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1964 Gibson Melody Maker - a classic vintage guitar
1964 Gibson Melody Maker electric guitar A closer look at a Gibson Melody maker from 1964. The Melody Maker is one of Gibson's best ever selling guitars - despite it's comparatively low price it didn't skimp on Gibson tradition: well-built instruments, constructed from the finest materials. The body and set neck are both of South American mahogany whilst the fingerboard is South American rosewood. With a sunburst nitrocellulose finish the Melody Maker certainly looked the part. In fact the Melody Maker had more in common with many higher end Gibson instruments than guitars of a similar price bracket made by other manufacturers. The circuitry was simple; just a volume and tone control for one single coil pickup. See also Gibson Melody Maker shipping figures
1966 Kalamazoo KG2a electric guitar
1966 Kalamazoo KG2a electric guitar Details and information on the Kalamazoo KG2a electric guitar. The beat boom of the mid 1960s heralded a huge demand for electric guitars; youngsters up and down America were looking for affordable, well-built solid-bodies, with modern looks and a great sound. Gibson, better known for it's high-end jazz guitars, responded by producing the KG guitar and KB bass lines, under the Kalamazoo brand. They were initially modelled on the Fender Mustang, though soon took the shape of the Gibson SG, which was rapidly rising in popularity. The resulting instruments used modern composite wood technology, Fender style construction and actual Gibson hardware. They looked good, played well, and sold in large quantities. See also Kalamazoo KG shipping figures, a 1966 Kalamazoo KG1 (single pickup) and listen to the Kalamazoo KG soundclips.
Gibson / Monzino (Italy) guitar catalogue, 1971
Gibson / Monzino guitar catalogue, 1971Gibson / Monzino guitar catalogue, 1971. America saw numerous promotional publications from Gibson in the first years of the 1970s, but new models were coming and going at such a rate, that some never made it into print. Just one US catalogue was printed in 1971: the Low Impedance for High Performance mini-catalogue, which contained just the Gibson Les Paul Recording guitar, and the Gibson Les Paul Triumph bass. However other countries were producing their own literature, capturing a snapshot of the Gibson range not seen in print in the US. This brochure was printed by the new Italian distributors, Monzino, and shows several instruments yet to be seen in US catalogues (the SG range in particular) and one that would never make it: the Gibson SB400 bass.
Gibson Victory MV series
Gibson Victory MV guitarsThe Gibson Victory MV (multi-voice) guitars were launched towards the end of 1981, with a production period lasting just over two years. There were two models, the Gibson Victory MV2 and the Gibson Victory MVX. Both were very fine passive guitars with maple bodies and set maple necks. They had coil-tapped pickups for either humbucking or single coil sounds, but neither managed to give Gibson the Victory they required in terms of sales.
1969 Gibson SG Special
1979 Gibson ES-175DThe Gibson SG came in several varieties; and the Special is a typical 60s Gibson in many ways. Naturally, it has a mahogany body with a set mahogany neck, in true Gibson style. The pickups are typical Gibson single coil P90s, and the control layout, too, is classic Gibson. Have a closer look, or check out the SG Special soundclips of this guitar, through various vintage amps.
1979 Gibson ES-175D
1979 Gibson ES-175D A closer look at a 1979 Gibson ES-175D. By the late 1970s, the ES-175D had followed the path of most Gibson guitars and changed it's mahogany neck, in favour of a maple neck with volute. It didn't last long, and the neck was again mahogany by 1983. Details of the changes in the ES-175D over time are detailed in the ES-175 timeline.

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Gibson Super 400CES
Electric acoustic guitar


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PART 1 Super 400CES description | PART 2 Catalogue appearances

Gibson Super 400 CES
Strings suitable for this guitar

D'Addario EHR350 (D'Addario S/Steel Half Round Electric Guitar Strings Jazz Light)

D'Addario EHR360 (D'Addario S/Steel Half Round Electric Guitar Strings Jazz Medium)

D'Addario XLS600 (D'Addario Stainless Steel Electric Guitar Strings Jazz Medium)

Thomastik-Infeld JS111 (light flatwound jazz swing electric guitar strings)

Thomastik-Infeld JS110 (flatwound extra light jazz swing electric guitar strings)

D'Addario ECG24 (D'Addario Chrome Flat Wound Electric Guitar Strings Jazz Light)

D'Addario EJ22 (D'Addario Electric Guitar Strings Jazz Medium)

D'Addario XLS590 (D'Addario Stainless Steel Electric Guitar Strings Jazz Light)

Dean Markley 2506B (Dean Markley Nickelsteel Electric - Jazz)

D'Addario EXL115W (D'Addario Electric Guitar Strings Blues/Jazz Rock Wound 3rd)

The Super 400 CES is one of Gibsons full-bodied arch-top electric guitars

The following description is taken from the 1970 Gibson electric acoustics catalogue

SUPER 400 CES - Cutaway Many outstanding musicians consider the Super 400 CES to be the finest electric Spanish guitar made. The slim, fast low-action neck joins the extra large, carved top body at the 14th fret. The superb instrument offers a clean, powerful tone and dependable performance.

FEATURES: Carved top of finest spruce, carved back of figured curly maple with matching rims. Five-piece curly maple neck, adjustable truss rod. Ebony fingerboard, pearl block inlays. Adjustable Tune-O-Matic bridge. Exclusive Super 400 tailpiece. Powerful twin Humbucking pickups. Separate tone and volume control for each pickup which can be preset. Three position toggle switch to activate either or both pickups. Hand-bound custom pickguard. Gold-plated metal parts. Deluxe individual machine heads. 18" wide, 21 ¾ " long, 3 3/8 " deep; 25 ½ " scale, 20 frets.

Super 400 CES - Sunburst
Super 400 CESN - Natural
400 - Faultless plush-lined case
ZC-4 - Deluxe zipper case cover

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