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1961 Gibson EB3
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 A 1961 Gibson EB3 bass. 1961 was the first year of EB3 production, and the year Gibson first used the classic SG shape. Like the SG guitars, the EB3 was built at the Gibson plant in Kalamazoo. Early EB3s are characterised by their chunky necks, wide-spaced controls, nickel hardware and bakelite neck pickup cover. Have a listen to the soundclips of this bass, through several vintage amplifiers.
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1966 Gibson EB0
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 Profile of a 1966 Gibson EB0 bass. The EB0, like it's big brother the EB3, is something of a 1960s classic; the construction (short scale, mahogany body, set mahogany neck), and the famous Gibson EB humbucker positioned at the neck, gave a deep rumble that perfectly suited the musical environment of the early-mid sixties. But by the early-mid seventies things were going long-scale and maple... Nonetheless, this is a finely built instrument, capable of some terrific sounds that really suit certain musical situations. Have a listen to the soundclips of this bass, through various vintage amplifiers.
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1972 Gibson EB3L
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 A closer look at a 1972 Gibson EB3L. In 1972, Gibson completely redesigned the EB series of basses, giving them maple necks, far more substantial bodies, and redesigned circuitry. This included moving the front pickup away from the neck, and towards the middle of the body. The result was a fine playing bass; less boomy than its's 1960s predecessor, and more durable too. Have a listen to the EB3L soundclips
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Gibson EB2 and Epiphone Rivoli circuit information
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 Schematic and simplified wiring illustration for the 1960s single pickup Gibson EB2 and Epiphone Rivoli bass guitars. The original EB2 and Rivoli basses were very similar indeed, both being made side by side in Gibson's Kalamazoo plant in Michigan, USA. Differences were purely cosmetic, and electronically they were identical: a Gibson EB humbucker, one volume control, one tone control, and a baritone push button switch.
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Interview: Jack Casady
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 Fly Guitars is delighted to feature an interview with a bass legend, Jack Casady. He talks about how he started out, and his influences, but as always, the focus is on his gear. Jack was famous for his customised instruments. There's a section on his early Fender Jazz basses, Guild Starfire basses, his Alembic number one, and of course the development of his own Epiphone Jack Casady Signature bass. In seven parts.
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Vintage Guitars
welcome to the vintage guitar website!
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Latest Forum Posts
forum index
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 From left to right Hagstrom F-800 eight string bass, Vox Cheetah guitar with built in effects, Gibson EB3 Bass
Latest News! Guitars bought! Do you have a guitar for sale. I am looking for good condition guitars and basses circa 1950-1980 by Gibson, Guild, Hagstrom, Hofner, Vox and others. Let me know what you have available
There is something special about musical instruments of a certain age. Vintage guitars built from the mid 1950s until the late 1970s are generally held in high esteem; techniques and materials, particularly pre-1970 were vastly superior to todays 'mass-produced' standards. The musical revolutions occuring during this period created the first well-known guitar heroes, and gave their guitars iconic status.
This site aims to be a reference point for guitar players and guitar collectors. There's info, history, photographs and sound clips of many famous, and not so famous guitars and basses by makes such as Danelectro, Epiphone, Fender, Gibson, Guild, Gretsch, Hagstrom, Harmony, Hofner, Rickenbacker and Vox. There is a section on effects pedals too! Check out the vintage guitar advertisements, guitar catalogs, or listen to vintage guitars being played. If you get stuck, try the sitemap or post a message in the forum
Latest Site Updates
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1964 Gibson Melody Maker - a classic vintage guitar
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 A closer look at a Gibson Melody maker from 1964. The Melody Maker is one of Gibson's best ever selling guitars - despite it's comparatively low price it didn't skimp on Gibson tradition: well-built instruments, constructed from the finest materials. The body and set neck are both of South American mahogany whilst the fingerboard is South American rosewood. With a sunburst nitrocellulose finish the Melody Maker certainly looked the part. In fact the Melody Maker had more in common with many higher end Gibson instruments than guitars of a similar price bracket made by other manufacturers. The circuitry was simple; just a volume and tone control for one single coil pickup. See also Gibson Melody Maker shipping figures
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1967 Vox (JMI) electric guitar catalogue
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 This was the last guitar and bass catalogue produced by Vox under the ownership of JMI. The cover features Brian Jones of the Rolling Stones, playing his trademark Vox Mark VI teardrop, and features a line up of British and Italian built vox guitars and basses; Vox Phantom, Vox Mark, Vox Spitfire, Lynx, Super Lynx and the Jones' Stones colleague Bill Wymans signature Wyman Bass. Twelve pages.
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1966 Kalamazoo KG2a electric guitar
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 Details and information on the Kalamazoo KG2a electric guitar. The beat boom of the mid 1960s heralded a huge demand for electric guitars; youngsters up and down America were looking for affordable, well-built solid-bodies, with modern looks and a great sound. Gibson, better known for it's high-end jazz guitars, responded by producing the KG guitar and KB bass lines, under the Kalamazoo brand. They were initially modelled on the Fender Mustang, though soon took the shape of the Gibson SG, which was rapidly rising in popularity. The resulting instruments used modern composite wood technology, Fender style construction and actual Gibson hardware. They looked good, played well, and sold in large quantities. See also Kalamazoo KG shipping figures, a 1966 Kalamazoo KG1 (single pickup) and listen to the Kalamazoo KG soundclips.
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1966 Hagstrom Coronado IV bass
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 The Hagstrom Coronado is one of the most distinctive bass guitars ever manufactured; the quirky controls, 32" scale, and unique shape. The body and neck are mahogany, but with bolt on construction. This 1966 Coronado is one of the later guitars, so does not have the Hagstrom Bi-Sonic pickups, but it is still a great sounding, and highly playable bass. Check out the short Hagstrom Coronado bass sound clips on this site.
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1964 UK Vox precision in sound catalogue
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 Vox catalogues were issued in different parts of the world representing the products available in that region. Guitars and amps were made across three continents throughout the 1960s, but this early JMI newsletter/catalogue was aimed at the British market, and showed guitars and amplifiers available in the United Kingdom. Most are British made, although there are electric acoustics imported from the Italian guitar builder Crucianelli, and some of the solid body guitars are fitted with Italian-made (Eko) necks. Also shows British-built Vox amps, and acessories. Eight pages
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1973 Fender Musicmaster bass
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 Pictures, description and soundclips from a 1973 Fender Musicmaster bass. The Musicmaster bass changed very little between it's introduction in 1970, and it's deletion in the early 1980s. Although often regarded as a student bass, the Musicmaster was of high enough quality, both in terms of components and build, to sell to student guitarists and more advanced players looking for an affordable shortscale bass.
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