce Fender Tube Combo amplifier Free Ship! condition is very good, does have many cosmetic scuffs and scratches, corners have wear and dings but not to noticeable, overall it??s in great condition for it??s age, has been tested and works great, overall it??s in very good condition, please note that you are purchasing a 1978 Fender Pro Reverb Vintage Silverfasce Fender Tube Combo amplifier with tubes that are installed, original ... more
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1968 Vintage Fender Bassman AA-165 Amplifier - Used, in Working Condition

1968 Vintage Fender Bassman AA-165 Amplifier - Used, in Working Condition

Brighton, Colorado, 806**, UNITED STATES OF AMERICA


1968 Fender Bassman AA-165 Amplifier - Used, in Working Condition. This amp does NOT include a speaker cabinet. Minor cosmetic damage, fully functional. Message for more details.... more
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1965 FENDER BASSMAN AMPLIFIER HEAD Owned By Legandary Slink Rand  !!!!!!!!!!!!

1965 FENDER BASSMAN AMPLIFIER HEAD Owned By Legandary Slink Rand !!!!!!!!!!!!

Carthage, Illinois, 623**, UNITED STATES OF AMERICA


1965 Fender Bassman Amp . Owned by Legendary Guitar Man Slink Rand , In Great Working Order
... more
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1965 Blackface Fender Bassman Modded Head John McIntyre Bluesmaker in Anvil Case

1965 Blackface Fender Bassman Modded Head John McIntyre Bluesmaker in Anvil Case

Harrisonville, Missouri, 647**, UNITED STATES OF AMERICA


1965 Blackface Fender Bassman Modded Head John McIntyre Bluesmaker in Anvil Case Here is a vintage Blackface Fender Bassman amp head that carries the chassis number A04894. It has several other designations in it that also help me identify it as a head from early 1965 and I have put those in the photos in this ad. This head is in wonderful cosmetic and playing condition and comes to you in a very nice Anvil road case. This amp has been modified to the ??Bluesmaker?? circuit designed by John ... more
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Vintage 1948 Fender Pro Amp Tweed Guitar Amp Combo

Vintage 1948 Fender Pro Amp Tweed Guitar Amp Combo

Santa Monica, California, 904**, UNITED STATES OF AMERICA


[contenteditable]{ pointer-events: none; }
Are you ready to experience a vintage professional level amps of unprecedented historical significance? Up for sale is this Fender Pro Reverb in the iconic tweed covering, built to last - this one is from 1948   You don't see many of these out there, especially in this good of shape  This is a dual 6L6 power tube amp that delivers 25 watts of vintage tube amp richness. pumped through a single 15" speaker   The amp features a Mic Volume, and ... more
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Fender Vintage 1962 6G9-B Blonde Tremolux

Fender Vintage 1962 6G9-B Blonde Tremolux

Emporia, Kansas, 668**, UNITED STATES OF AMERICA


1962 Blonde Fender Tremolux head. Replaced PT (newer) and OT (1968). Original choke. Several replaced caps and a few resistors. 3 prong cord. Great sounding amp
... more
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1967 Fender Bassman AB165

1967 Fender Bassman AB165

Cleveland, Ohio, 441**, UNITED STATES OF AMERICA


One word: CLEAN
Here we have an amazing exhibition of one of the last ever produced Fender Bassman blackface models. Featuring the AB-165 circuit, this amplifier has the extra gain stage of one half of a tube, but has been realigned with a standard AB-763 phase inverter section of its circuit. The blonde tolex is either a replacement, or the entire cab is, but do not be deceived!
This amp does everything to an amazing degree of clean, quiet, loud, proud, and if you really drive it, it ... more
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Vintage Fender Roc Pro 1000 REPLACEMENT GRILL w FENDER LOGO ONLY Mid 1990s USA

Vintage Fender Roc Pro 1000 REPLACEMENT GRILL w FENDER LOGO ONLY Mid 1990's USA

Tulsa, Oklahoma, 741**, UNITED STATES OF AMERICA


Vintage Fender Roc Pro 1000 REPLACEMENT GRILL w FENDER LOGO ONLY Mid 1990's USA. Shipped USPS Ground Advantage.

As the title says, this is a replacement grill. This one was taken off of another the same model. It does have some WARE LIGHT SCRATCHES overall in good condition

Please see photos as they are part of the description

My goal is to get 5? positive feedback if you ever do encounter a problem please give me a chance to ... more
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Fender 1966 Bassman

Fender 1966 Bassman

Redwood City, California, 940**, UNITED STATES OF AMERICA


Good condition
Sounds great
$1200 Local pickup No trades
... more
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Fender Bassman 100  1970s Head -VIDEO link

Fender Bassman 100 1970's Head -VIDEO link

Saint Louis, Missouri, 631**, UNITED STATES OF AMERICA


VIDEO. https: / / youtu be / ljHmqI98Q28
THis is a master volume bassman I believe dates to 1973 according to the transformer dates. Healthy sounding and working well. Has had some servicing in its life as the sound tech I purchased it from said it came from a working and touring band. The badge affixed in back should attest as well to someone giving it a go through. I know of no mods, and the transformers all seem original. I photo'd the serial of the two I could see.
Cosmetically ... more
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1962 Fender Bandmaster w /  2x12 Cabinet Blond

1962 Fender Bandmaster w / 2x12 Cabinet Blond

San Diego, California, 921**, UNITED STATES OF AMERICA


1962 Fender Bandmaster
In Near Mint Condition (Please See Photos)
6G7-A Circuit
Updated 3-Prong Power Cord
With Matching 2x12" Cabinet
... more
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1980 Fender Bassman 135 Blackface Vintage Tube Guitar Amp Head

1980 Fender Bassman 135 Blackface Vintage Tube Guitar Amp Head

Georgetown, South Carolina, 294**, UNITED STATES OF AMERICA


Fender Bassman 135 head, made in USA 1980. Great clean tone. It's the 135 watt model, with an ultra-linear output section and some extra EQ on the left channel. The extra headroom is killer for bass It adds weight and punch through the low end, as . Into a big cab, it absolutely roars. It's great on guitar too, you can dial a beautiful and juicy clean that's great as-is or with effects. These are a whole lot harder to find than the regular 100 model

Model: ... more
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1965 Fender Bandmaster AB763 Piggyback Head and Cab Set *Fully Serviced* w /  D131

1965 Fender Bandmaster AB763 Piggyback Head and Cab Set *Fully Serviced* w / D131

Woodbury, New York, 117**, UNITED STATES OF AMERICA


1965 Fender Bandmaster AB763 Piggyback Head and Cab Set *Fully Serviced* w / TAD Capacitors, JBL D131 Speaker, Original Parts Included
For Sale, we have a true vintage gem: a 1965 Fender Bandmaster amplifier, featuring both the head and cabinet set. This classic piece of gear is a fantastic example of Fender's golden era, delivering that unmistakable vintage tone. The head has undergone a comprehensive full service, ensuring it performs at its best. We replaced the filter, reservoir, and ... more
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1971 Selmer guitar catalogue

1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bassRose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner ZambesiThis very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super AceThe Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of 47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

1966 Vox New EscortThe Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin CareCatalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger FolkThe Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitarThe Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

1959 Hofner Committee

1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

1965 Gretsch Chet Atkins Tennessean

1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalogHagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner PresidentThe President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.